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| Series Foreword | |
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| Foreword: Biological Feedback | |
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| Acknowledgments | |
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| Introduction | |
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| Theory and Practice: Biology as Ideology | |
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| Interview with Richard Lewontin | |
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| Living the Eleventh Thesis | |
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| Interview with Richard Levins: On Philosophy of Science | |
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| Life.science.art: Curating the Book of Life | |
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| Biotech Patronage and the Making of Homo DNA | |
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| Soft Science: Artists' Experiments in Documentary Storytelling | |
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| Observations on an Art of Growing Interest | |
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| Toward a Phenomenological Approach to Art Involving BiotechnologyJens Hauser (Curator and Media Studies Scholar) | |
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| The Biolab and the Public | |
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| Outfitting the Laboratory of the Symbolic | |
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| Toward a Critical Inventory of BioartClaire Pentecost (Artist and Public Amateur) | |
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| The Ethics of Experiential Engagement with the Manipulation of Life | |
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| Labs Shut Open: A Biotech Hands-on Workshop for Artists | |
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| Race and the Genome | |
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| Selective Arrests, an Ever-Expanding DNA Forensic Database, and the Specter of an Early Twenty-First-Century Equivalent of Phrenology | |
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| Discovering Nature, Apparently: Analogy, DNA Imaging, and the Latent Figure Protocol | |
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| The Biopolitics of Human Genetics Research and Its Application | |
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| In Contradiction Lies the Hope: Human Genome and Identity Politics | |
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| Gendered Science | |
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| Common Knowledge and Political Love | |
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| Producing Transnational Knowledge, Neoliberal Identities, and Technoscientific Practice in India | |
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| Genes, Genera, and Genres: The NatureCulture of BioFiction in Ruth Ozeki's All Over Creation | |
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| True Life Science Fiction: Sexual Politics and the Lab Procedural | |
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| Expertise and Amateur Science | |
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| Uncommon Life | |
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| AIDS Activists and People with AIDS: A Movement to Revolutionize Research and for Universal Access to Treatment | |
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| The Politics of Rationality: Psychiatric Survivor's Challenge to Psychiatry | |
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| Reaching the Limit: When Art Becomes Science | |
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| Biosecurity and Bioethics | |
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| From Bioethics to Human Practices, or Assembling Contemporary Equipment | |
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| How Do We Insure Security from Perceived Biological Threats? | |
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| Bioparanoia and the Culture of Control | |
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| Critical Art Ensemble (Artist�s Collective) | |
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| Chinese Chickens, Ducks, Pigs, and Humans, and the Technoscientific Discourses of Global U.S. Empire | |
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| Interspecies Co-Production | |
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| Training in the Contact Zone: Power, Play, and Invention in the Sport of Agility | |
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| Playing with Rats | |
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| Animal Welfare in the Laboratory: A Case Study in Secular Ethics of Human-Animal Interaction | |
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| Contributors | |
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| Index | |