| |
| |
Editor's Foreword | |
| |
| |
Translator's Preface | |
| |
| |
Introduction: F. T. Marinetti (1876-1944): A Life Between Art and Politics | |
| |
| |
The Pre-Futurist Years (1876-1908) | |
| |
| |
| |
Self-Portrait | |
| |
| |
The Foundation of Futurism (1909) | |
| |
| |
| |
The Foundation and Manifesto of Futurism | |
| |
| |
| |
Futurism: An Interview with Mr. Marinetti in Comoedia | |
| |
| |
| |
Second Futurist Proclamation: Let's Kill Off the Moonlight | |
| |
| |
| |
Preface to Mafarka the Futurist | |
| |
| |
| |
We Renounce Our Symbolist Masters, the Last of All Lovers of the Moonlight | |
| |
| |
The Futurist Political Program (1909-13) | |
| |
| |
| |
First Futurist Political Manifesto | |
| |
| |
| |
Our Common Enemies | |
| |
| |
| |
War, the Sole Cleanser of the World | |
| |
| |
| |
Against Sentimentalized Love and Parliamentarianism | |
| |
| |
| |
The Necessity and Beauty of Violence | |
| |
| |
| |
Second Futurist Political Manifesto | |
| |
| |
| |
Third Futurist Political Manifesto | |
| |
| |
The Futurist Combat in the Artistic Arena (1910-15) | |
| |
| |
| |
Against Academic Teachers | |
| |
| |
| |
Extended Man and the Kingdom of the Machine | |
| |
| |
| |
Lecture to the English on Futurism | |
| |
| |
| |
The Futurist Manifesto Against English Art | |
| |
| |
| |
Futurist Proclamation to the Spaniards | |
| |
| |
| |
An Open Letter to the Futurist Mac Delmarle | |
| |
| |
| |
Technical Manifesto of Futurist Literature | |
| |
| |
| |
Destruction of Syntax-Untrammeled Imagination-Words-in-Freedom | |
| |
| |
| |
Down with the Tango and Parsifal! | |
| |
| |
| |
Geometrical and Mechanical Splendor and Sensitivity Toward Numbers | |
| |
| |
| |
On the Subject of Futurism: An Interview with La diana | |
| |
| |
Birth of a Futurist Theater (1910-17) | |
| |
| |
| |
Futurism's First Battles | |
| |
| |
| |
The Battles of Trieste | |
| |
| |
| |
The Battles of Venice | |
| |
| |
| |
The Battles of Rome | |
| |
| |
| |
The Battle of Florence | |
| |
| |
| |
The Exploiters of Futurism | |
| |
| |
| |
Manifesto of Futurist Playwrights: The Pleasures of Being Booed | |
| |
| |
| |
The Variety Theater | |
| |
| |
| |
Dynamic, Multichanneled Recitation | |
| |
| |
| |
A Futurist Theater of Essential Brevity | |
| |
| |
| |
Futurist Dance | |
| |
| |
Futurism and the Great War (1911-17) | |
| |
| |
| |
Electric War: A Futurist Visionary Hypothesis | |
| |
| |
| |
The Futurists, the First Interventionists | |
| |
| |
| |
In This Futurist Year | |
| |
| |
| |
The Meaning of War for Futurism: Interview with L'avvenire | |
| |
| |
| |
Futurism and the Great War | |
| |
| |
Futurist Art During the First World War (1916) | |
| |
| |
| |
Birth of a Futurist Aesthetic | |
| |
| |
| |
The New Ethical Religion of Speed | |
| |
| |
| |
The Futurist Cinema | |
| |
| |
| |
Some Parts of the Film Futurist Life | |
| |
| |
The Postwar Political Battle (1918-23) | |
| |
| |
| |
Manifesto of the Futurist Political Party | |
| |
| |
| |
An Artistic Movement Creates a Political Party | |
| |
| |
| |
Branches of the Futurist Political Party, the Arditi, and the Legionnaires of Fiume | |
| |
| |
| |
A Meeting with the Duce | |
| |
| |
| |
The Founding of the Fasci di Combattimento | |
| |
| |
| |
Fascism and the Milan Speech | |
| |
| |
| |
The Battle of Via Mercanti | |
| |
| |
| |
Old Ideas That Go Hand in Glove but Need to Be Separated | |
| |
| |
| |
Futurist Democracy | |
| |
| |
| |
The Proletariat of Talented People | |
| |
| |
| |
Against Marriage | |
| |
| |
| |
Synthesis of Marx's Thought | |
| |
| |
| |
Synthesis of Mazzini's Thought on Property and Its Transformation | |
| |
| |
| |
Technocratic Government Without Parliament or Senate, but with a Board of Initiatives | |
| |
| |
| |
Futurist Patriotism | |
| |
| |
| |
Against the Papacy and the Catholic Mentality, Repositories of Every Kind of Traditionalism | |
| |
| |
| |
Speech in Parliament | |
| |
| |
| |
Address to the Fascist Congress of Florence | |
| |
| |
| |
Beyond Communism | |
| |
| |
| |
To Every Man, a New Task Every Day!: Inequality and the Artocracy | |
| |
| |
| |
Artistic Rights Defended by the Italian Futurists | |
| |
| |
The Return to the Artistic Domain (1920-33) | |
| |
| |
| |
What Is Futurism?: Elementary Lessons | |
| |
| |
| |
Tactilism: A Futurist Manifesto | |
| |
| |
| |
Tactilism: Toward the Discovery of New Senses | |
| |
| |
| |
The Theater of Surprises | |
| |
| |
| |
Memorandum on Stage Presence and the Style of Theater | |
| |
| |
| |
The Abstract Antipsychological Theater of Pure Elements and the Tactile Theater | |
| |
| |
| |
Futurist Photography | |
| |
| |
| |
Manifesto of Futurist Cuisine | |
| |
| |
| |
Total Theater: Its Architecture and Technology | |
| |
| |
| |
A Futurist Theater of the Skies Enhanced by Radio and Television | |
| |
| |
| |
The Radio | |
| |
| |
| |
Manuscript Version of Document 11: The Necessity and Beauty of Violence | |
| |
| |
Notes | |
| |
| |
Bibliography | |
| |
| |
Name Index | |
| |
| |
Subject Index | |