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| Thanks and Acknowledgements | |
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| Lenders to the Exhibition | |
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| Foreword | |
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| Prologue: After the Satires III (The Long Sleep) | |
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| German Images from Beckmann to Richter: Tabula Rasa and Inwardness: German Images before and after 1945 | |
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| Man in the Dark: Max Beckmann - Julius Bissier - Max Ernst - Otto Freundlich - Hermann Glockner - Hans Hartung - Paul Klee - Wilhelm Lachnit - Felix Nussbaum - Richard Oelze - Oskar Schlemmer - Hans Uhlmann - Fritz Winter - Wols | |
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| Max Beckmann - Three Stations | |
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| Max Beckmann: Selfportrait with Cigarette | |
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| Max Ernst: The House Angel | |
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| Oskar Schlemmer's Wall Painting Family | |
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| Paul Klee's Late Works | |
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| Hans Hartung - Examples of His Work from the 1930s | |
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| Wols | |
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| Hermann Glockner's Board Work | |
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| Night over Germany: Otto Dix - Hans Grundig - Werner Heldt - Karl Hofer - Wilhelm Rudolph - Horst Strempel | |
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| Images around 1945: Felix Nussbaum, Karl Hofer, Werner Heldt, Otto Dix, Hans Grundig, Horst Strempel | |
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| Wilhelm Rudolph: Dresden Destroyed | |
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| Atlantis - To New Shores: Josef Albers - Willi Baumeister - Hap Grieshaber - Norbert Kricke - Ernst Wilhelm Nay | |
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| The Resurrection of Culture in Germany? | |
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| Josef Albers - Thinking in Situations | |
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| The Artist's Identification with His Time: The Painter Ernst Wilhelm Nay | |
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| Two Sculptures in Space by Norbert Kricke | |
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| HAP Grieshaber | |
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| Against the Inability to Mourn: Gerhard Altenbourg - Manfred Bottcher - Raimund Girke - Konrad Klapheck - Harald Metzkes - Emil Schumacher - Gunther Uecker | |
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| "Emigration Once Again" | |
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| Gerhard Altenbourg's Human Show: Ecce Homo | |
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| Injury to the Color Fields: Gunther Uecker's Early Work | |
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| Manifestations of a New Generation: Georg Baselitz - Eva Hesse - Heimrad Prem - Eugen Schonebeck - Helmut Sturm - HP Zimmer | |
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| A Painting for the Fathers | |
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| Georg Baselitz: The Poet | |
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| AGIT. PROMETH. - or - The Night of the Senses. 1st and 2nd Pandemonium by Eugen Schonebeck and Georg Baselitz | |
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| "Words are Swingling Swine": The Unfinished Work of the Painter Eugen Schonebeck | |
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| Between Passion and Manifesto: SPUR from 1958-1965 | |
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| Heimrad Prem: Only Struggle Strengthens Me | |
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| A Break with Socialist Idealism: Hartwig Ebersbach - Bernhard Heisig - Manfred Kempfer - Roger Loewig - Wolfgang Mattheuer - Werner Tubke | |
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| Time Held Still | |
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| Werner Tubke: Reminiscences of JD Schulze III | |
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| A Divided Country: Immendorff Visits Y: Immendorff - A.R. Penck | |
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| Icon and Cosmicon: On A.R. Penck | |
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| Immendorff Times Penck X Penck Times Immendorff | |
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| Phenomenology of Repression: Imi Knoebel - Blinky Palermo - Sigmar Polke - Gerhard Richter - Wolf Vostell | |
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| Fluxus at the Border; Aachen, July 20, 1964 | |
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| Wolf Vostell: German View | |
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| Not a Monument, but Rather Food for Thought Reconstruction of the exhibition "Hommage a Lidice" in 1967: HP Alvermann - Joseph Beuys - KP Brehmer - HJ Dietrich - Gotthard Graubner - Karl Horst Hodicke - Bernhard Hoke - Jorg Immendorff - Bernd Koberling - Konrad Lueg - CO Paeffgen - Chris Reinecke - Dieter Rot - Gerhard Ruhm - Gunther Uecker - Stefan Wewerka - Lambert Maria Wintersberger | |
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| Remembrance of the Bitching Sheet | |
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| Gerhard Richter: Capitalist Realism and His Painting from Photographs, 1962-1966 | |
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| Sigmar Polke's Images of Germany | |
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| Blinky Palermo | |
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| Imi Knoebel: Room 19 | |
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| Art Nourishes Life: Joseph Beuys | |
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| Joseph Beuys: "Auschwitz Demonstration" 1956-1964 | |
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| Berlin's "Economic Assets", Beuys's Meeting with Eduard Gaertner and Anton von Werner | |
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| Writing Time: Carlfriedrich Claus - Hanne Darboven - Franz Erhard Walther | |
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| Reading Carlfriedrich Claus's Sprachblatter | |
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| Hanne Darboven's "Fur Rainer Werner Fassbinder" (1982): A Tractate on the Duty of the Artist | |
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| Facing the Deceased: Peter Herrmann - Gustav Kluge - Mark Lammert - Rosemarie Trockel | |
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| Paintings by Peter Herrmann, Gustav Kluge, and Mark Lammert | |
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| Gustav Kluge: Stammheim Duet | |
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| Rosemarie Trockel: "Mother and "Father" | |
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| Manet-Projekt '74: Hans Haacke | |
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| Hans Haacke Manet-PROJEKT '74 | |
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| The Living Stink: Georg Hepold - Sigmar Polke - Via Lewandowsky | |
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| Fear of Germany | |
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| Germany's Spiritual Heroes: Anselm Kiefer - Markus Lupertz - Georg Herold - Dieter Rot | |
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| Diving Out One Devil With Another. Prescription of Symptoms as Therapy | |
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| For the Life of Me, I can't See any Swastikas: Werner Buttner - Martin Kippenberger - Albert Oehlen - Heribert C. Ottersbach - Andreas Slominski | |
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| From History to the Commemorative Hour: Why Buttner, Kippenberger, and Oehlen? | |
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| Slominski or the Inconspicuous | |
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| Picking up the Shards: On Heribert C. Ottersbach | |
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| Kopfdiktate: Reinhard Mucha | |
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| Reinhard Mucha: Kopfdiktate | |
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| The Sons Die Before the Fathers: Gerhard Richter: October 18, 1977 | |
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| How the Soul Leaves the Body. Gerhard Richter's Cycle October 18, 1977, the Last Chapter in West German Postwar Painting | |
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| Suffering from Germany - Gerhard Richter's Elegy of Modernism: Philosophy of History in the Cycle October 18, 1977 | |
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| Synchronicities: Rudolf Bonvie - Gunther Forg - Jochen Gerz - Hans Haacke - Astrid Klein - Thomas Locher - Olaf Metzel | |
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| Und. Tschuss. Conversations | |
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| Jochen Gerz: Exit Materials on the Dachau Project (1972/74) | |
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| Hans Haacke: The Historical "Sublime" | |
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| Three Works by Astrid Klein | |
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| Three Works by Rudolf Bonvie | |
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| The IG-Farben-House Photography by Gunther Forg | |
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| Why a Commentary on the Constitution? | |
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| Timecuts: Olaf Arndt - Rudolf Bonvie - Matti Braun - Klaus Vom Bruch - Lutz Dammbeck - Felix Droese - Flatz - Otto Freundlich - Georg Herold - Rudolf Herz - Marcel Odenbach - Raffael Rheinsberg - Renata Stih Et Frieder Schnock - Ulay | |
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| John Heartfield - Georg Herold | |
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| Germany 1997 - Stewed in its Own Juice, or Packed in Oil? | |
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| Rudolf Herz: Dachau. Museum Pictures | |
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| Ulay's Performance Piece "There is a Criminal Touch in Art" | |
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| Is the Personal Really Political? Notes on Marcel Odenbach's "A Fist in the Pocket" | |
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| Klaus von Bruch's Images of Germany: The Military-Industrial Complex | |
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| Poison Cabinet. Report from the Project: The Glass Block | |
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| Heracle's Cave - War of the Viruses | |
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| The Film Diary "Bildersturm" | |
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| FLATZ: Hitler in Good Hands | |
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| To Matti Braun. Not This Way | |
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| Print and Double Print: Felix Droese's Graphic Series "The Doubled Center" | |
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| Raffael Rheinsberg: Broken German | |
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| Places of Remembrance: Minka Hauschild - Joshua Neustein - Penny Yassour | |
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| "To Remember Means to Forget What Our Eyes Have Seen": Works of Joshua Neustein, Penny Yassour, and Minka Hauschild | |
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| Artists' Biographies | |
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| Selected Exhibitions and Publications on German Art after 1945 | |
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| Photograph Credits | |