Totally, Tenderly, Tragically
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Description: Phillip Lopate has been obsessed with movies from the start. As an undergraduate at Columbia, he organized the school's first film society. Later, he even tried his own hand at filmmaking. But it was not until his ascent as a major essayist that Lopate found his truest and most lasting contribution to the medium. And, over the past twenty-five years, tackling subjects ranging from Visconti to Jerry Lewis, from the first New York Film Festival to the thirty-second, Phillip Lopate has made film his most cherished subject. Here, in one place, are the very best of these essays, a joy for anyone who loves movies.
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All the information you need in one place! Each Study Brief is a summary of one specific subject; facts, figures, and explanations to help you learn faster.
List price: $16.95
Publisher: Knopf Doubleday Publishing Group
Publication date: 10/20/1998
Size: 5.25" wide x 8.00" long x 1.00" tall
Phillip Lopate is a professor at Columbia University, where he directs the graduate nonfiction program.
|Anticipation ofLa Notte: The "Heroic"|
|Age of Moviegoing|
|The First New York Film Festival—1963|
|Three on a Couch: Jerry Lewis|
|Adjusts Contempt: The Story of a Marriage Antonioni's|
|Cronaca Diary of a Country Priest: Films as Spiritual Life Fassbinder's|
|Films And Filmmakers|
|The Operatic Realism of Luchino Visconti|
|The World According to Makavejev Fourteen Koans by a Levite on Scorsese's|
|The Last Temptation of Christ Truffaut's|
|The Woman Next Door David Lynch's Wild at Heart Kenji Mizoguchi|
|The Legacy of John Cassavetes|
|A Taste for Naruse Sidney Lumet, or The Necessity for Compromise|
|The Experimental Films of Warren Sonbert|
|Three Ozu Films from the Fifties|
|Can Movies Think?|
|The Passion of Pauline Kael|
|The Gallant Andrew Sarris|
|The Last Taboo: The Dumbing Down of American Movies|
|In Search of the Centaur: The Essay-Film When Writers Direct|
|The Images of Children in Film The 32nd New York|
|Film Festival Interview with Abbas|
|Kiarostami Was It a Montage for You, Too, My Dear?|