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Pro Tips for Getting Really Sharp Photos | |
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If Your Photos Aren't Sharp, the Rest Doesn't Matter | |
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The Real Secret to Getting Sharp Photos | |
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The Other Most Important Secret | |
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Perhaps Even More Important Than That! | |
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If You Skip This, Throw Away Your Camera | |
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If You Do This Wrong, It Will Lock Up | |
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It's Time to Get Serious | |
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Getting "Tack Sharp" Starts with a Tripod | |
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A Ballhead Will Make Your Life Easier | |
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Don't Press the Shutter (Use a Cable Release) | |
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Forgot Your Cable Release? Use a Self Timer | |
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Getting Super Sharp: Mirror Lock-Up | |
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Turn Off Vibration Reduction (or IS) | |
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Shoot at Your Lens' Sharpest Aperture | |
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Good Glass Makes a Big Difference | |
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Avoid Increasing Your ISO on a Tripod | |
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Zoom In to Check Sharpness | |
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Sharpening After the Fact in Photoshop | |
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Did You Resize That for the Web? Then Resharpen! | |
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Hand-Held Sharpness Trick | |
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Getting Steadier Hand-Held Shots | |
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Shooting Flowers Like a Pro | |
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There's More to It Than You'd Think | |
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Don't Shoot Down on Flowers | |
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Shooting Flowers with a Zoom Lens | |
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Use a Macro Lens to Get Really Close | |
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Can't Afford a Macro? How 'bout a Close-Up? | |
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When to Shoot Flowers | |
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Don't Wait for Rain-Fake it! | |
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Flowers on a Black Background | |
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Flowers on a White Background | |
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The Perfect Light for Indoor Flower Shots | |
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Where to Get Great Flowers to Shoot | |
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Stopping the Wind | |
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Consider Just Showing One Part | |
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Shooting Weddings Like a Pro | |
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There Is No Retaking Wedding Photos. It Has Got to Be Right the First Time! | |
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Tricks for Low-Light Shooting in a Church, Part 1 | |
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Tricks for Low-Light Shooting in a Church, Part 2 | |
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Do You Really Need the f/1.4 Lens? | |
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Getting Soft, Diffused Light with Flash, Part 1 | |
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Getting Soft, Diffused Light with Flash, Part 2 | |
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Use Your Flash at Outdoor Weddings | |
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Finding That Perfect Bridal Light | |
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Don't Spend Too Much Time On the Formals | |
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Formals: Who to Shoot First | |
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Formals: Build Off the Bride and Groom | |
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How to Pose the Bride with Other People | |
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The Trick to Keeping Them from Blinking | |
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Formals: Where to Aim | |
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Formals: How High to Position Your Camera | |
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Formals: Don't Cut Off Joints | |
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Formals: The Trick to Great Backgrounds | |
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Reception Photos: Making Them Dance | |
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Your Main Job: Follow the Bride | |
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Shooting the Details (& Which Ones to Shoot) | |
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Change Your Vantage Point to Add Interest | |
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What to Shoot with a Wide-Angle Lens | |
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Keep Backup Memory Cards on You | |
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Back Up Your Photos Onsite | |
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If Shooting JPEGs, Use a Preset White Balance | |
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Shooting Landscapes Like a Pro | |
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Pro Tips for Capturing the Wonder of Nature | |
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The Golden Rule of Landscape Photography | |
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Become Married to Your Tripod | |
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Shoot in Aperture Priority Mode | |
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Composing Great Landscapes | |
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The Trick to Shooting Waterfalls | |
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A Tip for Shooting Forests | |
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Where to Put the Horizon Line | |
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Getting More Interesting Mountain Shots | |
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The Trick for Warmer Sunrises and Sunsets | |
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Turn on "The Blinkies" to Keep More Detail | |
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How to Deal with the Dreaded Blinkies | |
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How to Show Size | |
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Don't Set Up Your Tripod. Not Yet | |
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The Trick to Getting Richer Colors | |
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What to Shoot in Bad Weather | |
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Atmosphere Is Your Friend | |
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Getting Rid of Lens Flare-The Manual Way | |
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The Landscape Photographer's Secret Weapon | |
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Keeping Your Horizons Straight | |
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Shooting on Cloudy Days | |
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Tips for Shooting Panoramas, Part 1 | |
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Tips for Shooting Panoramas, Part 2 | |
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Tips for Shooting Panoramas, Part 3 | |
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Faking Panoramas | |
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Why You Need a Wide-Angle Lens | |
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Want to Take Things Up a Notch? Shoot Low | |
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Shooting Sports Like a Pro | |
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Better Bring Your Checkbook | |
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Pro Sports Shooting Is Dang Expensive | |
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Which Lenses to Use | |
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This Lens Rocks for the Money | |
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Stability for Shooting Sports | |
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Don't Plan on Changing Lenses | |
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Set Your White Balance for Indoor Sports | |
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Shoot at a 1/1000 Sec. Shutter Speed or Faster | |
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Shooting at Night or Indoors? Raise Your ISO! | |
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Getting Burned by Indoor Lighting | |
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Shoot Wide Open | |
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Shooting in Burst Mode | |
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RAW or JPEG for Sports Shooters? | |
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Pan to Show Motion | |
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Pre-Focus to Get the Shot | |
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Shoot Vertically for More Impact | |
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Don't Be Afraid to Crop Your Photos | |
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You Need Two Eyes and a Ball | |
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Don't Always Focus on the Winner | |
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Composing for Sports | |
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The Pros Know the Game | |
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Shooting People Like a Pro | |
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Tips for Making People Look Their Very Best | |
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The Best Lens for Portrait Photography | |
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Which Aperture to Use | |
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Using Seamless Backgrounds | |
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Using Canvas or Muslin Backgrounds | |
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The Right Background Outdoors | |
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Where to Focus | |
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Where to Position Your Camera | |
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Positioning Your Subject in the Frame | |
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Tip for Framing Portraits | |
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Getting Great Light Outdoors | |
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Getting Great Light Indoors | |
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Taking Great Photos of Newborn Babies | |
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Great Sunset Portraits | |
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Better Natural-Light Portraits with a Reflector | |
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Aiming Your Reflector | |
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Use a Reflector When the Lighting Is Flat | |
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Avoiding Problems Like a Pro | |
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How to Avoid Digital Headaches | |
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Pro Tips to Avoid White Balance Problems | |
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Cold Weather Shooting Means Extra Batteries | |
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Don't Change Lenses in Dusty Weather | |
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Apply for Permits to Shoot with Your Tripod | |
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Be Careful What You Shoot | |
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A Tip for Shooting on an Incline | |
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The Other Reason Pros Use a Lens Hood | |
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Keeping Your Lens Out of Trouble | |
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Limit Your LCD Time to Save Battery Life | |
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Bracket If You're Not Sure About Exposure | |
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Avoid Red Eye | |
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Remove Red Eye | |
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Taking Advantage of Digital Like a Pro | |
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It's More Than Just a Replacement for Film | |
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Level the Playing Field: Press That Button | |
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The LCD Monitor "Gotcha!" | |
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Edit as You Shoot to Get More Keepers | |
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Take Advantage of the Blinkies | |
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The Viewfinder "Border Patrol" Trap | |
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No Penalty Fee for Experimenting | |
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Don't Cram Too Much on One Card | |
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Take Advantage of Poster-Sized Printing | |
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You're Probably Going to Lose Your Lens Hood | |
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Is It Better to Underexpose or Overexpose? | |
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Keep from Accidentally Erasing Memory Cards | |
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Which Brand of Camera Should You Buy? | |
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Taking Travel & City Life Shots Like a Pro | |
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Tips for Travel Photography | |
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How to Be Ready for "The Shot" | |
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Shoot Kids and Old People. It Can't Miss | |
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Hire a Model (It's Cheaper Than You'd Think) | |
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What Time to Shoot | |
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Look for Bold, Vivid Colors | |
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Shooting Travel? Visit 500px.com First | |
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Don't Try to Capture It All: Shoot the Details | |
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The Best Shot May Be Just Three Feet Away | |
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Shoot the Signs. You'll Thank Yourself Later | |
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Showing Movement in the City | |
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For Maximum Impact, Look for Simplicity | |
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The Monopod Scam | |
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What to Do When It Has Been "Shot to Death" | |
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Including the Moon and Keeping Detail | |
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Shooting Fireworks | |
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If You Have a Laptop, Take It With You | |
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Want a Rooftop Shot of the City? Try This | |
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Getting "Nearly Tourist-Free" Shots | |
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How to Print Like a Pro and Other Cool Stuff | |
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After All, It's All About the Print! | |
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The Advantages of Shooting in RAW | |
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How to Process RAW Photos in Photoshop | |
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Compare Your LCD to Your Computer Monitor | |
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Organizing Your Photos with Lightroom | |
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How Many More Megapixels Do You Need? | |
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Printing Lab-Quality 8�10s | |
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Printing Lab-Quality 13�19s | |
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Printing 17�22s-The Pros' Choice | |
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Which Paper Should You Print On? | |
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What Determines Which Paper You Use? | |
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Getting Your Monitor to Match Your Printer | |
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Download the Color Profiles for Your Paper | |
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Selling Your Photos as "Stock" Online | |
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A Quick Peek at My Gear | |
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There Are Three Other Books in This Series | |
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Learn More with Me Each Week on The Grid | |
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Ten Things I Wish Someone Had Told Me | |
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When I First Started Out in Photography | |
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#1: Buying a More Expensive Camera Doesn't Necessarily Mean Better Photos | |
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#2: You Need to Sharpen After the Fact | |
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#3: The Pros Take Lots of Bad Photos | |
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#4: Learn Exposure Compensation | |
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#5: Don't Worry About Manual Mode | |
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#6: Today You Should Probably Shoot Wide | |
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#7: Nothing Has Impact Like a Print | |
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#8: Ignore Your Histogram | |
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#9: Figure Out What Type of Photographer You Are | |
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#10: Do What It Takes to Get the Photos You Want | |
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#11: You Need a Portfolio | |
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#12: Stop Reading Books About Photography | |
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Photo Recipes to Help You Get "The Shot" | |
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The Simple Ingredients That Make It All Come Together | |
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Index | |