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| Introduction | |
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| Gender: Is One Born a Woman? | |
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| Text | |
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| A Room of One's Own | |
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| Context | |
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| The New Generation of Women | |
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| Extract from Orlando and picture of "Orlando on her return to England" | |
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| Dustjacket for A Room of One's Own | |
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| Studio portrait of Virginia Woolf, 1925 | |
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| The Four Marys (ballad) | |
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| Reviews of A Room of One's Own | |
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| Criterion | |
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| The Yale Review | |
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| Anonymous, from Punch | |
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| Anonymous, from The Times Literary Supplement | |
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| Queen of the High-Brows from Evening Standard | |
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| Contemporary Conversation | |
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| Feminism: A Movement to End Sexual Oppression | |
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| The Transformation of Silence into Language and Action | |
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| Owning the Self in a Disowned World | |
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| The Category of Sex and One Is Not Born a Woman | |
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| Sex and Gender | |
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| African-American Identity: How Are We Shaped by Race? | |
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| Text | |
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| Of Our Spiritual Strivings and Of the Sorrow Songs | |
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| Context | |
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| Portrait of W. E. B. DuBois | |
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| The Negro Speaks of Rivers | |
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| The Atlanta Exposition Address, September 18, 1895 | |
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| Motive of the NAACP Exposed | |
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| Preface: Our Raison D'Etre | |
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| Ethiopia | |
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| Anonymous review of The Souls of Black Folk | |
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| Criteria of Negro Art | |
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| "Go Down Moses" | |
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| Contemporary Conversation | |
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| In Search of Our Mothers' Gardens | |
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| Free at Last: A Personal Perspective on Race and Identity in America | |
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| Lethal Weapons and City Games | |
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| From Fly-Girls to Bitches and Hos | |
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| Disabled Persons: How Do Individuals Form a Culture? | |
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| Text | |
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| The Seeing Hand, The Five-Sensed World, Analogies in Sense Perception, and Before the Soul Dawn | |
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| Context | |
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| Remarks upon Meeting Miss Laura Bridgeman | |
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| Introductory Remarks to Memoir upon the Formation of a Deaf Variety of the Human Race | |
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| Letter on behalf of Helen Keller | |
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| Advertisement for The World I Live In from The New York Times Book Review | |
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| Anonymous review of The World I Live In in The New York Times Book Review | |
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| The Story of My Life | |
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| Photo of the water pump scene from William Gibson's The Miracle Worker | |
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| Photo of Helen Keller and Annie Sullivan | |
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| Photo of Helen Keller and Alexander Graham Bell | |
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| Photograph of Keller with "Winged Victory" | |
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| Photograph of Keller at twelve | |
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| Contemporary Conversation | |
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| Protest at Gallaudet | |
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| A Different Center | |
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| Blind Rage: An Open Letter to Helen Keller | |
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| Reassigning Meaning | |
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| Getting Hip to the Lights-Out Way | |
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| The Unconscious: How Can We Understand Ourselves? | |
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| Text | |
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| The Clinical Picture and The Second Dream | |
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| Context | |
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| Picture of Jean-Martin Charcot | |
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| Tools and instruments used to treat hysteria before Freud | |
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| The Hidden Self | |
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| Photograph of Freud's consulting room in Vienna | |
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| Photograph of Freud in 1906 | |
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| Veiling and Unveiling Psychotherapy | |
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| "Postscript" to Dora case and from Determinism and Superstition | |
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| Summary of Early Responses to Publication of Dora Case History | |
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| Strangled Emotion | |
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| Contemporary Conversation | |
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| Scientia Sexualis | |
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| Woman's Place in Man's Life Cycle | |
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| Histories | |
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| Dora | |
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| Nonviolence: A Weapon of Peace? | |
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| Text | |
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| The Theory and Practice of Passive Resistance, Meaning of Satyagraha, Religion of Nonviolence, The Law of Suffering and The Doctrine of the Sword I & II | |
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| Context | |
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| Matthew 5, verses 38-9, "The Sermon on the Mount" | |
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| The Yoga of Renunciation | |
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| Letter to Gandhi | |
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| Letter to Gandhi and accompanying poem | |
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| All-India Radio Speech at the Assassination of Gandhi | |
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| Photo of young westernized Gandhi | |
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| Photo of Gandhi picking up salt at Dandi | |
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| Contemporary Conversation | |
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| Letter from Birmingham Jail | |
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| Ideologies of Madness | |
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| Nonviolent Social Defense | |
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| Resistance and the Will to Resistance | |
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| Nonviolence and Peacemaking Today | |
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| The Frontier: How Do We Imagine the West? | |
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| Text | |
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| The Significance of the Frontier in American History | |
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| Context | |
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| Introduction to The Great West; or The Garden of the World | |
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| Ranch Life in the Far West | |
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| An episode in the opening of a cattle country and The midday meal | |
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| Photograph of a family in front of a soddy house | |
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| Plenty Coups Travels to Washington | |
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| "We Want to Tell You Something" from Native American Testimony | |
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| Map of Native American Diasporas | |
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| Photograph of Lendville, CO | |
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| Contemporary Conversation | |
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| Denial and Dependence | |
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| At the Buffalo Bill Museum, June 1988 | |
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| Unearthing Herstory | |
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| The American West and the Burden of Belief | |
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| America's Debt to the Indian Nations: Atoning for a Sordid Past and The Border Patrol State | |
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| Unsettling Frontiers | |
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