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Sonic Self Musical Subjectivity and Signification

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ISBN-10: 0253337542

ISBN-13: 9780253337542

Edition: 2001

Authors: Naomi Cumming

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Book details

Copyright year: 2001
Publisher: Indiana University Press
Publication date: 1/22/2001
Binding: Hardcover
Pages: 392
Size: 6.38" wide x 9.49" long x 1.14" tall
Weight: 1.936
Language: English

Naomi Cumming was a fine violinist and music theorist. She published a host of journal articles and lectured internationally on the philosophy, psychology, and semiotics of music; her article on musical semiotics will appear in the Revised New Grove Dictionary of Music and Musicians. She was a Fulbright fellow at Columbia University, a research fellow in music theory at the Department of Philosophy of the University of Melbourne, and recipient of an award from the Society for Music Theory in 1998.

Foreword
Introduction
Musical Initiations
Subjects and Subjectivity
A Philosophical Outlook
Signs of Subjectivity
Physical Disciplines and Signs
A Semiotic View of Musical Subjectivity
Expressive Individuation and Uncertainty
Listening Subjects and Semiotic Worlds
The Uncertainties of Musical Signification
Intentionality and Metaphor
Subjects and First-Person Authority
Regaining an Interpretive "I"
Musical Signs
Signs and Objects
Questions and Typologies
Naming Qualities: Hearing Signs
Qualities and Qualities-as-Signs
Disciplinary Boundaries: How Does Semiotics Relate to Psychology?
Living Sounds and Virtualities
Worlds of Sound and Subjective Identifications
Gesturing
Gesture as Performance and Convention
To Perform or to Dissimulate?
Voice and Gesture as Virtualities
Framing Willfulness in Tonal Law
Theorists: Giving Roles to Rules
The Dialectics of Tonal Semiosis
Complex Syntheses
Expressive Complexity and Musical "Personae"
Modes of Synthesis
Culturally Embedded Signs
Emergent Qualities
Skeptical Issues
Values and Personal Categories
Sound and Sensuality
Encounters
Rehabilitating the Subject
Afterword
Theorizing Generals
Notes
Bibliography
Index