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List of Illustrations | |
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Acknowledgments | |
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Introduction | |
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The Portfolio and Academic Discourse: Formation and Crisis | |
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Discourse, Mass Architecture and the Academic Profession | |
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The Discursive Formation of Mass Architecture and the Academic Profession | |
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The Portfolio and the Architectural Journal | |
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The Portfolio and the Academic Discipline | |
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Seeing, Reading, and Drawing: The Discursive Practice of the Portfolio | |
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Composition and the Paradox of Academic Theory | |
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Planning and the "Theory of the Plan" | |
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The Crisis of the Academic Profession | |
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The Architectural Profession in the 1910s: Crisis and Response | |
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Business, Efficiency, and Functional Planning | |
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The Search for a New Discipline | |
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The Fragmentation of the Academic Discipline | |
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The Changing Ideas of Composition and the Demise of the Analytique | |
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Form versus Function: The Debates of the 1920s | |
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Frederick Ackerman, Lewis Mumford, and the Predicament of Form | |
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Frederick Ackerman and the Logic of Regressive Rationality | |
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Lewis Mumford and the Search for Authentic Form | |
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The Cognitive Project of the Architectural Journals | |
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The Consumerist Project of American Architect | |
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The Cognitive Project of Architectural Record | |
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The Discourse of the Diagram | |
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Scientific Management and the Discourse of the Diagram | |
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Scientific Management and the Birth of the Functional Diagram | |
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From Scientific Management to Architecture: The Discursive Formation of the Architectural Diagram | |
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New Genres and New Formations | |
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Architectural Graphic Standards and the Modern Reference Manual | |
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The Reconfiguration of the Architectural Journal | |
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The Dislocation of the Architectural Discipline | |
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The Diagram as Plan, the Plan as Diagram | |
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The Displacements of Photographic Discourse | |
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Epilogue: The Instrument of Modern Architecture | |
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Notes | |
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Illustration Credits | |
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Index | |