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Hunting the Ethical State The Benkadi Movement of Cote D'Ivoire

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ISBN-10: 0226326543

ISBN-13: 9780226326542

Edition: 2011

Authors: Joseph Hellweg

List price: $29.00
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Description:

In the 1990s a nationwide crime wave overtook Cote d'Ivoire. The Ivoirian police failed to control the situation, so a group of poor, politically marginalized, and mostly Muslim men took on the role of the people's protectors as part of a movement they called Benkadi. These men weredozoshunters skilled in ritual sacrificeand they applied their hunting and occult expertise, along with the ethical principles implicit in both forms of knowledge, to the tracking and capturing of thieves. Meanwhile, as Benkadi emerged, so too did the ethnic, regional, and religious divisions that would culminate in Cote d'Ivoire's 200207 rebellion. Hunting the Ethical Statereveals how dozos worked beyond these divisions to derive their new roles as enforcers of security from their ritual hunting ethos. Much as they used sorcery to shape-shift and outwit game, they now transformed into unofficial police, and their ritual networks became police bureaucracies. Though these Muslim and northern-descended men would later resist the state, Joseph Hellweg demonstrates how they briefly succeeded at making a place for themselves within it. Ultimately, Hellweg interprets Benkadi as a flawed but ingenious and thoroughly modern attempt by non-state actors to reform an African state.
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Book details

List price: $29.00
Copyright year: 2011
Publisher: University of Chicago Press
Publication date: 7/1/2011
Binding: Paperback
Pages: 312
Size: 6.00" wide x 9.00" long x 0.50" tall
Weight: 0.946
Language: English

List of Illustrations
Note on Names, Tense, and Orthography
Acknowledgments
Mestizo Dozos: Sacrifice, Shape-Shifting, and the State
Criminal Instability: History, Identity, and Mimesis in a State of Exception
Dozos at Home and on the Hunt
Sacrificing for Security
Disappearance as Power: Islam and the Secret History of Manimory
Organizing Benkadi
Stalking Crime
The Power in the Nightjar's Call: Dozo Performance as Social Drama
Conclusion: From Civic Duty to Civil Unrest
Notes
References
Index