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Preface | |
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Faculty and Student Resources for Teaching and Learning with Janson's History of Art | |
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Introduction | |
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The Renaissance Through Rococo | |
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Art in Thirteenth- and Fourteenth-Century Italy | |
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THE GROWTH OF MENDICANT ORDERS AND THE VISUAL ARTS IN ITALY | |
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The Franciscans at Assisi and Florence | |
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Churches and Their Furnishings in Urban Centers | |
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MATERIALS AND TECHNIQUES: Fresco Painting and Conservation | |
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Pulpits in Pisan Churches | |
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Expanding Florence Cathedral | |
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Building for the City Government: The Palazzo della Signoria | |
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PAINTING IN TUSCANY | |
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Cimabue and Giotto | |
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Siena: Devotion to Mary in Works by Duccio and Simone | |
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PRIMARY SOURCES: Agnolo di Tura del Grasso | |
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THE ART HISTORIAN'S LENS: The Social Work of Images | |
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Pietro and Ambrogio Lorenzetti | |
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Artists and Patrons in Times of Crisis | |
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PRIMARY SOURCES: Inscriptions on the Frescoes in the Palazzo Pubblico, Siena | |
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NORTHERN ITALY | |
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Venice: Political Stability and Sumptuous Architecture | |
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Milan: The Visconti Family and Northern Influences | |
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Artistic Innovations in Fifteenth-Century Northern Europe | |
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COURTLY ART: THE INTERNATIONAL GOTHIC | |
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Sculpture for the French Royal Family | |
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Illuminated Manuscripts: Books of Hours | |
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Bohemia and England | |
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URBAN CENTERS AND THE NEW ART | |
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Robert Campin in Tournai | |
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Jan van Eyck in Bruges | |
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MATERIALS AND TECHNIQUES: Panel Painting in Tempera and Oil | |
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Rogier van der Weyden in Brussels | |
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PRIMARY SOURCES: Cyriacus of Ancona (1449) | |
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LATE FIFTEENTH-CENTURY ART IN THE NETHERLANDS | |
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Aristocratic Tastes for Precious Objects, Personal Books, and Tapestries | |
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THE ART HISTORIAN'S LENS: Scientific and Technical Study of Paintings | |
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Panel Paintings in the Southern Netherlands | |
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The Northern Netherlands | |
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REGIONAL RESPONSES TO THE EARLY NETHERLANDISH STYLE | |
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France | |
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PRIMARY SOURCES: Fray Jos� De Sig�enza (1544?—1606) | |
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Spain | |
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Central Europe | |
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PRIMARY SOURCES: From the Contract for the St. Wolfgang Altarpiece | |
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PRINTING AND THE GRAPHIC ARTS | |
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Printing Centers in Colmar and Basel | |
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MATERIALS AND TECHNIQUES: Printmaking | |
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The Early Renaissance in Fifteenth-Century Italy | |
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FLORENCE IN THE FIFTEENTH CENTURY | |
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The Baptistery Competition | |
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PRIMARY SOURCES: In Praise of the City of Florence (ca. 1403—04) by Leonardo Bruni | |
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Architecture and Antiquity in Florence | |
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PRIMARY SOURCES: Lorenzo Ghiberti (ca. 1381—1455) | |
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MATERIALS AND TECHNIQUES: Brunelleschi's Dome | |
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PRIMARY SOURCES: Leon Battista Alberti on what makes a building beautiful | |
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Ancient Inspirations in Florentine Sculpture | |
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MATERIALS AND TECHNIQUES: Perspective | |
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Painting in Florentine Churches and Chapels | |
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THE ART HISTORIAN'S LENS: Patronage Studies | |
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Florentine Painters in the Age of the Medici | |
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DOMESTIC LIFE: PALACES, FURNISHINGS, | |
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AND PAINTINGS IN MEDICEAN FLORENCE | |
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Palace Architecture | |
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PRIMARY SOURCES: Domenico Veneziano Solicits Work | |
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Paintings for Palaces | |
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PRIMARY SOURCES: Giovanni Dominici Urges Parents to Put Religious Images in Their Homes | |
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Portraiture | |
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RENAISSANCE ART THROUGHOUT ITALY | |
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Piero della Francesca in Central Italy | |
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Alberti and Mantegna in Mantua | |
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Venice | |
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Rome and the Papal States | |
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The High Renaissance in Italy, 1495—1520 | |
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THE HIGH RENAISSANCE IN FLORENCE AND MILAN | |
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Leonardo da Vinci in Florence | |
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Leonardo in Milan | |
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PRIMARY SOURCES: Leonardo da Vinci (1452—1519) | |
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Leonardo Back in Florence and Elsewhere | |
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ROME RESURGENT | |
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Bramante in Rome | |
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Michelangelo in Rome and Florence | |
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PRIMARY SOURCES: Michelangelo Interprets the Vatican Piet� | |
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Michelangelo in the Service of Pope Julius II | |
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MATERIALS AND TECHNIQUES: Drawings | |
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Raphael in Florence and Rome | |
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THE ART HISTORIAN'S LENS: Cleaning and Restoring Works of Art | |
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PRIMARY SOURCES: On Raphael's Death | |
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VENICE | |
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Giorgione | |
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Titian | |
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The Late Renaissance and Mannerism in Sixteenth-Century Italy | |
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LATE RENAISSANCE FLORENCE: THE CHURCH, THE COURT, AND MANNERISM | |
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Florentine Religious Painting in the 1520s | |
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The Medici in Florence: From Dynasty to Duchy | |
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PRIMARY SOURCES: Benvenuto Cellini (1500—1571) | |
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ROME REFORMED | |
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Michelangelo in Rome | |
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PRIMARY SOURCES: Michelangelo the Poet | |
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The Catholic Reformation and Il Ges� | |
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NORTHERN ITALY: DUCAL COURTS AND URBAN CENTERS | |
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The Palazzo del Te | |
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PARMA AND CREMONA | |
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Correggio and Parmigianino in Parma | |
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Cremona | |
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VENICE: THE SERENE REPUBLIC | |
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Sansovino in Venice | |
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Andrea Palladio and Late Renaissance Architecture | |
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PRIMARY SOURCES: Andrea Palladio | |
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Titian | |
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MATERIALS AND TECHNIQUES: Oil on Canvas | |
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PRIMARY SOURCES: From a Session of the Inquisition Tribunal in Venice of Paolo Veronese | |
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Titian's Legacy | |
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Renaissance and Reformation in Sixteenth-Century Northern Europe | |
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FRANCE: COURTLY TASTES FOR ITALIAN FORMS | |
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Chateaux and Palaces: Translating Italian Architecture | |
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Art for Castle Interiors | |
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MATERIALS AND TECHNIQUES: Making and Conserving Renaissance Tapestries | |
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SPAIN: GLOBAL POWER AND RELIGIOUS ORTHODOXY | |
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The Escorial | |
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El Greco and Religious Painting in Spain | |
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CENTRAL EUROPE: THE REFORMATION AND ART | |
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Catholic Contexts: The Isenheim Altarpiece | |
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Albrecht D�rer and the Northern Renaissance | |
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PRIMARY SOURCES: Albrecht D�rer (1471—1528) | |
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Religious and Courtly Images in the Era of Reform | |
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Painting in the Cities: Humanist Themes and Religious Turmoil | |
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ENGLAND: REFORMATION AND POWER | |
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PRIMARY SOURCES: Elizabethan Imagery | |
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THE NETHERLANDS: WORLD MARKETPLACE | |
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The City and the Court: David and Gossaert | |
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THE ART HISTORIAN'S LENS: The Economics of Art | |
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Antwerp: Merchants, Markets, and Morality | |
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PRIMARY SOURCES: Karel van Mander Writes About Pieter Bruegel the Elder | |
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The Baroque in Italy and Spain | |
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PAINTING IN ITALY | |
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Caravaggio and the New Style | |
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Artemisia Gentileschi | |
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PRIMARY SOURCES: Artemisia Gentileschi (1593—ca. 1653) | |
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Ceiling Painting and Annibale Carracci | |
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ARCHITECTURE IN ITALY | |
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The Completion of St. Peter's and Carlo Maderno | |
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Bernini and St. Peter's | |
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Architectural Components in Decoration | |
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A Baroque Alternative: Francesco Borromini | |
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The Baroque in Turin: Guarino Guarini | |
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The Baroque in Venice: Baldassare Longhena | |
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SCULPTURE IN ITALY | |
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Early Baroque Sculpture: Stefano Maderno | |
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The Evolution of the Baroque: Gianlorenzo Bernini | |
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A Classical Alternative: Alessandro Algardi | |
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MATERIALS AND TECHNIQUES: Bernini's Sculptural Sketches | |
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PAINTING IN SPAIN | |
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Spanish Still Life: Juan S�nchez Cot�n | |
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Naples and the Impact of Caravaggio: Jusepe de Ribera | |
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Diego Vel�zquez: From Seville to Court Painter | |
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Monastic Orders and Zurbar�n | |
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PRIMARY SOURCES: Antonio Palomino (1655—1726) | |
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Culmination in Devotion: Bartolom� Esteban Murillo | |
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The Baroque in the Netherlands | |
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FLANDERS | |
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Peter Paul Rubens and Defining the Baroque | |
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PRIMARY SOURCES: Peter Paul Rubens (1577—1640) | |
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Anthony van Dyck: History and Portraiture at the English Court | |
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Local Flemish Art and Jacob Jordaens | |
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The Bruegel Tradition | |
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Still-Life Painting | |
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THE DUTCH REPUBLIC | |
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The Haarlem Academy: Hendrick Goltzius | |
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The Caravaggisti in Holland: Hendrick Terbrugghen | |
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The Haarlem Community and Frans Hals | |
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The Next Generation in Haarlem: Judith Leyster | |
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Rembrandt and the Art of Amsterdam | |
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THE ART HISTORIAN'S LENS: Authenticity and Workshops: Rubens and Rembrandt | |
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MATERIALS AND TECHNIQUES: Etching, Drypoint, and Selective Wiping | |
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THE LANDSCAPE, STILL-LIFE, AND GENRE PAINTING | |
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Landscape Painting: Jan van Goyen | |
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City Views: Jacob van Ruisdael | |
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Architectural Painting: Pieter Saenredam | |
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Still-life Painting: Willem Claesz. Heda | |
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Flower Painting: Rachel Ruysch | |
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Genre Painting: Jan Steen | |
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Intimate Genre Painting: Jan Vermeer | |
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Exquisite Genre Painting: Gerard ter Borch | |
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The Baroque in France and England | |
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FRANCE: THE STYLE OF LOUIS XIV | |
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Painting and Printmaking in France | |
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PRIMARY SOURCES: Nicolas Poussin (ca. 1594—1665) | |
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THE ART HISTORIAN'S LENS: Forgeries and The Book of Truth | |
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French Classical Architecture | |
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Sculpture: The Impact of Bernini | |
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BAROQUE ARCHITECTURE IN ENGLAND | |
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Inigo Jones and the Impact of Palladio | |
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Sir Christopher Wren | |
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John Vanbrugh and Nicholas Hawksmoor | |
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The Rococo | |
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FRANCE: THE RISE OF THE ROCOCO | |
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Painting: Poussinistes versus Rub�nistes | |
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PRIMARY SOURCES: Jean de Jullienne (1686—1767) | |
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MATERIALS AND TECHNIQUES: Pastel Painting | |
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Chinoiserie | |
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The French Rococo Interior | |
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THE ROCOCO IN WESTERN EUROPE OUTSIDE OF FRANCE | |
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William Hogarth and the Narrative | |
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Canaletto | |
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THE ROCOCO IN CENTRAL EUROPE | |
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Johann Fischer von Erlach | |
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Egid Quirin Asam | |
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Dominikus Zimmermann | |
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Balthasar Neumann | |
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Giovanni Battista Tiepolo and Illusionistic Ceiling Decoration | |
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PART FOUR: THE MODERN WORLD | |
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Art in the Age of the Enlightenment, 1750—1789 | |
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ROME TOWARD 1760: THE FONT OF NEOCLASSICISM | |
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Artistic Foundations of Neoclassicism: Mengs and Hamilton | |
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ROMANTICISM IN ROME: PIRANESI | |
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NEOCLASSICISM IN BRITAIN | |
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Sculpture and Painting: Historicism, Morality, and Antiquity | |
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MATERIALS AND TECHNIQUES: Josiah Wedgwood and Neoclassical Jasperware | |
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The Birth of Contemporary History Painting | |
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Grand Manner Portraiture in the Neoclassical Style: Joshua Reynolds | |
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THE ART HISTORIAN'S LENS: The Elusive Meaning of West's The Death of General Wolfe | |
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Architecture and Interiors: The Palladian Revival | |
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EARLY ROMANTICISM IN BRITAIN | |
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Architecture and Landscape Design: The Sublime and the Picturesque | |
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Early Romantic Painting in Britain | |
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Romanticism in Grand Manner Portraiture: Thomas Gainsborough | |
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NEOCLASSICISM IN FRANCE | |
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Architecture: Rational Classicism | |
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The Sublime in Neoclassical Architecture: The Austere and the Visionary | |
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Painting and Sculpture: Expressing Enlightenment Values | |
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PRIMARY SOURCES: Denis Diderot | |
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The Climax of Neoclassicism: The Paintings of Jacques-Louis David | |
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PRIMARY SOURCES: �tienne-Jean Del�cluze | |
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Neoclassical Portraiture: Marie-Louise-�lisabeth Vig�e-Lebrun | |
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ITALIAN NEOCLASSICISM TOWARD 1785 | |
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Neoclassical Sculpture: Antonio Canova | |
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Art in the Age of Romanticism, 1789—1848 | |
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PAINTING | |
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Spain: Francisco Goya | |
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Britain: Spiritual Intensity and the Bond with Nature | |
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MATERIALS AND TECHNIQUES: Blake's Printing Process | |
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PRIMARY SOURCES: John Constable (1776—1837) | |
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Germany: Friedrich's Pantheistic Landscape | |
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America: Landscape as Metaphor | |
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France: Neoclassical Romanticism | |
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France: Painterly Romanticism and Romantic Landscape | |
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PRIMARY SOURCES: Eug�ne Delacroix (1798—1863) | |
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Romantic Landscape Painting | |
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Romantic Sculpture | |
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Romantic Revivals In Architecture | |
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Britain: The Sublime and the Picturesque | |