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| Getting Started | |
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| About Classroom in a Book | |
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| Prerequisites | |
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| Installing software in Adobe Creative Cloud | |
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| Hardware requirements | |
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| For Windows | |
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| For Mac OS | |
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| Optimizing performance | |
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| How to use these lessons | |
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| Copying the lesson files and bonus chapters | |
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| Relinking the lesson files | |
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| Interpreting the frame rate of linked files | |
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| Additional resources | |
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| Adobe certification | |
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| Working in Adobe Creative Cloud | |
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| The "planning to playback" video-production workflow | |
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| Pre-production | |
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| Post-production | |
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| Overview of Creative Cloud | |
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| Learning the role of each component | |
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| Understanding the Creative Cloud user interface | |
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| Using Dynamic Link | |
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| Working with media files in video production | |
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| Linking a project with media files | |
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| Real-time playback and editing | |
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| Mercury Playback Engine | |
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| Global Performance Cache | |
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| Mercury Graphics Engine | |
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| Mercury Performance System | |
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| Organizing the Media Files for Your Project | |
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| About Adobe Bridge | |
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| Naming and managing your project and media files | |
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| Navigating and previewing media | |
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| Working with metadata | |
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| Adding metadata to your media | |
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| About Adobe Story | |
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| Starting a new A/V script in Adobe Story | |
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| Collaborating with others on your script | |
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| Planning and managing your production with Adobe Story | |
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| About Prelude | |
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| Ingesting media and working with metadata in Prelude | |
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| Adding notes to footage | |
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| Creating bins | |
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| Assembling a rough cut | |
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| Adding time-based comments | |
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| Sending your project to Adobe Premiere Pro | |
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| Creating a Basic Edit | |
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| About Adobe Premiere Pro | |
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| Optimizing performance | |
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| Creating a new project in Adobe Premiere Pro | |
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| Understanding the Adobe Premiere Pro user interface | |
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| Importing footage and other media using the Media Browser | |
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| Understanding the Project panel | |
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| Interpreting footage | |
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| Creating bins | |
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| Importing assets as a bin | |
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| Creating a new bin | |
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| Viewing your footage | |
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| Listening toy our footage | |
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| Viewing your B-roll footage | |
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| Viewing your RED footage | |
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| Music and sound effects | |
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| About subclips | |
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| Creating a subclip | |
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| Editing Interview clips | |
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| Relinking media with Link & Locate | |
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| Creating the first sequence | |
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| Using markers | |
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| Adding a marker to a clip | |
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| Adding a marker to a sequence | |
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| Working in the Timeline | |
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| Preparing to edit in the Timeline | |
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| The components of the Timeline | |
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| Muting and locking tracks | |
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| Editing on the Timeline | |
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| Adding B-roll | |
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| Reordering clips on the Timeline | |
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| Using new audio enhancements | |
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| Using Snap | |
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| Snapping between edit points | |
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| Snapping clips into a sequence | |
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| Snapping clips within a sequence | |
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| Refining your story | |
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| Shorten the music clips | |
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| Making an audio gap | |
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| Adding a reaction shot | |
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| Adding the last clip | |
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| Final marker | |
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| Finishing your rough edit | |
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| Advanced Editing Techniques | |
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| Download this lesson and its project files from the Lesson & Update Files tab on your Account page at www.peachpit.com. See the "Getting Started" section for more details. | |
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| Creating Basic Motion Graphics and Visual Effects | |
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| Getting started | |
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| If you are starting here | |
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| Preserving your rough edit in Adobe Premiere Pro | |
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| About After Effects | |
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| Creating a new project in After Effects | |
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| Optimizing performance | |
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| The Global Performance Cache | |
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| Understanding the After Effects user interface | |
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| Creating folders in After Effects | |
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| Using Dynamic Link: from Adobe Premiere Pro to After Effects | |
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| Creating a motion graphic with After Effects | |
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| Working with layers | |
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| Understanding keyframes | |
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| Animating your layers | |
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| Using RAM Preview | |
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| RAM Previewing your timelapse | |
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| Final changes to timelapse | |
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| Updating a dynamically linkedcomposition | |
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| About Illustrator | |
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| Making a new image in Illustrator | |
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| Overview of the Illustrator interface | |
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| Making the lower third background | |
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| Making the background shape | |
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| Making a group of shapes | |
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| Duplicating layers in Illustrator | |
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| Importing a lower third background to After Effects | |
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| Creating a new composition | |
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| Creating the lower third template composition | |
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| Create a new text layer | |
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| Applying the Drop Shadow effect | |
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| Duplicating a layer | |
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| Optional exercise: parenting | |
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| Creating a null object | |
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| Moving the null into place | |
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| Using the Pick-Whip | |
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| Moving and scaling the group | |
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| Nested compositions | |
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| Animating the background | |
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| Animating opacity | |
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| Verifying updates to a nested composition | |
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| Animating text in After Effects | |
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| Animating position | |
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| Easy Ease interpolation | |
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| Understanding and applying motion blur | |
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| Applying motion blur to text layers | |
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| Working with animation presets in After Effects | |
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| Finalizing lower third graphics | |
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| Using Dynamic Link: from After Effects to Adobe Premiere Pro | |
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| Importing After Effects compositions in Adobe Premiere Pro | |
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| Replacing clips in your Adobe Premiere Pro sequence | |
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| Dynamic Link updates | |
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| Advanced Still and Motion Graphics Techniques | |
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| Download this lesson and its project files from the Lesson & Update Files tab on your Account page at www.peachpit.com. See the "Getting Started" section for more details. | |
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| Working with Audio | |
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| Getting started | |
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| If you are starting here | |
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| Making your final edit sequence in Adobe Premiere Pro | |
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| Monitoring audio | |
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| Understanding audio tools in Adobe Premiere Pro and Adobe Audition | |
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| Changing your workspace in Adobe Premiere Pro | |
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| Verifying your preferences | |
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| Viewing audio waveforms | |
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| Opening the Audio Mixer | |
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| Adobe Premiere Pro effects | |
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| Audio clip editing in Adobe Premiere Pro | |
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| Automating volume with keyframes | |
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| Adjusting volume with the Audio Clip Mixer | |
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| Audio clip editing in Adobe Audition | |
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| Examining clips for distractions | |
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| Sending audio clips from Adobe Premiere Pro to Adobe Audition for cleanup | |
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| Understanding the Spectral Frequency Display | |
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| Removing transient sounds using the Spectral Frequency Display | |
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| Removing background noise from your audio | |
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| Multitrack mixing and finishing in Adobe Audition | |
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| Audio track editing in Adobe Audition | |
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| Creating the final audio mix | |
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| Sending your final audio mix back to Adobe Premiere Pro | |
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| Finishing Your Project | |
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| Getting started | |
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| If you are starting here | |
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| The basics of color correction | |
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| Using color-correction techniques in Adobe Premiere Pro | |
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| Setting up for color correction | |
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| Using the YC Waveform | |
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| Using the Three-Way Color Corrector | |
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| Integrating color corrections to RED footage | |
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| About SpeedGrade | |
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| Adjustment layers in Adobe Premiere Pro | |
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| Lumetri Looks | |
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| Creating a custom Look in Adobe SpeedGrade | |
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| Applying your custom Look in Adobe Premiere Pro | |
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| Output for the Web and Creative Cloud | |
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| Getting started | |
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| If you are starting here | |
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| Final quality control | |
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| Exporting the final output with Adobe Premiere Pro | |
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| Understanding compression and other factors for exporting files | |
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| About Adobe Media Encoder | |
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| Rendering master files | |
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| Saving a preset | |
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| Encoding video for web and mobile | |
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| Introducing Flash Professional | |
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| Creating interactivity with Flash Professional | |
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| Uploading and sharing your project using Creative Cloud | |
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| Uploading your work to Creative Cloud | |
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| Promoting your project | |
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| Linking Behance with your online social networks | |
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| Posting an image to Behance | |
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| Index | |