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Preface to the Fourth Edition | |
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Introduction | |
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Theory | |
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Genre | |
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The Idea of Genre in the American Cinema | |
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A Semantic/Syntactic Approach to Film Genre | |
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Cycles and Clusters: The Shape of Film Genre History | |
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Genre Films and the Status Quo | |
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Social Implications in the Hollywood Genres | |
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Ideology, Genre, Auteur | |
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"Cinema/Ideology/Criticism" Revisited: The Progressive Genre | |
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The Structural Influence: New Directions in Film Genre Study | |
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Genre Film: A Classical Experience | |
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Experience and Meaning in Genre Films | |
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Genre and Performance: An Overview | |
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Film Bodies: Gender, Genre, and Excess | |
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Questions of Genre | |
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Hybrid or Inbred: The Purity Hypothesis and Hollywood Genre History | |
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Film Genres at the Crossroads: What Genres and Films Do to Each Other | |
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Selected Genre Criticism | |
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The Western (Genre and Movies) | |
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Apes and Essences: Some Sources of Significance in the American Gangster Film | |
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Notes on Film Noir | |
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Chinatown and Generic Transformation in Recent American Films | |
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Shoot-Out at the Genre Corral: Problems in the "Evolution" of the Western | |
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The Bug in the Rug: Notes on the Disaster Genre | |
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"Surge and Splendor": A Phenomenology of the Hollywood Historical Epic | |
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Children of the Light | |
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Monsters from the Id | |
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Immigrants, Aliens, and Extraterrestrials: Science Fiction's Alien "Other" as (Among Other Things) New Latino Imagery | |
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Tales of Sound and Fury: Observations on the Family Melodrama | |
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Screwball Comedies: Constructing Romance, Mystifying Marriage | |
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Redressing the "Natural": The Temporary Transvestite Film | |
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Friendly Civilians: Images of Women and the Feminization of the Audience in Vietnam War Films | |
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The Family in Action | |
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The Self-Reflexive Musical and the Myth of Entertainment | |
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The Black Gangster Film | |
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Teen Films: The Cinematic Image of Youth | |
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Re-presenting the National Past: Nostalgia and Pastiche in the Heritage Film | |
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Global Noir: Genre Film in the Age of Transnationalism | |
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Bibliography | |
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Notes on Contributors | |
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Index | |