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Introduction | |
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A note on presentation | |
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The Emergence of the ModernIa: The modern in cultural, political and scientific thought | |
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From letter to Ruge, September 1843 | |
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From The Communist Manifesto 1848 | |
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From 'Art and Revolution' 1849 | |
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From The Origin of Species by Means of Natural Selection 1859 | |
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From Mother Right 1861 | |
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From Preface to Human, All Too Human 1878 | |
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From Degeneration 1883 | |
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From 'Useful Work versus Useless Toil' 1884 | |
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From The Secret Doctrine 1888 | |
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From The Golden Bough 1890-1915 | |
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From The Crowd: A Study of the Popular Mind 1895 | |
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From The Theory of the Leisure Class 1899 | |
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From The Education of Henry Adams 1907 | |
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From The Interpretation of Dreams 1900 | |
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From 'The Metropolis and Mental Life' 1903 | |
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From Woman Under Socialism 1904 | |
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From The Souls of Black Folk 1903 | |
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From Creative Evolution 1907 | |
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From Abstraction and Empathy 1908 | |
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From 'Ornament and Crime' 1908 | |
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'The Good Conduct Medal' 1909 | |
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From 'Women's Suffrage' 1911 | |
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From The Freud Journal of Lou Andreas-Salome 1912, 1913 | |
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From The Decline of the West 1918-22 | |
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Modern aesthetics | |
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From review of Nathanial Hawthorne's Twice-Told Tales 1842 | |
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From Preface to Leaves of Grass 1855 | |
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From letter to Mlle Leroyer de Chantepie, 18 March 1857 | |
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From 'On the Modern Element in Literature' 1857 | |
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From 'The Painter of Modern Life' 1859-60 | |
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From letter to Paul Demeny, 15 May 1871 | |
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From Lectures on Art 1870; From Arartra Pentelici 1872 | |
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From Conclusion to The Renaissance [1873] 1893 | |
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From Preface to Miss Julie 1888 | |
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Preface to The Picture of Dorian Gray 1890 | |
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'The Science of Fiction' 1891 | |
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From 'Crisis in Poetry' 1886-95 | |
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From 'Introduction to the Method of Leonardo da Vinci' 1895 | |
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'Preliminary Address at the First Performance of Ubi Roi, 10 December 1896' | |
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From Preface to The Nigger of the 'Narcissus' 1897 | |
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From The Symbolist Movement in Literature 1899 | |
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From 'The Symbolism of Poetry' 1900 | |
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From 'Days of Reading: I' 1905 | |
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From 'Henrik Ibsen: Philosopher or Poet' 1905 | |
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From 'The Art of Fiction' 1894; From Preface to The Princess Casamassima 1906 | |
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From 'The Actor and the uber-marionette' 1907 | |
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From My Life 1927 | |
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From The Sanity of Art 1908 | |
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The Avant-GardeIIa. Formulations and declarations | |
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From Realist Manifesto 1855 | |
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From 'Naturalism on the Stage' 1880 | |
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'The Post-Impressionists' 1910 | |
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From 'Romanticism and Classicism' 1911 | |
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From The Man-Made World or Our Androcentric Culture 1911 | |
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'The French Group' 1912 | |
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'The English Group' 1912 | |
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'Light' 1912; 'Notes on the Construction of the Reality of Pure Painting' 1912 | |
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'The Musician's Day' 1913; 'Some Notes on Modern Music' 1919 | |
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From 'The Cubist Room' 1914 | |
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From 'In These Great Times' 1914 | |
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From 'Zurich 1916, as it really was' 1928 | |
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