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Abbreviations | |
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List of Plates | |
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Preface and Acknowledgments | |
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Maps Introduction | |
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Diary, August 14-September 20, 1903 | |
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Diary, December 6, 1903-January 6, 1904 | |
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Diary, January 6 or Afterward-March 9, 1904 | |
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Diary, April 1-May 7, 1904 | |
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Diary, December 26, 1908-April 4, 1909 | |
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Response to In Battle for Art: The Answer to the "Protest of German Artists" | |
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"Thoughts on Timely and Untimely Art" | |
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Diary, December 20, 1912-April 17, 1913 | |
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Statement for Exhibition at Hamburg Kunstverein, Max Beckmann (Gemalde), Walter Geffcken (Gemalde), Jules Pascin (Zeichnungen) | |
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"The New Program" | |
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Wartime Letters: East Prussia | |
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Wartime Letters: Belgium (Courtrai, Roeselare, Ostende) | |
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Wartime Letters: Roeselare, Wervicq, Brussels | |
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Catalogue Foreword for Exhibition at I. B. Neumann Graphisches Kabinett, Berlin, Max Beckmann Graphik | |
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"Creative Credo" | |
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Text for Hell Portfolio | |
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Contribution to "On the Value of Criticism: An Inquiry of Artists" | |
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Ebbi: A Comedy | |
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The Hotel: Drama in Four Acts | |
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Letter for the Piper Almanach | |
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Autobiography | |
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"The Social Stance of the Artist by the Black Tightrope Walker" | |
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"The Artist in the State" | |
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Statement in the Catalogue of the Mannheim Kunsthalle Retrospective | |
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Answer to Frankfurter Zeitung Questionnaire about Politics | |
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"On My Painting" | |
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Speech Given to His First Class in the United States, Washington University, St. Louis | |
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"Letters to a Woman Painter" | |
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Speech for Friends and Faculty during Commencement Week Activities, Washington University, St. Louis | |
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"Can Painting Be Taught? | |
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Beckmann's Answer" | |
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Table of Monetary Equivalents | |
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Notes | |
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Index | |