| Foreword | p. 11 |
| Introduction | p. 15 |
| Later Impressionism | p. 21 |
| Edgar Degas | p. 22 |
| Auguste Renoir | p. 27 |
| Claude Monet | p. 34 |
| Paul Cezanne | p. 41 |
| Georges Seurat and Neo-Impressionism | p. 49 |
| James McNeill Whistler and Impressionism in England | p. 57 |
| Auguste Rodin | p. 62 |
| Medardo Rosso | p. 71 |
| Symbolist Art | p. 75 |
| Gustave Moreau | p. 77 |
| Pierre Puvis de Chavannes | p. 79 |
| Odilon Redon | p. 81 |
| Paul Gauguin | p. 83 |
| Vincent van Gogh | p. 94 |
| The School of Pont-Aven and the Nabis | p. 105 |
| Henri de Toulouse-Lautrec | p. 113 |
| James Ensor | p. 118 |
| Edvard Munch | p. 122 |
| Ferdinand Hodler | p. 129 |
| Art Nouveau and Jugendstil | p. 131 |
| Symbolist Art in Russia: The Slavic Revival and Mir Iskusstva | p. 136 |
| Symbolist Art in Spain: The Early Work of Pablo Picasso | p. 140 |
| English Symbolists: Burne-Jones, Beardsley, Augustus John | p. 146 |
| Symbolist Sculpture | p. 149 |
| Aristide Maillol | p. 153 |
| Expressionism | p. 157 |
| The Fauves (1900-10): Matisse, Derain, and Vlaminck | p. 158 |
| Georges Rouault | p. 176 |
| Modern German Art | p. 180 |
| Wilhelm Lehmbruck | p. 185 |
| Ernst Barlach | p. 188 |
| Kathe Kollwitz | p. 189 |
| Paula Modersohn-Becker | p. 191 |
| Emil Nolde | p. 193 |
| Die Brucke (The Bridge): 1905-14 | p. 197 |
| Kandinsky in Munich: 1896-1914 | p. 205 |
| Franz Marc and Der Blaue Reiter (The Blue Rider): 1910-16 | p. 215 |
| Henri Rousseau, 'le Douanier', and the Naive Painters | p. 222 |
| Post-Impressionist and Fauve Influences in British Painting | p. 228 |
| Cubism | p. 235 |
| Georges Braque and Pablo Picasso: 1906-20 | p. 235 |
| Juan Gris | p. 250 |
| Fernand Leger | p. 253 |
| Cubism as a Movement: 1910-14 | p. 258 |
| Orphic Cubism: 1909-14 | p. 264 |
| Purism: 1918-25 | p. 267 |
| Cubist Sculpture | p. 269 |
| Henri Laurens | p. 269 |
| Alexander Archipenko | p. 271 |
| Ossip Zadkine | p. 272 |
| Raymond Duchamp-Villon | p. 272 |
| Jacques Lipchitz | p. 275 |
| Futurism: 1909-16 | p. 279 |
| Vorticism: 1913-20 | p. 291 |
| Abstract and Non-Objective Art | p. 303 |
| Abstract and Non-objective Art in Russia: 1904-22 | p. 305 |
| Larionov, Goncharova, and Rayonism | p. 306 |
| Malevich and Suprematism | p. 310 |
| Constructivism | p. 313 |
| El Lissitzky | p. 317 |
| De Stijl in The Netherlands: 1917-32 | p. 319 |
| Theo van Doesburg | p. 322 |
| Piet Mondrian | p. 326 |
| The Bauhaus and Abstract Art in Germany | p. 331 |
| Lyonel Feininger | p. 334 |
| Oskar Schlemmer | p. 334 |
| Kandinsky at the Bauhaus: 1922-33 | p. 337 |
| Laszlo Moholy-Nagy | p. 340 |
| Josef Albers and Max Bill | p. 342 |
| Willi Baumeister | p. 345 |
| The Abstract Film: Viking Eggeling and Hans Richter | p. 347 |
| Abstract Art in France | p. 349 |
| Later Constructivist Sculpture: Pevsner and Gabo | p. 352 |
| Abstract Art in England | p. 358 |
| Dada and Surrealism | p. 365 |
| Dada in Zurich: 1916-21 | p. 365 |
| Dada in New York: 1913-21 | p. 369 |
| Dada in Berlin and Cologne: 1918-20 | p. 378 |
| Dada in Hanover: Kurt Schwitters | p. 383 |
| Dada in Paris: 1919-22 | p. 386 |
| From Dada to Surrealism: Andre Breton | p. 388 |
| Giorgio de Chirico and the Scuola Metafisica: 1913-19 | p. 391 |
| The Surrealist Image | p. 396 |
| Max Ernst | p. 396 |
| Yves Tanguy | p. 402 |
| Salvador Dali | p. 404 |
| Rene Magritte and Paul Delvaux | p. 407 |
| Abstract Surrealism: Andre Masson and Joan Miro | p. 410 |
| The Surrealist Object | p. 418 |
| Alberto Giacometti | p. 419 |
| The Surrealist Movement in England | p. 420 |
| The School of Paris: 1920-40 | p. 425 |
| Amedeo Modigliani | p. 427 |
| Chaim Soutine | p. 430 |
| Jules Pascin | p. 432 |
| Maurice Utrillo | p. 433 |
| Marc Chagall | p. 435 |
| Neo-Romanticism: Berman, Tchelitchew, and Balthus | p. 439 |
| The Later Work of Matisse | p. 442 |
| The Later Work of Braque | p. 448 |
| The Later Work of Picasso | p. 453 |
| Constantin Brancusi and Jean Arp | p. 462 |
| Julio Gonzalez | p. 470 |
| Other Schools and Masters | p. 473 |
| Art in Germany: 1920-40 | p. 474 |
| George Grosz and Otto Dix | p. 475 |
| Carl Hofer and Max Beckmann | p. 479 |
| German Sculpture: 1920-40 | p. 484 |
| 'Entartete Kunst' (Degenerate Art) | p. 486 |
| Austrian Expressionism: Richard Gerstl and Egon Schiele | p. 487 |
| Oscar Kokoschka | p. 490 |
| Paul Klee | p. 494 |
| Painting in Belgium and Holland: 1900-40 | p. 499 |
| Painting and Sculpture in Italy: 1920-40 | p. 506 |
| Stanley Spencer and Henry Moore | p. 512 |
| Notes | p. 521 |
| Bibliography | p. 553 |
| List of Illustrations | p. 592 |
| Index | p. 601 |
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