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Temples for Tomorrow Looking Back at the Harlem Renaissance

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ISBN-10: 0253214254

ISBN-13: 9780253214256

Edition: 2001

Authors: Genevi�ve Fabre, Michel Feith, Michel Feith, Michel Feith

List price: $26.00
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Book details

List price: $26.00
Copyright year: 2001
Publisher: Indiana University Press
Publication date: 9/19/2001
Binding: Paperback
Pages: 408
Size: 6.14" wide x 9.25" long x 0.59" tall
Weight: 1.254
Language: English

Genevi�ve Fabre is professor at the University Paris 7 where she is director of the Center of African American Research. Author of books on James Agee, on African American Theatre (Paris, CNRS and Harvard U P), she has contributed to several collective volumes and encyclopedias. Co-author of books on F.S. Fitzgerald, American minorities, she has edited or co-edited several volumes: on Hispanic literatures, on Barrio culture in the USA, on ethnicity, two volumes on "Feasts and Celebrations among Ethnic Communities," two on Toni Morrison, and a book on History and Memory in Afr Am Culture. She is now co-editing with Michel Feith a collection of essays on The Harlem Renaissance. A Fellow at…    

Foreword
Acknowledgments
"Temples for Tomorrow": Introductory Essay
Racial Doubt and Racial Shame in the Harlem Renaissance
The Syncopated African: Constructions of Origins in the Harlem Renaissance (Literature, Music, Visual Arts)
Oh Africa! The Influence of African Art during the Harlem Renaissance
Florence B. Price's "Negro Symphony"
Ethel Waters: The Voice of an Era
Oscar Micheaux and the Harlem Renaissance
The Tragedy and the Joke: James Weldon Johnson's The Autobiography of an Ex-Coloured Man
"The Spell of Africa Is Upon Me": W.E.B. DuBois's Notion of Art as Propaganda
Subject to Disappearance: Interracial Identity in Nella Larsen's Quicksand
No Free Gifts: Toomer's "Fern" and the Harlem Renaissance
Harlem as a Memory Place: Reconstructing the Harlem Renaissance in Space
"A Basin in the Mind": Language in Their Eyes Were Watching God
Langston Hughes's Blues
The Tropics in New York: Claude McKay and the New Negro Movement
The West Indian Presence in Alain Locke's The New Negro (1925)
Three Ways to Translate the Harlem Renaissance
The Harlem Renaissance Abroad: French Critics and the New Negro Literary Movement (1924-1964)
Chronology
Selected Bibliography
Contributors
Index