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Neo-Avantgarde and Culture Industry Essays on European and American Art from, 1955-1975

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ISBN-10: 0262024543

ISBN-13: 9780262024549

Edition: 2000

Authors: Benjamin H. D. Buchloh

List price: $60.00
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Leading art critic and theoretician Buchloh discusses post-World War 2 avant-garde artists from both formalist and socio-historical perspectives in this collection of essays.
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Book details

List price: $60.00
Copyright year: 2000
Publisher: MIT Press
Publication date: 1/22/2001
Binding: Hardcover
Pages: 628
Size: 7.25" wide x 9.50" long x 2.00" tall
Weight: 4.246

Benjamin H. D. Buchloh is Andrew W. Mellon Professor of Modern Art in the Department of History of Art and Architecture at Harvard University and an editor of October magazine. He is the author of Neo-Avantgarde and Culture Industry: Essays on European and American Art from 1955 to 1975 (MIT Press) and other books.

Michael Asher and the Conclusion of Modernist Sculpture (1980)
Beuys: The Twilight of the Idol, Preliminary Notes for a Critique (1980)
Marcel Broodthaers: Open Letters, Industrial Poems (1987)
The Museum and the Monument: Daniel Buren's Les couleurs/Les formes (1981)
Memory Lessons and History Tableaux: James Coleman's Archaeology of Spectacle (1995)
Moments of History in the Work of Dan Graham (1978)
Hans Haacke: Memory and Instrumental Reason (1988)
Hantai/Villegle and the Dialectics of Painting's Dispersal (1999)
Plenty or Nothing: From Yves Klein's Le vide to Arman's Le plein (1998)
Knight's Moves: Situating the Art/Object (1986)
Structure, Sign, and Reference in the Work of David Lamelas (1997)
Parody and Appropriation in Francis Picabia, Pop, and Sigmar Polke (1982)
Readymade, Photography, and Painting in the Painting of Gerhard Richter (1977)
Process Sculpture and Film in Richard Serra's Work (1978)
Spero's Other Traditions (1996)
Villegle: From Fragment to Detail (1991)
Andy Warhol's One-Dimensional Art, 1956-1966 (1989)
Robert Watts: Animate Objects, Inanimate Subjects (2000)
The Posters of Lawrence Weiner (1986)