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| Editors' Note | |
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| Introduction | |
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| Evolution and Human Nature | |
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| Historical Overview | |
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| Evolutionary Psychology: The New Science of the Mind (2008) | |
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| The Theory of Evolution | |
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| Recapitulation and Conclusion, from On the Origin of Species (1859) | |
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| The Digital River (1995) | |
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| Humankind | |
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| General Summary and Conclusion, from The Descent of Man (1871) | |
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| Man: From Sociobiology to Sociology (1975) | |
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| The Universal People (1991) | |
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| Sociobiology at Century's End (2000) | |
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| Evolution and Explanation (2005) | |
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| Evolutionary Social Constructivism (2005) | |
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| The Riddle of Art | |
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| Art and Adaptation (1997) | |
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| The Arts and Their Interpretation (1998) | |
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| Art and Intimacy: How the Arts Began (2000) | |
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| Arts of Seduction (2000) | |
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| Does Beauty Build Adapted Minds? Toward an Evolutionary Theory of Aesthetics, Fiction, and the Arts (2001) | |
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| The Uses of Fiction (2009) | |
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| Literature, Film, and Evolution: Theory | |
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| Getting It All Wrong: Bioculture Critiques Cultural Critique (2006) | |
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| Imagining Human Nature | |
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| Two Worlds: The Ghost and the Machine (2008) | |
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| Consilient Literary Interpretation (2002) | |
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| Humanism and Human Nature in the Renaissance (2005) | |
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| The Reality of Illusion (1996) | |
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| Darwin and the Directors: Film, Emotion, and the Face in the Age of Evolution (2003) | |
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| What Snakes, Eagles, and Rhesus Macaques Can Teach Us (2008) | |
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| Interpretations | |
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| Homeric Women: Re-imagining the Fitness Landscape (2008) | |
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| New Science, Old Myth: An Evolutionary Critique of the Oedipal Paradigm (2001) | |
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| The Wheel of Fire and the Mating Game: Explaining the Origins of Tragedy and Comedy (2005) | |
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| Jealousy in Othello (2007) | |
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| Wordsworth, Psychoanalysis, and the "Discipline of Love" (2000) | |
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| Vindication and Vindictiveness: Oliver Twist (2007) | |
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| The Cuckoo's History: Human Nature in Wuthering Heights (2008) | |
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| Human Nature, Utopia, and Dystopia: Zamyatin's We (2002) | |
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| Paternal Confidence in Zora Neale Hurston's "The Gilded Six-Bits" | |
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| Character in Citizen Kane (1996) | |
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| Convention, Construction, and Cinematic Vision (1996/2008) | |
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| Art and Evolution: The Avant-Garde as Test Case: Spiegelman in The Narrative Corpse (2008) | |
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| Literature as Laboratory | |
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| Literature, Science, and a New Humanities (2008) | |
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| Slash Fiction and Human Mating Psychology (2004) | |
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| Cultural Variation Is Part of Human Nature: Literary Universals, Context-Sensitivity, and "Shakespeare in the Bush" (2003) | |
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| Paleolithic Politics in British Novels of the Longer Nineteenth Century | |
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| Bibliography | |
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| Contributors | |
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| Index | |