| |
| |
| (R) indicates Rhythmic Reading exercises | |
| |
| |
| Preface | |
| |
| |
| In Memoriam | |
| |
| |
| Acknowledgments | |
| |
| |
| |
| Melody: Diatonic Intervals | |
| |
| |
| Rhythm: Division of the Beat | |
| |
| |
| |
| Rhythm: Simple Meters; The Beat and Its Division into Two Parts I | |
| |
| |
| Rhythmic Reading | |
| |
| |
| |
| The quarter note as the beat unit. Beat-note values and larger only | |
| |
| |
| |
| The quarter note as the beat unit and its division. Dotted notes and tied notes | |
| |
| |
| |
| Two-part drills | |
| |
| |
| |
| Note values other than the quarter note as beat values | |
| |
| |
| |
| Two-part drills | |
| |
| |
| |
| Melody: Stepwise Melodies, Major Keys | |
| |
| |
| Rhythm: Simple Meters; The Beat and Its Division into Two Parts | |
| |
| |
| Sight Singing | |
| |
| |
| |
| Major keys, treble clef, the quarter note as the beat unit. Key signatures with no more than three sharps or three flats | |
| |
| |
| |
| Bass clef | |
| |
| |
| |
| Other meter signatures | |
| |
| |
| |
| Duets | |
| |
| |
| |
| Structured improvisation | |
| |
| |
| |
| Melody: Leaps within the Tonic Triad, Major Keys | |
| |
| |
| Rhythm: Simple Meters | |
| |
| |
| |
| Major keys, treble clef, leaps of a third, fourth, fifth, and octave within the tonic triad. The quarter note as the beat unit | |
| |
| |
| |
| Bass clef | |
| |
| |
| |
| Leaps of a sixth within the tonic triad | |
| |
| |
| |
| The half note and the eighth note as beat units | |
| |
| |
| |
| Duets | |
| |
| |
| |
| Key signatures with five, six, and seven sharps or flats | |
| |
| |
| |
| Structured improvisation | |
| |
| |
| |
| Melody: Leaps within the Tonic Triad, Major Keys | |
| |
| |
| Rhythm: Compound Meters; The Beat and Its Division into Three Parts | |
| |
| |
| |
| Rhythmic reading: The dotted quarter note as the beat unit. Single lines and two-part drills | |
| |
| |
| |
| Sight singing: Major keys, treble clef; the dotted quarter note as the beat unit | |
| |
| |
| |
| Sight singing: Bass clef | |
| |
| |
| |
| Rhythmic reading: The dotted half note and the dotted eighth note as beat units, including two-part drills | |
| |
| |
| |
| Sight singing: The dotted half note and dotted eighth note as beat units | |
| |
| |
| |
| Duets | |
| |
| |
| |
| Structured improvisation | |
| |
| |
| |
| Melody: Minor Keys; Leaps within the Tonic Triad | |
| |
| |
| Rhythm: Simple and Compound Meters | |
| |
| |
| |
| Simple meters | |
| |
| |
| |
| Compound meters | |
| |
| |
| |
| Duets | |
| |
| |
| |
| Structured improvisation | |
| |
| |
| |
| Melody: Leaps within the Dominant Triad (V); Major and Minor Keys | |
| |
| |
| Rhythm: Simple and Compound Meters | |
| |
| |
| |
| Leaps of a third within the V triad; major keys; simple meters | |
| |
| |
| |
| Leaps of a third within the V triad; minor keys; simple meters | |
| |
| |
| |
| Leaps of a fourth and fifth within the V triad; major and minor keys; simple meters | |
| |
| |
| |
| Leaps of a sixth within the V triad; simple meters | |
| |
| |
| |
| Compound meters; various leaps within the V triad | |
| |
| |
| |
| Numerator of 3, compound meters | |
| |
| |
| |
| Duets | |
| |
| |
| |
| Structured improvisation | |
| |
| |
| |
| The C Clefs Alto and Tenor Clefs | |
| |
| |
| |
| The alto clef | |
| |
| |
| |
| The tenor clef | |
| |
| |
| |
| Duets | |
| |
| |
| |
| Additional practice in the C clefs | |
| |
| |
| |
| Structured improvisation | |
| |
| |
| |
| Melody: Further Use of Diatonic Leaps | |
| |
| |
| Rhythm: Simple and Compound Meters | |
| |
| |
| |
| Single-line melodies | |
| |
| |
| |
| Bass lines | |
| |
| |
| |
| Duets | |
| |
| |
| |
| Structured improvisation | |
| |
| |
| |
| Melody: Leaps within the Dominant Seventh Chord (V<sup>7</sup>); Other Diatonic Seventh Leaps | |
| |
| |
| Rhythm: Simple and Compound Meters | |
| |
| |
| |
| The complete dominant seventh chord | |
| |
| |
| |
| The leap of a minor seventh within the V<sup>7</sup> chord | |
| |
| |
| |
| The leap of a tritone within the V<sup>7</sup> chord | |
| |
| |
| |
| Other diatonic seventh leaps | |
| |
| |
| |
| Structured improvisation | |
| |
| |
| |
| Melody: Diatonic Intervals Rhythm: Subdivision of the Beat | |
| |
| |
| |
| Rhythm The Subdivision of the Beat: The Simple Beat into Four Parts, The Compound Beat into Six Parts | |
| |
| |
| Rhythmic Reading, Simple Meters | |
| |
| |
| |
| Preliminary exercises, simple meters | |
| |
| |
| |
| Rhythmic reading exercises in simple meters | |
| |
| |
| |
| Two-part drills, simple meters | |
| |
| |
| Rhythmic Reading, Compound Meters | |
| |
| |
| |
| Preliminary exercises, compound meters | |
| |
| |
| |
| Rhythmic reading exercises in compound meters | |
| |
| |
| |
| Two-part drills, compound meters | |
| |
| |
| |
| Melody: Leaps within the Tonic and Dominant Triads | |
| |
| |
| Rhythm: Subdivision in Simple and Compound Meters | |
| |
| |
| |
| Single-line melodies and duets | |
| |
| |
| |
| Structured improvisation | |
| |
| |
| |
| Melody: Further Use of Diatonic Leaps | |
| |
| |
| Rhythm: Subdivision in Simple and Compound Meters | |
| |
| |
| |
| Diatonic leaps except the seventh and tritone | |
| |
| |
| |
| Leaps of a seventh or tritone within the V<sup>7</sup> chord | |
| |
| |
| |
| Other melodic dissonances | |
| |
| |
| |
| Structured improvisation | |
| |
| |
| |
| Melody: Chromaticism | |
| |
| |
| Rhythm: Further Rhythmic Practices | |
| |
| |
| |
| Rhythm and Syncopation | |
| |
| |
| Melody: Melody: Rhythmic Reading | |
| |
| |
| |
| Syncopation in simple meters at the beat or beat division level | |
| |
| |
| |
| Syncopation in compound meters at the beat or beat division level | |
| |
| |
| |
| Two-part drills | |
| |
| |
| |
| Syncopation at the beat subdivision level in simple meters | |
| |
| |
| |
| Syncopation at the beat subdivision level in compound meters | |
| |
| |
| |
| Two-part drills | |
| |
| |
| Sight Singing | |
| |
| |
| |
| Syncopation in simple meters at the beat or beat division level | |
| |
| |
| |
| Syncopation in compound meters at the beat or beat division level | |
| |
| |
| |
| Syncopation at the beat subdivision level in simple and compound meters | |
| |
| |
| |
| Duets | |
| |
| |
| |
| Structured improvisation | |
| |
| |
| |
| Rhythm and Triplet Division of Undotted Note Values; | |
| |
| |
| Melody: Duplet Division of Dotted Note Values | |
| |
| |
| Rhythmic Reading | |
| |
| |
| |
| Triplet division of undotted note values | |
| |
| |
| |
| Duplet division of dotted note values | |
| |
| |
| |
| Two-part drills | |
| |
| |
| Sight Singing | |
| |
| |
| |
| Triplet division of undotted note values | |
| |
| |
| |
| Duplet division of dotted note values | |
| |
| |
| |
| Duets | |
| |
| |
| |
| Structured improvisation | |
| |
| |
| |
| Melody: Chromaticism (I): Chromatic Embellishing Tones; Tonicizing the Dominant; Modulation to the Key of the Dominant or the Relative Major | |
| |
| |
| |
| Chromatic notes in the context of stepwise motion | |
| |
| |
| |
| Chromatic notes approached or left by leap | |
| |
| |
| |
| Tonicization of V in major keys | |
| |
| |
| |
| Tonicization of III and modulation to the relative major from minor keys | |
| |
| |
| |
| Modulation to the dominant from major and minor keys | |
| |
| |
| |
| Duets | |
| |
| |
| |
| Structured improvisation | |
| |
| |
| |
| Melody: Chromaticism (II):Tonicization of Any Diatonic Triad; Modulation to Any Closely Related Key | |
| |
| |
| |
| Tonicization of any diatonic triad; modulation only to the dominant or relative major key | |
| |
| |
| |
| Modulation to any closely related key | |
| |
| |
| |
| Duets | |
| |
| |
| |
| Structured improvisation | |
| |
| |
| |
| Rhythm and Changing Meter Signatures; The Hemiola; | |
| |
| |
| Melody: Less Common Meter Signatures | |
| |
| |
| Rhythmic Reading | |
| |
| |
| |
| Definitions and rhythmic reading exercises | |
| |
| |
| Sight Singing | |
| |
| |
| |
| Changing meter signatures | |
| |
| |
| |
| The hemiola | |
| |
| |
| |
| Meters of 5 and 7, and other meters | |
| |
| |
| |
| Structured improvisation | |
| |
| |
| |
| Rhythm and Further Subdivision of the Beat; | |
| |
| |
| Melody: Notation in Slow Tempi | |
| |
| |
| |
| Rhythmic reading | |
| |
| |
| |
| Sight singing | |
| |
| |
| |
| Structured improvisation | |
| |
| |
| |
| Melody Chromaticism (III): Additional Uses of Chromatic Tones; Remote Modulation | |
| |
| |
| |
| Chromatic tones in less common intervals | |
| |
| |
| |
| The Neapolitan sixth | |
| |
| |
| |
| Remote modulation | |
| |
| |
| |
| Structured improvisation | |
| |
| |
| |
| The Diatonic Modes and Recent Music | |
| |
| |
| |
| Melody The Diatonic Modes | |
| |
| |
| |
| Folk music | |
| |
| |
| |
| Composed music | |
| |
| |
| |
| Structured improvisation | |
| |
| |
| |
| Rhythm and The Twentieth and Twenty-First Centuries | |
| |
| |
| Melody: | |
| |
| |
| |
| Meter and rhythm. Rhythmic reading | |
| |
| |
| |
| Extensions of the traditional tonal system | |
| |
| |
| |
| Symmetrical collections; the whole-tone and octatonic scales | |
| |
| |
| |
| Freely post-tonal melodies; twelve-tone melodies | |
| |
| |
| |
| Duets | |
| |
| |
| |
| Structured improvisation | |
| |
| |
| |
| Rhythm Solmization | |
| |
| |
| |
| Pitch Solmization | |
| |
| |
| |
| Musical Terms | |