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Acknowledgments | |
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Notes on Contributors | |
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Buildings and the Subject of Science | |
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Of Secrecy and Openness: Science and Architecture in Early Modern Europe | |
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Masculine Prerogatives: Gender, Space, and Knowledge in the Early Modern Museum | |
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Alchemical Symbolism and Concealment: The Chemical House of Libavius | |
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Openness and Empiricism: Values and Meaning in Early Architectural Writings and in Seventeenth-Century Experimental Philosophy | |
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Displaying and Concealing Technics in the Nineteenth Century | |
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Architecture for Steam | |
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Illuminating the Opacity of Achromatic Lens Production: Joseph von Fraunhofer's Use of Monastic Architecture and Space as a Laboratory | |
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The Spaces of Cultural Representation, circa 1887 and 1969: Reflections on Museum Arrangement and Anthropological Theory in the Boasian and Evolutionary Traditions | |
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Bricks and Bones: Architecture and Science in Victorian Britian | |
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Modern Space | |
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"Spatial Mechanics": Scientific Metaphors in Architecture | |
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Diagramming the New World, or Hannes Meyer's "Scientization" of Architecture | |
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Listening to/for Modernity: Architectural Acoustics and the Development of Modern Spaces in America | |
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Of Beds and Benches: Building the Modern American Hospital | |
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Is Architecture Science? | |
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Architecture, Science, and Technology | |
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Architecture as Science: Analogy or Disjunction? | |
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The Mutual Limits of Architecture and Science | |
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The Hounding of the Snark | |
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Princeton After Modernism: the Lewis Thomas Laboratory for Molecular Biology | |
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Thoughts on the Architecture of the Scientific Workplace: Community, Change, and Continuity | |
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The Design Process for the Human Workplace | |
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Life in the Lewis Thomas Laboratory | |
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Two Faces on Science: Building Identities for Molecular Biology and Biotechnology | |
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Centers, Cities, and Colliders | |
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Architecture at Fermilab | |
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The Architecture of Science: From D'Arcy Thompson to the SSC | |
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Factory, Laboratory, Studio: Dispersing Sites of Production | |
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Index | |