| |
| |
| List of Illustrations | |
| |
| |
| Preface and Acknowledgments | |
| |
| |
| An Introduction to My Art Criticism | |
| |
| |
| |
| 1966-77 Shape as Form: Frank Stella's Irregular Polygons (1966) | |
| |
| |
| Morris Louis (1966-67) | |
| |
| |
| Jules Olitski (1966-67) | |
| |
| |
| Art and Objecthood (1967) | |
| |
| |
| New Work by Anthony Caro (1967) | |
| |
| |
| Ronald Davis: Surface and Illusion (1967) | |
| |
| |
| Two Sculptures by Anthony Caro (1968) | |
| |
| |
| Recent Work by Kenneth Noland (1969) | |
| |
| |
| Caro's Abstractness (1970) | |
| |
| |
| Problems of Polychromy: New Sculptures by Michael Bolus (1971) | |
| |
| |
| Larry Poons's New Paintings (1972) | |
| |
| |
| Anthony Caro's Table Sculptures, 1966-77 (1977) | |
| |
| |
| |
| 1965 Three American Painters: Kenneth Noland, Jules Olitski, Frank Stella (1965) | |
| |
| |
| |
| 1962-64 Anthony Caro (1963) | |
| |
| |
| Frank Stella (1963) | |
| |
| |
| New York Letter: Oldenburg, Chamberlain (October 25, 1962) | |
| |
| |
| New York Letter: Louis, Chamberlain and Stella, Indiana (November 25, 1962) | |
| |
| |
| New York Letter: Warhol (December 25, 1962) | |
| |
| |
| New York Letter: Johns (February 25, 1963) | |
| |
| |
| New York Letter: Hofmann (April 25, 1963) | |
| |
| |
| New York Letter: Noland, Thiebaud (May 25, 1963) | |
| |
| |
| New York Letter: Hofmann, Davis (December 5, 1963) | |
| |
| |
| New York Letter: Kelly, Poons (December-January 1963-64) | |
| |
| |
| New York Letter: Judd (February 15, 1964) | |
| |
| |
| New York Letter: De Kooning Drawings (April 25, 1964) | |
| |
| |
| New York Letter: Olitski, Jenkins, Thiebaud, Twombly (May 1964) | |
| |
| |
| New York Letter: Brach, Chamberlain, Irwin (Summer 1964) | |
| |
| |
| Writings by Michael Fried, 1959-77 | |
| |
| |
| Exclusive of Poetry | |
| |
| |
| Index of Names in "An Introduction to My Art Criticism" | |