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| Contents | |
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| Eighteenth- and Early Nineteenth Century Art in Europe and North America | |
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| Mid- to Late Nineteenth-Century Art in Europe and the United States | |
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| Modern Art in Europe and the Americas, 1900���1950 | |
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| The International Scene Since 1950 | |
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| Contemporary World Map | |
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| Glossary | |
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| Bibliography | |
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| Credits | |
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| Index | |
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| Detailed Contents | |
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| Contents | |
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| Eighteenth and Early Nineteenth-Century Art in Europe and North America | |
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| Industrial, Intellectual, and Political Revolutions | |
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| The Rococo Style | |
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| Rococo Salons | |
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| Rococo Painting and Sculpture | |
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| Rococo Church Decoration | |
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| Italy: The Grand Tour and Neoclassicism | |
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| Grand Tour Portraits and Views | |
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| Neoclassicism in Rome | |
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| Neoclassicism and Early Romanticism in Britain | |
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| The Classical Revival in Architecture and Design | |
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| The Gothic Revival in Architecture and Design | |
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| Trends in British Painting | |
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| Later Eighteenth-Century Art in France | |
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| Architecture | |
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| Painting and Sculpture | |
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| Art in Spain and Spanish America | |
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| Portraiture and Protest in Spain: Goya | |
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| The Art of the Americas under Spain | |
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| Early Nineteenth-Century Art: Neoclassicism and Romanticism | |
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| Neoclassicism and Romanticism in France | |
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| Romantic Landscape Painting | |
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| Gothic and Neoclassical Styles in Architecture | |
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| Boxes | |
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| Art and its Contexts | |
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| Academies and Academy Exhibitions | |
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| The Object Speaks | |
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| Raft of the "Medusa" | |
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| A Closer Look | |
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| Georgian Silver | |
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| Elements of Architecture | |
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| Iron as a Building Material | |
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| Technique | |
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| Lithography | |
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| Mid to Late Nineteenth Century Art in Europe and the United States | |
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| Europe and the United States in the Mid to Late Nineteenth Century | |
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| French Academic Architecture and Art | |
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| Academic Architecture | |
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| Academic Painting and Sculpture | |
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| Early Photography in Europe and the United States | |
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| The Beginnings of the Avant Garde: Realism And Beyond | |
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| Realism and Revolution | |
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| The Painter of Modern Life: Manet | |
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| Responses to Realism Beyond France | |
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| Impressionism | |
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| The Landscape | |
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| The Figure | |
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| Modern Life | |
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| Late Nineteenth-Century Art and the Beginnings Of Modernism | |
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| Post-Impressionism | |
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| Late Nineteenth-Century Art in Britain | |
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| Symbolism | |
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| Late Nineteenth-Century French Sculpture | |
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| Art Nouveau | |
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| Cÿzanne and the Beginnings of Modernism | |
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| The Origins of Modern Architecture | |
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| Technology and Structure | |
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| The Chicago School of Architecture | |
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| Boxes | |
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| Art and its Contexts | |
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| The Snake Charmer | |
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| The Mass Dissemination of Art | |
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| Art on Trial in 1877 | |
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| The Object Speaks | |
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| Modern Artists and World Cultures | |
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| A Closer Look | |
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| Manet's A Bar at the Folies-Bergére | |
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| Elements of Architecture | |
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| The City Park | |
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| Technique | |
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| The Photographic Process | |
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| Modern Art in Europe and the Americas, 1900���1950 | |
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| Europe and America in the Early Twentieth Century | |
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| Early Modern Art in Europe | |
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| The Fauves: Wild Beasts of Color | |
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| Picasso, Primitivism, and the Coming of Cubism | |
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| The Bridge and Primitivism | |
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| Independent Expressionists | |
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| Spiritualism of the Blue Rider | |
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| Extensions of Cubism | |
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| Toward Abstraction in Sculpture | |
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| Dada: Questioning Art Itself | |
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| Modernist Tendencies in America | |
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| The Ashcan School | |
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| Stieglitz and the "291" Gallery | |
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| The Armory Show and Home-Grown Modernism | |
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| Early Modern Architecture | |
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| European Modernism | |
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| American Modern Architecture | |
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| Art Between the Wars in Europe | |
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| Utilitarian Art Forms in Russia | |
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| Rationalism in the Netherlands | |
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| Bauhaus Art in Germany | |
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| Surrealists Rearrange Our Minds | |
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| Unit One in England | |
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| Modern Art in the Americas Between the Wars | |
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| The Harlem Renaissance | |
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| Rural America | |
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| Canada | |
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| Mexico | |
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| Brazil | |
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| Cuba | |
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| Postwar Art in Europe and the Americas | |
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| Figural Responses and Art Informel in Europe | |
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| Abstract Expressionism | |
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| The Center Shifts: Postwar Art in New York | |
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| The Formative Phase | |
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| Jackson Pollock and Action Painting | |
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| Color Field Painting | |
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| Sculpture of the New York School | |
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| Boxes | |
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| Art and its Contexts | |
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| Suppression of the Avant-Garde in Nazi Germany | |
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| Federal Patronage for American Art During the Depression | |
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| The Object Speaks | |
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| Guernica | |
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| A Closer Look | |
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| Portrait of a German Officer | |
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| Elements of Architecture | |
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| The Skyscraper | |
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| The International Style | |
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| The International Scene Since 1950 | |
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| The World Since the 1950s | |
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| The Art World Since the 1950s | |
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| The Expanding Art World | |
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| Assemblage | |
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| Happenings and Performance Art | |
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| Photography | |
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| Pop Art | |
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| The Dematerialization of the Art Object | |
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| Minimalism | |
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| Conceptual and Performance Art | |
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| Process Art | |
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| Feminism and Art | |
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| Earthworks and Site-Specific Sculpture | |
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| Architecture: Midcentury Modernism to Postmodernism | |
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| Midcentury Modernist Architecture | |
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| Postmodern Architecture | |
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| Postmodernism | |
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| Painting | |
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| Postmodernism and Gender | |
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| Postmodernism, Race and Ethnicity | |
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| Sculpture | |
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| Art, Activism, and Controversy: The Nineties | |
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| The Culture Wars | |
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| Activist Art | |
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| Postcolonial Discourse | |
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| High Tech and Deconstructive Architecture | |
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| Video and Film | |
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| Globalism: Into the New Millennium | |
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| Art and Technology | |
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| Art and Ambiguous Identities | |
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| Boxes | |
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| Art and its Contexts | |
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| The Guerrilla Girls | |
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| Controversies Over Public Funding for the Arts | |
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| The Object Speaks | |
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| The Dinner Party | |
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| A Closer Look | |
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| Martin Puryear, Plenty's Boast, 1994���1995 | |
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| Contemporary World Map | |
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| Glossary | |
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| Bibliography | |
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| Credits | |
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| Index | |