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Italian Traditions & Puccini Compositional Theory & Practice in Nineteenth-Century Opera

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ISBN-10: 0253356261

ISBN-13: 9780253356260

Edition: 2011

Authors: Nicholas Baragwanath

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Book details

Copyright year: 2011
Publisher: Indiana University Press
Publication date: 7/8/2011
Binding: Hardcover
Pages: 440
Size: 6.26" wide x 9.21" long x 1.18" tall
Weight: 1.650
Language: English

Nicholas Baragwanath is Director of Postgraduate Studies and Associate Professor of Musicology in the Department of Music, University of Nottingham.

Preface & Acknowledgments
A Note on Translation and Terminology
Musical Traditions in Nineteenth-Century Italy
The Italian Schools
An Introduction to the Primary Sources
Puccini and the End of the Great Tradition
Studies in Lucca and Milan
Composition as Craft
The Istituto musicale in Lucca
Scarpia and the Partimento Cadence
The Conservatorio di Milano
Lessons in Dramatic Composition I: Rhythm
Rhythm without Measure, Accent without Beat
Rules of Versification, Lippmann's Rhythmic-Musical Types, and Two Case Studies
Historical Survey of Writings on Ritmo
Short Case Studies from Bellini and Puccini
Lessons in Dramatic Composition II: Harmony and Counterpoint
The Partimento Tradition
Michele Puccini's Corso pratico di contrappunto (1846)
The Bolognese Attachment, or �Little Keys for Winding Clocks�
Regular Motions and Melodic Composition
Lessons in Dramatic Composition III: Affect, Imitation, and Conduct
Dominant Affects and Their Movements
Physical and Sentimental Imitation
Form and Conduct
Case Studies from Verdi, Boito, and Puccini
Vocalizzi, Solfeggi, and Real (Or Ideal) Composition
Lessons in Singing and Counterpoint
Lessons in Singing and Solfeggio
From Solfeggio to Ideal Composition in Puccini (and Bellini)
Notes
Bibliography
Index of Concepts
Index of Names and Works