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Re-Viewing Fascism Italian Cinema, 1922-1943

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ISBN-10: 0253340454

ISBN-13: 9780253340450

Edition: 2001

Authors: Jacqueline Reich, Piero Garofalo, Piero Garofalo, Piero Garofalo

List price: $49.95
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Very few feature films during the Fascist period can be labelled as propaganda. Rather than soldiers, schoolgirls dominated the screen; the boudoir, not the battlefield, was the setting of choice.
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Book details

List price: $49.95
Copyright year: 2001
Publisher: Indiana University Press
Publication date: 5/7/2002
Binding: Hardcover
Pages: 384
Size: 6.50" wide x 9.25" long x 1.25" tall
Weight: 1.540

Jacqueline Reich is Assistant Professor of Italian and Comparative Literature at the State University of New York at Stony Brook.Piero Garofalo is Assistant Professor of Italian at the University of New Hampshire.

Preface
Acknowledgments
Framing Fascism and Cinema
Mussolini at the Movies: Fascism, Film, and Culture
Dubbing L'Arte Muta: Poetic Layerings around Italian Cinema's Transition to Sound
Intimations of Neorealism in the Fascist Ventennio
Placing Cinema, Fascism, and the Nation in a Diagram of Italian Modernity
Fascism, Cinema, and Sexuality
Sex in the Cinema: Regulation and Transgression in Italian Films, 1930-1943
Luchino Visconti's (Homosexual) Ossessione
Ways of Looking in Black and White: Female Spectatorship and the Miscege-national Body in Sotto la croce del sud
Fascism and Cinema in (Con)texts
Seeing Red: The Soviet Influence on Italian Cinema in the Thirties
Theatricality and Impersonation: The Politics of Style in the Cinema of the Italian Fascist Era
Shopping for Autarchy: Fascism and Reproductive Fantasy in Mario Camerini's Grandi magazzini
The Last Film Festival: The Venice Biennale Goes to War
Film Stars and Society in Fascist Italy
Selected Bibliography
Contributors
Index