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Visions of Belonging Family Stories, Popular Culture, and Postwar Democracy, 1940-1960

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ISBN-10: 0231121717

ISBN-13: 9780231121712

Edition: 2004

Authors: Judith E. Smith, gareth E. jones

List price: $28.00
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Visions of Belonging explores how beloved and still-remembered family stories -- A Tree Grows in Brooklyn, I Remember Mama, Gentleman's Agreement, Death of a Salesman, Marty, and A Raisin in the Sun -- entered the popular imagination and shaped collective dreams in the postwar years and into the 1950s. These stories helped define widely shared conceptions of who counted as representative Americans and who could be recognized as belonging. The book listens in as white and black authors and directors, readers and viewers reveal divergent, emotionally textured, and politically charged social visions. Their diverse perspectives provide a point of entry into an extraordinary time when the possibilities for social transformation seemed boundless. But changes were also fiercely contested, especially as the war's culture of unity receded in the resurgence of cold war anticommunism, and demands for racial equality were met with intensifying white resistance. Judith E. Smith traces the cultural trajectory of these family stories, as they circulated widely in bestselling paperbacks, hit movies, and popular drama on stage, radio, and television. Visions of Belonging provides unusually close access to a vibrant conversation among white and black Americans about the boundaries between public life and family matters and the meanings of race and ethnicity. Would the new appearance of white working class ethnic characters expand Americans'understanding of democracy? Would these stories challenge the color line? How could these stories simultaneously show that black families belonged to the larger "family" of the nation while also representing the forms of danger and discriminations that excluded them from full citizenship? In the 1940s, war-driven challenges to racial and ethnic borderlines encouraged hesitant trespass against older notions of "normal." But by the end of the 1950s, the cold war cultural atmosphere discouraged probing of racial and social inequality and ultimately turned family stories into a comforting retreat from politics. The book crosses disciplinary boundaries, suggesting a novel method for cultural history by probing the social history of literary, dramatic, and cinematic texts. Smith's innovative use of archival research sets authorial intent next to audience reception to show how both contribute to shaping the contested meanings of American belonging.
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Book details

List price: $28.00
Copyright year: 2004
Publisher: Columbia University Press
Publication date: 5/23/2006
Binding: Paperback
Pages: 464
Size: 6.00" wide x 8.75" long x 1.25" tall
Weight: 1.408
Language: English

Judith E. Smith is professor of American studies at University of Massachusetts Boston and the author of Family Connections: A History of Italian and Jewish Immigrant Lives in Providence, Rhode Island, 1900-1940.

Ordinary Families
Popular Culture, and Popular Democracy, 1935-1945
Radio's Formula Drama
Popular Theater and Popular Democracy
Popular Democracy on the Radio
Popular Democracy in Wartime
Multiethnic and Multiracial?
Representing the Soldier
The New World of the Home Front Soldiers as Veterans
Imagining the Postwar World Looking Back Stories
Making the Working-Class
Family Ordinary
A Tree Grows in Brooklyn From Working-Class
Daughter to Working-Class
Writer Revising 1930s
Radical Visions
Remembering a Working-Class
Past Instructing the Middle Class
The Ethnic and Racial Boundaries of the Ordinary
Making Womanhood Ordinary
Hollywood Revises
A Tree Grows in Brooklyn The Declining Appeal of Tree's Social Terrain
Home Front Harmony and Remembering Mama
"Mama's Bank Account" and Other Ethnic Working-Class
Fictions Remembering Mama on the Stage
The Mother Next Door on Film, 1947-1948
Mama on CBS, 1949-1956
The Appeal of TV Mama's
Ordinary Family "Trading Places" Stories
Loving Across Prewar Racial and Sexual Boundaries
Fruit Quality Reinstates the Color Line Strange
Fruit as Failed Social Drama
The Returning Negro Soldier
Interracial Romance, and Deep Are the Roots
Interracial Male Homosociability in Home of the Brave
"Seeing Through" Jewishness Perception and Racial Boundaries in Focus
Policing Racial and Gender Boundaries in The Brick
Foxhole Recasting the Victim in Crossfire
Deracializing Jewishness in Gentleman's Agreement
Hollywood Makes Race (In)Visible "A Great Step Forward"
The Film Home of the Brave Lost Boundaries
Racial Indeterminacy as Whiteness Pinky
Racial Indeterminacy as Blackness
Trading Places or No Way Out? Everyman Stories
Competing Postwar Representations of Universalism
The "Truly Universal People"
The Evolution of Arthur
Ordinary Family Miller's Search for "the People," 1947-1948
The Creation of an Ordinary American Tragedy
Death of a Salesman
The Rising Tide of Anticommunism
Marital Realism and Everyman Love Stories
Marital Realism Before and After the Blacklist
The Promise of Live Television
Drama Paddy Chayefsky's
Everyman Ethnicity
Conservative and Corporate
Constraints on Representing the Ordinary
Filming Television's "Ordinary": Marty's Everyman Romance
Reracializing the Ordinary American Family
Raisin in the Sun Lorraine Hansberry's South Side
Childhood Leaving Home, Stepping "Deliberately Against the Beat"
The Freedom Family and the Black Left "I Am a Writer"
Hansberry in Greenwich Village Raisin in the Sun
Hansberry's Conception, Audience Reception Frozen in the Frame
The Film of Raisin Visions of Belonging