Opera Fanatic Ethnography of an Obsession
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Though some dismiss opera as old-fashioned, it shows no sign of disappearing from the world's stage. So why do audiences continue to flock to it? Given its association with wealth, one might imagine that opera tickets function as a status symbol. But while a desire to hobnob with the upper crust might motivate the occasional operagoer, for hardcore fans the real answer, according toThe Opera Fanatic, is passionthey do it for love. Opera lovers are an intense lot, Claudio E. Benzecry discovers in his look at the fanatics who haunt the legendary Colon Opera House in Buenos Aires, a key site for opera's globalization. Listening to the fans and their stories, Benzecry hears of two-hundred-mile trips for performances and nightlong camp-outs for tickets, while others testify to a particular opera's power to move themwhether to song or to tearsno matter how many times they have seen it before. Drawing on his insightful analysis of these acts of love, Benzecry proposes new ways of thinking about people's relationship to art and shows how, far from merely enhancing aspects of everyday life, art allows us to transcend it.
List price: $35.00
Copyright year: 2011
Publisher: University of Chicago Press
Publication date: 7/15/2011
Size: 6.00" wide x 9.00" long x 0.50" tall
|List of Illustrations|
|An Opera House for the "Paris of South America"|
|"It was love at first sight": Biography and Social Trajectory of Standing-Room Dwellers|
|Becoming an Opera Fan: Cultural Membership, Mediation, and Differentiation|
|Moral Listening: Symbolic Boundaries, Work on the Self, and Passionate Engagement|
|Heroes, Pilgrims, Addicts, and Nostalgics: Repertories of Engagement in the Quest for Transcendence|
|"They were playing in their shirtsleeves!": Downfall, Memory Work, and High-Culture Nationalism|
|"We've told you all about our life": Conclusions and Implications|