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| Anthology Repertoire | |
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| Series Editor's Preface | |
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| Author's Preface | |
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| The Encyclopedic Century | |
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| The Grand Tour | |
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| The "Fish-Tail" | |
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| Demographics and Religion | |
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| A Musicological Grand Tour | |
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| For Further Reading | |
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| Learned and Galant | |
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| Old and New Musical Styles | |
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| Binary and Da Capo Form: Musical Common Ground | |
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| Coexistence and Interaction of Styles | |
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| Teaching and Learning | |
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| For Further Reading | |
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| Naples | |
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| Musical Education | |
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| The Musico and Vocal Improvisation | |
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| Theaters | |
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| The Austrians in Naples, Vinci, and the Emergence of the Galant Style | |
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| Pergolesi and the Comic Intermezzo | |
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| For Further Reading | |
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| Carnival Opera in Rome and Venice | |
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| Metastasio and Opera Seria | |
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| Theatrical Transvestism and the Roman Carnival: Latilla's Lafinta cameriera | |
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| Venetian Ospedali | |
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| "I Boast of My Strength": The Life and Music of Caterina Gabrielli | |
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| For Further Reading | |
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| Instrumental Music in Italy and Spain | |
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| The Operatic Sinfonia, the Symphony, and the Orchestra | |
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| The Piano | |
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| Domenico Scarlatti | |
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| Boccherini and the Music Publishing Business | |
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| For Further Reading | |
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| Paris of the Aacien R�gime | |
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| Trag�die Lyrique at the Op�ra | |
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| Opera Comique | |
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| Instrumental Music in Parisian Salons | |
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| Public Concerts and the Chevalier de Saint-Georges | |
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| For Further Reading | |
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| Georgian London | |
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| Metropolis on the Thames | |
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| Ballad Opera | |
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| Italian Opera | |
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| Public Concerts | |
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| "Ancient" and Modern Instrumental Music | |
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| For Further Reading | |
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| Vienna under Empress Maria Theresa | |
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| The Court Theater and the Theater at the K�rntnertor | |
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| Crisis, Reform, and a New Court Theater | |
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| Maria Theresa as Musician and Patron | |
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| Gluck and Viennese Op�ra Comique | |
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| Operatic Reform and Orfeo ed Euridice | |
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| Church Music: Vanhal's Missa Pastoralis | |
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| Women at the Keyboard | |
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| For Further Reading | |
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| Leipzig and Berlin | |
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| Leipzig in | |
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| Hiller as Organizer of Concerts and Composer of Singspiele | |
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| A Musician-King's Violent Coming of Age | |
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| Frederick's Opera Company and Graun's Montezuma | |
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| Carl Philipp Emanuel Bach | |
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| For Further Reading | |
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| Courts of Central Europe: Mannheim, Bayreuth, and Eisenstadt/Eszterh�za | |
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| Carl Theodor and Stamitz at Mannheim | |
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| Margravine Wimelmina and Anna Bon at Bayreuth | |
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| Joseph Haydn in Vienna and Eisenstadt | |
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| Haydn at Eszterh�za and the Farewell Symphony | |
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| For Further Reading | |
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| Galant Music in the New World | |
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| The Gold Cities of Minas Gerais | |
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| An Italian Musician in Mexico City | |
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| The Slave Colony of Jamaica and Samuel Felsted's Jonah | |
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| Music for the Moravian Lovefeast | |
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| For Further Reading | |
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| St. Petersburg under Catherine the Great | |
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| Catherine the Great as Operatic Patron | |
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| Music and the Nobility: Nicholas and Prascovia | |
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| Giuseppe Sarti, Dmitry Bortniansky, and Russian Church Music | |
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| The Russian Horn Band | |
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| John Field's Forward-Looking Piano Music | |
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| For Further Reading | |
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| Foreigners in Paris: Gluck, Mozart Salieri, Cherubini | |
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| Gluck at the Op�ra | |
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| Mozart in Paris's Salons and Concert Rooms | |
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| Antonio Salieri and Les Dana�des | |
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| Luigi Cherubini and the French Revolution | |
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| For Further Reading | |
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| Mozart's Vienna | |
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| Joseph as Enlightened Monarch | |
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| New Patterns of Patronage | |
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| Public Concerts | |
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| Music in the Home | |
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| Opera Buffa | |
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| For Further Reading | |
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| Prague | |
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| In the Shadow of White Mountain | |
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| Italian Opera | |
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| Mozart in Prague | |
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| Don Giovanni | |
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| A Coronation Opera for the "German Titus" | |
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| For Further Reading | |
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| London in the 1790s | |
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| Rival Concert Series | |
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| Haydn's First Visit to England | |
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| Haydn's Second Visit | |
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| For Further Reading | |
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| Vienna in the Napoleonic Era | |
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| Beethoven in Vienna: The 1790s | |
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| Gottfried van Swieten and Haydn's The Seasons | |
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| The Triumph of Cherubini's Les Deux Journ�es | |
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| Church Music as Counter-Revolutionary Symbol | |
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| Beethoven's Heroic Style | |
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| The Pastoral Symphony as Celebration of the Enlightenment | |
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| For Further Reading | |
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| Glossary | |
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| Endnotes | |
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| Credits | |
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| Index | |