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| Foreword | |
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| Translator's Note | |
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| Introduction | |
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| Chronology | |
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| Schnittke Speaks about Himself | |
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| From Conversations with Alexander Ivashkin (1985-1994) | |
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| Schnittke on the Lenin Prize | |
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| Letter to the Lenin Prize Committee (1990) | |
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| Schnittke on His Own Compositions | |
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| On Concerto Grosso No. 1 (late 1970s) | |
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| On the Fourth Symphony (1984) | |
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| On Film and Film Music (1972, 1984, 1989) | |
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| On Staging Tchaikovsky's The Queen of Spades (1977) | |
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| Schnittke on Creative Artists | |
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| On Shostakovich: Circles of Influence (1975) | |
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| On Prokofiev (1990) | |
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| On Gubaidulina (1970s) | |
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| On Kancheli (1982, 1991) | |
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| In Memory of Filip Moiseevich Gershkovich (1988) | |
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| On Sviatoslav Richter (1985) | |
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| On Gennadi Rozhdestvensky (1991) | |
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| Subjective Notes on an Objective Performance (on Alexei Liubimov) (1973) | |
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| On Viktor Yerofeev (1988) | |
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| On the Paintings of Vladimir Yankilevsky (1987) | |
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| Schnittke on Twentieth-Century Music | |
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| Polystylistic Tendencies in Modern Music (c. 1971) | |
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| The Orchestra and the New Music (early 1970s) | |
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| The Problem of Giving Outward Expression to a New Idea (1982) | |
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| From Schnittke's Archive (1970s and 1980s) | |
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| On Jazz (1984) | |
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| Timbral Relationships and Their Functional Use: The Timbral Scale (1970s) | |
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| Klangfarbenmelodie - "Melody of Timbres" (1970s) | |
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| Functional Variability of Line in Orchestral Texture (1970s) | |
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| A New Approach to Composition: The Statistical Method (1970s) | |
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| Stereophonic Tendencies in Modern Orchestral Thinking (1970s) | |
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| Using Rhythm to Overcome Meter (1970s) | |
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| Static Form: A New Conception of Time (1970s) | |
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| Paradox as a Feature of Stravinsky's Musical Logic (1973) | |
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| Timbral Modulations in Bartok's Music for Strings, Percussion, and Celesta (1970s) | |
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| The Principle of Uninterrupted Timbral Affinities in Webern's Orchestration of Bach's Fuga (Ricercata) a 6 voci (1970s) | |
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| The Third Movement of Berio's Sinfonia: Stylistic Counterpoint, Thematic and Formal Unity in Context of Polystylistics, Broadening the Concept of Thematicism (1970s) | |
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| Ligeti's Orchestral Micropolyphony (1970s) | |
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| Schnittke as Seen by Others | |
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| Gidon Kremer (1989) | |
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| Gennadi Rozhdestvensky (1989) | |
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| Vladimir Yankilevsky (1989) | |
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| Mstislav Rostropovich (1990) | |
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| Mark Lubotsky (1998) | |
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| Index of Names and Titles | |