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Screenwriter's Compass Character As True North

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ISBN-10: 0240818075

ISBN-13: 9780240818078

Edition: 2012

Authors: Guy Gallo

List price: $22.99
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Description:

What makes a bad movie? We've all experienced it. Fine production values, fantastic action sequences, stellar cast--and still it sucked. Not worth the popcorn. You come out saying, "I didn't buy it." What's that mean? And how can it apply to such wildly different failures? Because "buying it," being compelled by the characters, lies at the heart of our experience of film, indeed of all storytelling. If we don't believe the choices the characters make are important and meaningful, we will not be compelled, we will not care. Most screenwriting books analyze examples of what has worked in the past, extracting formulas and templates, pointing to great movies and saying, in effect, "See? That's…    
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Book details

List price: $22.99
Copyright year: 2012
Publisher: Taylor & Francis Group
Publication date: 3/30/2012
Binding: Paperback
Pages: 200
Size: 6.00" wide x 9.00" long x 0.50" tall
Weight: 0.418
Language: English

Guy Gallo saw success early when Under the Volcano, his Masters project and a 1986 major feature film was produced. Since then, he's written over a dozen feature screenplays, and had four others produced. His most recent screenplay, The Last Christmas, is currently going into pre-production. He has also taught advanced screenwriting for twenty years at the graduate Film Division of Columbia University's School of the Arts. He's also taught drama at Princeton and New York University. He counts among his students James Mangold (Girl Interrupted, 3:10 to Yuma, Walk the Line), Greg Mottola (Superbad, Adventureland), Jeannine Dominy (Dangerous Beauty), Christopher Zalla (Sundance Grand Jury 2007…    

Preface
Acknowledgments
First Things
Screenwriter's Compass
Big Deal�You're Writing a Screenplay
Gear Up
Screenwriting Is Writing
Craftsmanship
Ground Work
Reading Theory
Upsetting Aristotle
Putting Aristotle to Work
Character-Driven versus Plot-Driven
Fable and Construct
Turning Theory to Task
Getting Ready
Master Shot Screenplay
Reading Screenplays
Composition Creates Story
On Outlines
On Character Histories
On Treatments
On Adaptation
First Draft
The Blank Page
Scene and Action Description
Being God
Hearing Voices
Empathy
Thinking of Structure
Breaking a Block
Revision
First Reader
Looking Again for Logic
Questions
Challenges and Pitfalls
On Expectation
Finishing
Wrighting a Screenplay
Screenplay Format
Proofreading
Submission
Getting Ready Again
Passion and Purpose
Happy Accident
Intuition and Analysis
Lessons
Index