| |
| |
Acknowledgments | |
| |
| |
Opening conversation | |
| |
| |
Introduction: Architecture and Human Desire | |
| |
| |
Historical origins of er&obar;s and philia | |
| |
| |
| |
Er&obar;s, Seduction, and the Poetic Image in Architecture: Form | |
| |
| |
| |
Eros and Creation | |
| |
| |
Opening conversation | |
| |
| |
Primordial Eros | |
| |
| |
Eros as creative power in classical philosophy | |
| |
| |
Renaissance incorporations | |
| |
| |
Modern transformations | |
| |
| |
Orphic Eros in late modernity | |
| |
| |
Inspiration in contemporary praxis | |
| |
| |
| |
Eros and Limits | |
| |
| |
Opening conversation | |
| |
| |
Eros, spacing, and joints | |
| |
| |
Erotic space and the origins of Western culture | |
| |
| |
Erotic architectural space in the Hypnerotomachia Poliphili | |
| |
| |
Ch&obar;ra as erotic space | |
| |
| |
Renaissance incorporations | |
| |
| |
Modern transformations | |
| |
| |
Er&obar;s and time | |
| |
| |
| |
Eros and the Poetic Image | |
| |
| |
Opening conversation | |
| |
| |
Origins | |
| |
| |
Marsilio Ficino and the poetic image in the Renaissance | |
| |
| |
The poetic image in Renaissance theory | |
| |
| |
Modern transformations | |
| |
| |
The poetic image in modernity | |
| |
| |
From Lequeu to Duchamp | |
| |
| |
Frederick Kiesler's endless architecture | |
| |
| |
Daniel Libeskind's Jewish Museum | |
| |
| |
The poetic image in the contemporary world | |
| |
| |
Interlude: Er&obar;s, Philia, and Agap&ebar; | |
| |
| |
Er&obar;s and recognition | |
| |
| |
Philia, ethics, and communion | |
| |
| |
Philia, er&obar;s, and agap&ebar; | |
| |
| |
| |
Philia, Compassion, and the Ethical Dimension of Architecture: Program | |
| |
| |
Opening conversation | |
| |
| |
| |
Philia, Ritual, and Decorum | |
| |
| |
Origins | |
| |
| |
From decorum to character | |
| |
| |
| |
Architecture at the Limits of Language | |
| |
| |
Opening conversation | |
| |
| |
Language and architecture | |
| |
| |
Architecture as Language | |
| |
| |
| |
The Language of Philia in Architectural Theory | |
| |
| |
Vitruvian theory | |
| |
| |
The sequel | |
| |
| |
| |
A Tale of Two Brothers: Jean-Louis and Charles-Francois Viel | |
| |
| |
The poetic architecture of Jean-Louis Viel | |
| |
| |
The political architecture of Charles-Francois Viel | |
| |
| |
Interweavings | |
| |
| |
| |
Poetry and Meaning from within a (Western) Architectural Tradition | |
| |
| |
Opening conversation | |
| |
| |
Architecture from within | |
| |
| |
Architecture as poetic writing | |
| |
| |
Architecture as critical poem | |
| |
| |
| |
The Ethical Image in Architecture | |
| |
| |
Opening conversation | |
| |
| |
Hermeneutics and ethical intentions | |
| |
| |
On endless desire | |
| |
| |
Notes | |
| |
| |
Index | |