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| List of Illustrations | |
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| Acknowledgments | |
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| Seeing into Being: An Introduction | |
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| Dirty Old Books | |
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| Visualizing and Illustrating Early Rus Housing | |
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| The Crosier of St. Stefan of Perm | |
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| Sixteenth-Century Muscovite Cavalrymen | |
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| Blessed Is the Host of the Heavenly Tsar: An Icon from the Dormition Cathedral of the Moscow Kremlin | |
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| The Cap of Monomakh | |
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| Church of the Intercession on the Moat / St. Basil's Cathedral | |
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| Mapping Serfdom: Peasant Dwellings on Seventeenth-Century Litigation Maps | |
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| From Tsar to Emperor: Portraits of Aleksei and Peter I | |
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| The Russian Round Table: Aleksei Zubov's Depiction of the Marriage of His Royal Highness, Peter the First, Autocrat of All the Russias | |
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| An Icon of Female Authority: The St. Catherine Image of 1721 | |
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| Conspicuous Consumption at the Court of Catherine the Great: Count Zakhar Chernyshev's Snuffbox | |
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| Moving Pictures: The Optics of Serfdom on the Russian Estate | |
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| Neither Nobles nor Peasants: Plain Painting and the Emergence of the Merchant Estate | |
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| Circles on a Square: The Heart of St. Petersburg Culture in the Early Nineteenth Century | |
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| Alexander Ivanov's Appearance of Christ to the People | |
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| Lubki of Emancipation | |
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| Folk Art and Social Ritual | |
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| Personal and Imperial: Fyodor Vasiliev's In the Crimean Mountains | |
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| Shop Signs, Monuments, Souvenirs: Views of the Empire in Everyday Life | |
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| The Storming of Kars | |
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| A. O. Karelin and Provincial Bourgeois Photography | |
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| European Fashion in Russia | |
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| The Savior on the Waters Church War Memorial in St. Petersburg | |
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| Workers in Suits: Performing the Self | |
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| Visualizing Masculinity: The Male Sex That Was Not One in Fin-de-Si�cle Russia | |
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| Pictographs of Power: The 500-Ruble Note of 1912 | |
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| Visualizing 1917 | |
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| Looking at Tatlin's Stove | |
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| Soviet Images of Jehovah in the 1920s | |
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| National Types | |
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| Envisioning Empire: Veils and Visual Revolution in Soviet Central Asia | |
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| The Visual Economy of Forced Labor: Alexander Rodchenko and the White Sea-Baltic Canal | |
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| The Cinematic Pastoral of the 1930s | |
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| Portrait of Lenin: Carpets and National Culture in Soviet Turkmenistan | |
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| The Moscow Metro | |
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| The Soviet Spectacle: The All-Union Agricultural Exhibitions | |
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| Motherland Calling? National Symbols and the Mobilization for War | |
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| Visual Dialectics: Murderous Laughter in Eisenstein's Ivan the Terrible | |
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| Soviet Jewish Photographers Confront World War II and the Holocaust | |
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| The Morning of Our Motherland: Fyodor Shurpin's Portrait of Stalin | |
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| The Pioneer Palace in the Lenin Hills | |
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| Mikhail Romm's Ordinary Fascism | |
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| Solaris and the White, White Screen | |
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| After Malevich—Variations on the Return to the Black Square | |
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| Imagining Soviet Rock: Akvarium's Triangle | |
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| Keeping the Ancient Piety: Old Believers and Contemporary Society | |
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| Viktor Vasnetsov's Bogatyrs: Mythic Heroes and Sacrosanct Borders Go to Market | |
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| Landscape and Vision at the White Sea-Baltic Canal | |
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| Chronology of Russian History | |
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| Selected Bibliography | |
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| List of Contributors | |
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| Illustration Credits | |
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| Index | |