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Preface | |
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The Republic: Book X | |
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From The Ion | |
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The Poetics | |
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On the Sublime | |
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Epistle to the Pisones (The Art of Poetry) | |
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From the Letter to Can Grande della Scalla | |
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An Apology for Poetry | |
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An Essay of Dramatic Poesy | |
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An Essay on Criticism | |
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Preface to Shakespeare | |
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From Critique of Judgment | |
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Preface to Lyrical Ballads | |
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From Biographia Literaria | |
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Four Letters | |
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A Defence of Poetry | |
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From The German Ideology | |
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From The Birth of Tragedy | |
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The Study of Poetry | |
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From Studies in the History of the Renaissance | |
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The Art of Fiction | |
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From The Critic as Artist | |
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What Is Art? | |
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The Theme of the Three Caskets | |
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Tradition and the Individual Talent | |
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Shakespeare's Sister From A Room of One's Own | |
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Heteroglossia in the Novel From Discourse in the Novel | |
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Criticism as Pure Speculation | |
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Keats's Sylvan Historian: History without Footnotes From The Well Wrought Urn | |
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The Archetypes of Literature | |
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The Structuralist Activity | |
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Structure, Sign, and Play in the Discourse of the Human Sciences | |
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When We Dead Awaken: Writing as Re-Vision | |
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From Marxism and Literary Criticism | |
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What Is an Author? | |
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Semiology and Rhetoric | |
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Is There a Text in This Class? | |
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Melodramas of Beset Manhood | |
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The Deconstruction of the Linguistic Sign From Semiotics and the Philosophy of Language | |
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Representing Ophelia: Women, Madness, and the Reponsibilities of Feminist Criticism | |
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Shakespeare and the Exorcists | |
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A Hound, a Bay Horse, and a Turtle Dove: Obscurity in Walden From A World of Difference | |
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The Case of Poe | |
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Tradition and the Female Talent: Modernism and Masculinism From No Man's Land | |
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The Trope of the Talking Book From The Signifying Monkey | |
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From Epistemology of the Closet | |
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From Hypertext: The Convergence of Contemporary Critical Theory and Technology | |
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The Postcolonial and the Postmodern: The Question of Agency From Locations of Culture | |
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Further Reading | |
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Index | |