| |
| |
| |
Pro Tips for Getting Really Sharp Photos: If Your Photos Aren't Sharp, the Rest Doesn't Matter | |
| |
| |
The Real Secret to Getting Sharp Photos | |
| |
| |
The Other Most Important Secret | |
| |
| |
Perhaps Even More Important Than That! | |
| |
| |
If You Skip This, Throw Away Your Camera | |
| |
| |
If You Do This Wrong, It Will Lock Up | |
| |
| |
It's Time to Get Serious | |
| |
| |
Getting "Tack Sharp" Starts with a Tripod | |
| |
| |
A Ballhead Will Make Your Life Easier | |
| |
| |
Don't Press the Shutter (Use a Cable Release) | |
| |
| |
Forgot Your Cable Release? Use a Self Timer | |
| |
| |
Getting Super Sharp: Mirror Lock-Up | |
| |
| |
Turn Off Vibration Reduction (or IS) | |
| |
| |
Shoot at Your Lens' Sharpest Aperture | |
| |
| |
Good Glass Makes a Big Difference | |
| |
| |
Avoid Increasing Your ISO, Even in Dim Light | |
| |
| |
Zoom In to Check Sharpness | |
| |
| |
Sharpening After the Fact in Photoshop | |
| |
| |
Pro Sharpening | |
| |
| |
Hand-Held Sharpness Trick | |
| |
| |
Getting Steadier Hand-Held Shots | |
| |
| |
| |
Shooting Flowers Like a Pro: There's More to It Than You'd Think | |
| |
| |
Don't Shoot Down on Flowers | |
| |
| |
Shooting Flowers with a Zoom Lens | |
| |
| |
Use a Macro Lens to Get Really Close | |
| |
| |
Can't Afford a Macro? How 'bout a Close-Up? | |
| |
| |
When to Shoot Flowers | |
| |
| |
Don't Wait for Rain-Fake it! | |
| |
| |
Flowers on a Black Background | |
| |
| |
Shooting on a White Background | |
| |
| |
The Perfect Light for Indoor Flower Shots | |
| |
| |
Where to Get Great Flowers to Shoot | |
| |
| |
Stopping the Wind | |
| |
| |
| |
Shooting Weddings Like a Pro: There Is No Retaking Wedding Photos. It's Got to Be Right the First Time! | |
| |
| |
The Trick for Low-Light Shooting in a Church | |
| |
| |
Getting Soft, Diffused Light with Flash, Part 1 | |
| |
| |
Getting Soft, Diffused Light with Flash, Part 2 | |
| |
| |
Use Your Flash at Outdoor Weddings | |
| |
| |
Keep Backup Memory Cards on You | |
| |
| |
Formals: Who to Shoot First | |
| |
| |
Formals: Where to Aim | |
| |
| |
The Trick to Keeping Them from Blinking | |
| |
| |
Reception Photos: Making Them Dance | |
| |
| |
Your Main Job: Follow the Bride | |
| |
| |
Formals: How High to Position Your Camera | |
| |
| |
Formals: Don't Cut Off Joints | |
| |
| |
Formals: Build Off the Bride and Groom | |
| |
| |
Formals: The Trick to Great Backgrounds | |
| |
| |
Shooting the Details (& Which Ones to Shoot) | |
| |
| |
Change Your Vantage Point to Add Interest | |
| |
| |
Finding That Perfect Bridal Light | |
| |
| |
How to Pose the Bride with Other People | |
| |
| |
What to Shoot with a Wide-Angle Lens | |
| |
| |
Back Up Your Photos Onsite | |
| |
| |
If Shooting JPEGs, Use a Preset White Balance | |
| |
| |
| |
Shooting Landscapes Like a Pro: Pro Tips for Capturing the Wonder of Nature | |
| |
| |
The Golden Rule of Landscape Photography | |
| |
| |
Become Married to Your Tripod | |
| |
| |
Shoot in Aperture Priority Mode | |
| |
| |
Composing Great Landscapes | |
| |
| |
The Trick to Shooting Waterfalls | |
| |
| |
A Tip for Shooting Forests | |
| |
| |
Where to Put the Horizon Line | |
| |
| |
Getting More Interesting Mountain Shots | |
| |
| |
The Trick for Warmer Sunrises and Sunsets | |
| |
| |
Turn on "The Blinkies" to Keep More Detail | |
| |
| |
How to Avoid the Dreaded Blinkies | |
| |
| |
How to Show Size | |
| |
| |
Don't Set Up Your Tripod. Not Yet | |
| |
| |
The Trick to Getting Richer Colors | |
| |
| |
What to Shoot in Bad Weather | |
| |
| |
Atmosphere Is Your Friend | |
| |
| |
Getting Rid of Lens Flare-The Manual Way | |
| |
| |
The Landscape Photographer's Secret Weapon | |
| |
| |
Keeping Your Horizons Straight | |
| |
| |
Shooting on Cloudy Days | |
| |
| |
Tips for Shooting Panoramas, Part 1 | |
| |
| |
Tips for Shooting Panoramas, Part 2 | |
| |
| |
Tips for Shooting Panoramas, Part 3 | |
| |
| |
Faking Panoramas | |
| |
| |
Why You Need a Wide-Angle Lens | |
| |
| |
Shooting Wildlife? Aim at Their Eyes | |
| |
| |
Don't Crop Wildlife in Motion Too Close | |
| |
| |
Shooting Wildlife? Get in Really Tight | |
| |
| |
What to Shoot at Sunset | |
| |
| |
| |
Shooting Sports Like a Pro: Better Bring Your Checkbook | |
| |
| |
Set Your White Balance for Indoor Sports | |
| |
| |
Shoot at a 1/640 Sec. Shutter Speed or Faster | |
| |
| |
Pro Sports Shooting Is Dang Expensive | |
| |
| |
Don't Plan on Changing Lenses | |
| |
| |
Which Lenses to Use | |
| |
| |
Pre-Focus to Get the Shot | |
| |
| |
Raise Your ISO to Get the Speed You Need | |
| |
| |
The Pros Know the Game | |
| |
| |
Don't Always Focus on the Winner | |
| |
| |
Shooting in Burst Mode | |
| |
| |
Stability for Shooting Sports | |
| |
| |
Shoot Vertically for More Impact | |
| |
| |
Pan to Show Motion | |
| |
| |
Shoot Wide Open | |
| |
| |
Go for the Face | |
| |
| |
RAW or JPEG for Sports Shooters? | |
| |
| |
Composing for Sports | |
| |
| |
| |
Shooting People Like a Pro: Tips for Making People Look Their Very Best | |
| |
| |
The Best Lens for Portrait Photography | |
| |
| |
Which Aperture to Use | |
| |
| |
Using Seamless Backgrounds | |
| |
| |
Using Canvas or Muslin Backgrounds | |
| |
| |
The Right Background Outdoors | |
| |
| |
Where to Focus | |
| |
| |
Where to Position Your Camera | |
| |
| |
Positioning Your Subject in the Frame | |
| |
| |
Tip for Framing Portraits | |
| |
| |
Getting Great Light Outdoors | |
| |
| |
Getting Great Light Indoors | |
| |
| |
Taking Great Photos of Newborn Babies | |
| |
| |
Great Sunset Portraits | |
| |
| |
Better Natural-Light Portraits with Reflectors | |
| |
| |
| |
Avoiding Problems Like a Pro: How to Avoid Digital Headaches | |
| |
| |
Pro Tips to Avoid White Balance Problems | |
| |
| |
Cold Weather Shooting Means Extra Batteries | |
| |
| |
Don't Change Lenses in Dusty Weather | |
| |
| |
Apply for Permits to Shoot with Your Tripod | |
| |
| |
Be Careful What You Shoot | |
| |
| |
A Tip for Shooting on an Incline | |
| |
| |
The Other Reason Pros Use a Lens Hood | |
| |
| |
Keeping Your Lens Out of Trouble | |
| |
| |
Back Up Your Photos in the Field | |
| |
| |
Limit Your LCD Time to Save Battery Life | |
| |
| |
Be Careful When Throwing Out CDs/DVDs | |
| |
| |
Bracket If You're Not Sure About Exposure | |
| |
| |
Avoid Red Eye | |
| |
| |
Remove Red Eye | |
| |
| |
| |
Taking Advantage of Digital Like a Pro: It's More Than Just a Replacement for Film | |
| |
| |
Level the Playing Field: Press That Button | |
| |
| |
Put the LCD Monitor to Work | |
| |
| |
Edit as You Shoot to Get More Keepers | |
| |
| |
Take Advantage of the Blinkies | |
| |
| |
Change Your ISO on the Fly | |
| |
| |
No Penalty Fee for Experimenting | |
| |
| |
Don't Cram Too Much on One Card | |
| |
| |
Take Advantage of Poster-Sized Printing | |
| |
| |
You Can Make One Film Fit All | |
| |
| |
Is It Better to Underexpose or Overexpose? | |
| |
| |
Keep from Accidentally Erasing Memory Cards | |
| |
| |
| |
Taking Travel & City Life Shots Like a Pro: Tips for Urban Shooting | |
| |
| |
How to Be Ready for "The Shot" | |
| |
| |
Shoot Kids and Old People. It Can't Miss | |
| |
| |
Hire a Model (It's Cheaper Than You'd Think) | |
| |
| |
What Time to Shoot | |
| |
| |
Look for Bold, Vivid Colors | |
| |
| |
Shooting Travel? Visit PhotoSecrets.com First | |
| |
| |
Don't Try to Capture It All: Shoot the Details | |
| |
| |
The Best Shot May Be Just Three Feet Away | |
| |
| |
Shoot the Signs. You'll Thank Yourself Later | |
| |
| |
Showing Movement in the City | |
| |
| |
Use an Aperture That Takes It All In | |
| |
| |
For Maximum Impact, Look for Simplicity | |
| |
| |
The Monopod Scam | |
| |
| |
What to Do When It's Been "Shot to Death" | |
| |
| |
Including the Moon and Keeping Detail | |
| |
| |
Shooting Fireworks | |
| |
| |
| |
How to Print Like a Pro and Other Cool Stuff: After All, It's All About the Print! | |
| |
| |
The Advantages of Shooting in RAW | |
| |
| |
How to Process RAW Photos in Photoshop | |
| |
| |
Compare Your LCD to Your Computer Monitor | |
| |
| |
Organizing Your Photos with Lightroom | |
| |
| |
How Many More Megapixels Do You Need? | |
| |
| |
Printing Lab-Quality 8x10s | |
| |
| |
Printing Lab-Quality 13x19" Prints | |
| |
| |
Printing 16x20s-The Pros'Top Choice | |
| |
| |
Which Paper Should You Print On? | |
| |
| |
What Determines Which Paper You Use? | |
| |
| |
Getting Your Monitor to Match Your Printer | |
| |
| |
Download the Color Profiles for Your Paper | |
| |
| |
Selling Your Photos as "Stock" Online | |
| |
| |
A Quick Peek at My Gear | |
| |
| |
Some Books I Personally Recommend | |
| |
| |
Learn from Me on Adobe Photoshop TV | |
| |
| |
| |
Photo Recipes to Help You Get "The Shot": The Simple Ingredients That Make It All Come Together | |
| |
| |
Index | |