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| Introduction Plato | |
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| The Arts and Measure (Selections fromStatesman) | |
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| Imitative Art: Definition and Criticism (Selections fromThe Republic, Sophist, Laws) | |
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| Artistic Inspiration (Selections fromIon, Phaedrus) | |
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| The Love of Beauty (Selections fromSymposium) Aristotle | |
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| What Is Art? (Selections fromMetaphysics, Nicomachean Ethics) | |
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| Coming-to-Be and Artistic Production: Nature and Art (Selections fromParts of Animals, Physics, and Metaphysics) | |
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| Standard of Artistic Goodness (Selections fromNicomachean Ethics) | |
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| Beauty (Selections fromMetaphysics, Rhetoric) | |
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| The Imitative Art of Poetry (Selections fromPoetics, Rhetoric) | |
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| Theory of Music (Selections fromPolitics) | |
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| Plotinus Ennead I, Sixth Tractate: Beauty Ennead V | |
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| Eighth Tractate: On the Intellectual Beauty Selections fromEnnead VI | |
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| Seventh Tractate: Multiplicity of the Ideal-Forms Selections fromEnnead III | |
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| Eight Tractate: Nature, Contemplation, and the One Translated by | |
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| Selections fromDe Ordine | |
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| Selections fromDe Musica Redaction and | |
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| Selections fromCommentary on Plato'sSymposium | |
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| Selections fromCharacteristics of Men, Manners, Opinions, Times | |
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| Selections fromSecond Charactersorthe Language of Forms Immanuel Kant | |
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| Selections fromCritique of Judgment | |
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| Selections fromSystem of Transcendental Idealism | |
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| Selections fromThe Philosophy of Fine Art | |
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| Selections fromThe World as Will and Idea | |
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| Selections fromThe Birth of Tragedy | |
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| Selections from "Aesthetics" (Encyclopaedia Britannica, Fourteenth Edition) | |
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| Selections fromArt as Experience | |
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| The Origin of the Work of Art | |