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Acknowledgments | |
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Introduction | |
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Phaedrus (388-366 B.C.) | |
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The Poetics (c. 334-323 B.C.) | |
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An Apology for Poetry (1595) | |
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"The Fairy Way of Writing" (1712) | |
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Letters on Chivalry and Romance (1762) | |
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On the Pleasure Derived from Objects of Terror (1773) | |
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Letter (1797) and Biographia Literaria (1817) | |
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On the Supernatural in Poetry (1826) | |
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On the Supernatural in Fictitious Composition (1827) | |
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Frauds on the Fairies (1853) | |
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Fairy Stories (1868) | |
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The Fantastic Imagination (1890) | |
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Fairy Tales (1908) | |
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The Uncanny (1919) | |
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Introduction to Supernatural Horror in Literature (1927) | |
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Critics (1956) | |
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The Mythos of Summer: Romance (1957) | |
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Characteristics of Genre and Plot Composition in Dostoevsky's Works (1963) | |
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Definitions of Territory: Fantasy (1970) | |
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The Fantastic: A Structural Approach to a Literary Genre (1970) | |
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From Elfland to Poughkeepsie (1973) | |
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Introduction to Modern Fantasy (1975) | |
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The Fantastic and Fantasy (1976) | |
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The Evolution of a Word (1979) | |
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Magical Narratives: On the Dialectical Use of Genre Criticism (1981) | |
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The Encounter with Fantasy (1982) | |
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Clinamen: Towards a Theory of Fantasy (1982) | |
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Literary Fantasy and Ecological Comedy (1985) | |
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"Fantasy" from Critical Terms for Science Fiction and Fantasy (1986) | |
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Prelude: Nameless Things and Thingless Names (1987) | |
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Fantasy as Mode, Genre, Formula (1992) | |
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"Fantasy" from The Encyclopedia of Fantasy (1997) | |
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Joseph Addison: The First Critic of the Fantastic (2000) | |
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Fabling to the Near Night (2000) | |
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Marxism and Fantasy: An Introduction (2002) | |
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Index | |