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| The Wound | |
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| Here Come the Saints | |
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| To his Cynical Mistress | |
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| Wind in the Street | |
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| Lazarus Not Raised | |
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| Lofty in the Palais de Danse | |
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| Round and Round | |
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| Helen's Rape | |
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| The Secret Sharer | |
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| La Prisonniere | |
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| Carnal Knowledge | |
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| The Court Revolt | |
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| The Right Possessor | |
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| Looking Glass | |
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| Lerici | |
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| A Mirror for Poets | |
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| The Beach Head | |
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| A Kind of Ethics | |
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| Tamer and Hawk | |
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| Captain in Time of Peace | |
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| Without a Counterpart | |
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| For a Birthday | |
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| Incident on a Journey | |
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| On the Move | |
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| The Nature of an Action | |
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| At the Back of the North Wind | |
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| Before the Carnival | |
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| A Plan of Self-Subjection | |
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| Birthday Poem | |
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| First Meeting with a Possible Mother-in-Law | |
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| Autumn Chapter in a Novel | |
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| The Wheel of Fortune | |
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| The Silver Age | |
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| The Unsettled Motorcyclist's Vision of his Death | |
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| Lines for a Book | |
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| Elvis Presley | |
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| Market at Turk | |
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| In Praise of Cities | |
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| The Allegory of the Wolf Boy | |
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| Julian the Apostate | |
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| Jesus and his Mother | |
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| St Martin and the Beggar | |
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| To Yvor Winters, 1955 | |
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| The Inherited Estate | |
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| During an Absence | |
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| The Separation | |
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| High Fidelity | |
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| Legal Reform | |
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| Thoughts on Unpacking | |
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| Merlin in the Cave: He Speculates without a Book | |
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| The Corridor | |
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| Vox Humana | |
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| In Santa Maria del Popolo | |
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| The Annihilation of Nothing | |
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| The Monster | |
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| Readings in French | |
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| From the Highest Camp | |
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| Innocence | |
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| Modes of Pleasure | |
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| Modes of Pleasure | |
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| A Map of the City | |
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| The Book of the Dead | |
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| The Byrnies | |
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| Black Jackets | |
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| The Value of Gold | |
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| Claus von Stauffenberg | |
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| Waking in a Newly Built House | |
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| Flying Above California | |
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| Considering the Snail | |
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| 'Blackie, the Electric Rembrandt' | |
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| Hotblood on Friday | |
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| The Feel of Hands | |
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| L'Epreuve | |
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| Rastignac at 45 | |
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| Lights Among Redwood | |
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| Adolescence | |
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| A Trucker | |
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| Loot | |
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| My Sad Captains | |
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| The Last Man | |
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| Memoirs of the World | |
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| Elegy on the Dust | |
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| The First Man | |
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| The Goddess | |
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| The Kiss at Bayreuth | |
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| Berlin in Ruins | |
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| Confessions of the Life Artist | |
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| No Speech from the Scaffold | |
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| Taylor Street | |
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| The Conversation of Old Men | |
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| The Old Woman | |
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| Touch | |
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| The Vigil of Corpus Christi | |
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| From an Asian Tent | |
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| In the Tank | |
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| The Clock | |
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| Back to Life | |
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| Pierce Street | |
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| Aqueduct | |
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| The Inside-Outside Game | |
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| Rites of Passage | |
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| Moly | |
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| For Signs | |
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| Justin | |
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| Phaedra in the Farm House | |
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| The Sand Man | |
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| Apartment Cats | |
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| Three | |
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| Words | |
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| From the Wave | |
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| Tom-Dobbin | |
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| The Rooftop | |
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| The Colour Machine | |
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| Street Song | |
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| The Fair in the Woods | |
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| Listening to Jefferson Airplane | |
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| To Natty Bumppo | |
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| The Garden of the Gods | |
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| Flooded Meadows | |
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| Grasses | |
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| The Messenger | |
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| Being Born | |
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| At the Centre | |
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| The Discovery of the Pacific | |
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| Sunlight | |
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| The Bed | |
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| Diagrams | |
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| |
| Iron Landscapes (and the Statue of Liberty) | |
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| The Corporal | |
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| Fever | |
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| The Night Piece | |
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| Last Days at Teddington | |
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| All Night, Legs Pointed East | |
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| The Geysers | |
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| Three Songs: Baby Song | |
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| Three Songs: Hitching into Frisco | |
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| |
| Three Songs: Sparrow | |
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| |
| The Plunge | |
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| |
| Bringing to Light | |
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| |
| Thomas Bewick | |
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| Wrestling | |
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| |
| The Outdoor Concert | |
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| Saturnalia | |
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| Faustus Triumphant | |
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| |
| Dolly | |
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| Jack Straw's Castle | |
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| |
| An Amorous Debate | |
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| |
| Autobiography | |
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| |
| Hampstead: the Horse Chestnut Trees | |
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| |
| The Road Map | |
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| |
| The Idea of Trust | |
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| |
| Courage, a Tale | |
| |
| |
| Behind the Mirror | |
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| |
| The Cherry Tree | |
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| |
| Mandrakes | |
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| |
| Yoko | |
| |
| |
| The Release | |
| |
| |
| Breaking Ground | |
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| |
| Elegy | |
| |
| |
| Adultery | |
| |
| |
| Bally Power Play | |
| |
| |
| New York | |
| |
| |
| The Conversation | |
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| |
| Expression | |
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| |
| Selves | |
| |
| |
| A Waking Dream | |
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| |
| Sweet Things | |
| |
| |
| The Cat and the Wind | |
| |
| |
| Small Plane in Kansas | |
| |
| |
| The Exercise | |
| |
| |
| Hide and Seek | |
| |
| |
| As Expected | |
| |
| |
| The Menace | |
| |
| |
| Song of a Camera | |
| |
| |
| Waitress | |
| |
| |
| Keats at Highgate | |
| |
| |
| His Rooms in College | |
| |
| |
| June | |
| |
| |
| Another All-Night Party | |
| |
| |
| San Francisco Streets | |
| |
| |
| The Miracle | |
| |
| |
| The Victim | |
| |
| |
| Painkillers | |
| |
| |
| Slow Waker | |
| |
| |
| The Girls Next Door | |
| |
| |
| Donahue's Sister | |
| |
| |
| At an Intersection | |
| |
| |
| A Drive to Los Alamos | |
| |
| |
| Transients and Residents: Falstaff | |
| |
| |
| Transients and Residents: Crystal | |
| |
| |
| Transients and Residents: Crosswords | |
| |
| |
| Transients and Residents: Interruption | |
| |
| |
| Talbot Road | |
| |
| |
| Night Taxi | |
| |
| |
| Fennel | |
| |
| |
| Venetian Blind | |
| |
| |
| A Bulletin from the Stadium | |
| |
| |
| Smoking Pot on the Bus | |
| |
| |
| '1975' | |
| |
| |
| Punch Rubicundus | |
| |
| |
| At the Barriers | |
| |
| |
| The Hug | |
| |
| |
| To a Friend in Time of Trouble | |
| |
| |
| Bone | |
| |
| |
| An Invitation | |
| |
| |
| The Differences | |
| |
| |
| Lines for My 55th Birthday | |
| |
| |
| Philemon and Baucis | |
| |
| |
| Odysseus on Hermes | |
| |
| |
| Seesaw | |
| |
| |
| A Sketch of the Great Dejection | |
| |
| |
| Patch Work | |
| |
| |
| The Life of the Otter | |
| |
| |
| Three for Children | |
| |
| |
| Skateboard | |
| |
| |
| Well Dennis O'Grady | |
| |
| |
| Outside the Diner | |
| |
| |
| Improvisation | |
| |
| |
| Old Meg | |
| |
| |
| Yellow Pitcher Plant | |
| |
| |
| Tenderloin | |
| |
| |
| Looks | |
| |
| |
| To Isherwood Dying | |
| |
| |
| The Stealer | |
| |
| |
| JVC | |
| |
| |
| Barren Leaves | |
| |
| |
| Jamesian | |
| |
| |
| Meat | |
| |
| |
| Cafeteria in Boston | |
| |
| |
| Nasturtium | |
| |
| |
| The Beautician | |
| |
| |
| 'All Do Not All Things Well' | |
| |
| |
| The Man with Night Sweats | |
| |
| |
| In Time of Plague | |
| |
| |
| Lament | |
| |
| |
| Terminal | |
| |
| |
| Still Life | |
| |
| |
| The Reassurance | |
| |
| |
| Words for Some Ash | |
| |
| |
| Sacred Heart | |
| |
| |
| Her Pet | |
| |
| |
| Courtesies of the Interregnum | |
| |
| |
| To the Dead Owner of a Gym | |
| |
| |
| Memory Unsettled | |
| |
| |
| The J Car | |
| |
| |
| To a Dead Graduate Student | |
| |
| |
| The Missing | |
| |
| |
| Death's Door | |
| |
| |
| A Blank | |
| |
| |
| Postscript and Notes | |
| |
| |
| Index of Titles | |