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| The Twentieth Century | |
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| Perspectives: The Art of the Manifesto | |
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| Filippo Tommaso Marinetti (1876-1944) | |
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| The Foundation and Manifesto of Futurism | |
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| Tristan Tzara (1896-1963) | |
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| Unpretentious Proclamation | |
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| Andr� Breton (1896-1966) | |
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| The Surrealist Manifesto | |
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| Mina Loy (1882-1966) | |
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| Feminist Manifesto | |
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| Yokomitsu Riichi (1898-1947) | |
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| Sensation and New Sensation | |
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| Oswald de Andrade (1890-1954) | |
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| Cannibalist Manifesto | |
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| Andr� Breton (1896-1966) | |
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| Leon Trotsky (1879-1940) | |
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| Diego Rivera (1886-1957) | |
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| Manifesto: Towards a Free Revolutionary Art | |
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| Hu Shi (1891-1962) | |
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| Some Modest Proposals for the Reform of Literature | |
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| Crosscurrents | |
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| Joseph Conrad (1857-1924) | |
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| Preface to the Nigger of the Narcissus | |
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| Heart of Darkness | |
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| Resonances | |
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| Joseph Conrad:fromCongo Diary | |
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| Sir Henry Morton Stanley:from | |
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| Address to the Manchester Chamber of Commerce | |
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| PREMCHAND (1880-1936) | |
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| My Big Brother | |
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| LU XUN (1881-1936) | |
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| Preface to A Call to Arms | |
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| A Madman's Diary | |
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| A Small Incident | |
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| JAMES JOYCE (1882-1941) | |
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| Dubliners | |
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| Araby | |
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| The Dead | |
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| Virginia Woolf (1882-1941) | |
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| Mrs | |
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| The Lady in the Looking Glass: A Reflection from A Room of One's Own | |
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| Akutagawa Ryunosuke (1892-1927) | |
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| RashMmon | |
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| In a Grove | |
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| A Note Forwarded to a Certain Old Friend | |
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| Perspectives: Modernist Memory | |
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| T.S. Eliot (1888-1965) | |
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| The Love Song of | |
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| The Waste Land | |
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| Constantine Cavafy (1863-1933) | |
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| Days of 1908 | |
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| Ithaka | |
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| Claude McKay (1890-1948) | |
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| The Tropics in New York | |
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| Flame Heart | |
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| Outcast | |
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| Federico Garc�a Lorca (1898-1936) | |
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| Unsleeping City | |
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| Carlos Drummond de Andrade (1902-1987) | |
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| In the Middle of the Road | |
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| Emile Habiby (1922-1998) | |
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| from The Secret Life of Saeed, the Ill-Fated Pessoptimist | |
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| Octavio Paz (1914-1998) | |
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| A Wind Called Bob Rauschenberg | |
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| Central Park | |
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| Crosscurrents | |
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| Franz Kafka (1883-1924) | |
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| The Metamorphosis | |
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| Parables | |
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| The Trees | |
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| The Next Village | |
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| The Cares of a Family Man | |
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| Give it Up! | |
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| On Parables | |
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| Translations: Kafka | |
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| Anna Akhmatova (1889-1966) | |
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| The Muse | |
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| I am not with those | |
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| Boris Pasternak | |
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| Why is this century worse | |
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| Requiem | |
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| Resonance | |
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| Osip Mandelstam (1891-1938) | |
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| To A.A.A. (Akhmatova) | |
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| William Butler Yeats (1865-1939) | |
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| The Lake Isle of Innisfree | |
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| Who Goes with Fergus? | |
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| No Second Troy | |
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| The Wild Swans at Coole | |
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| Easter 1916 | |
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| Resonance | |
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| Proclamation of the Irish Republic | |
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| The Second Coming | |
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| Sailing to Byzantium | |
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| Byzantium | |
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| Under Ben Bulben | |
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| Perspectives: Poetry About Poetry | |
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| Ezra Pound (1885-1972) | |
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| A Pact | |
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| Eugenio Montale (1896-1981) | |
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| Rhymes | |
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| Poetry | |
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| Fernando Pessoa (1888-1935) | |
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| This | |
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| Today I read nearly two pages | |
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| The ancients used to invoke | |
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| Translations:Pessoa's Autopsychography | |
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| Pablo Neruda (1904-1973) | |
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| Tonight I can write the saddest lines | |
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| Ars Poetica | |
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| Wallace Stevens (1879-1955) | |
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| Anecdote of the Jar Of Modern Poetry Of Mere Being | |
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| Nazim Hikmet (1902-1963) | |
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| Regarding Art | |
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| Bei Dao (b 1949) | |
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| He Opens Wide a Third Eye | |
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| Old Snow | |
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| Daniel David Moses (b 1952) | |
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| The Line | |
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| Crosscurrents | |
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| Bertolt Brecht | |
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| Mother Courage And Her Children | |
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| Perspectives: Echoes of War | |
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| Yosano Akiko (1878-1942) | |
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| I Beg You, Brother: Do Not Die | |
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| Rupert Brooke (1887-1915) | |
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| Peace | |
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| The Soldier | |
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| Wilfred Owen (1893-1918) | |
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| Anthem for Doomed Youth | |
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| Strange Meeting | |
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| Dulce et Decorum Est | |
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| Yukio Mishima (1925-1970) | |
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| Patriotism | |
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| Primo Levi (1919-1987) | |
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| The Two Flags | |
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| Paul Celan (1920-1970) | |
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| Death Fugue | |
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| Zbigniew Herbert (1924-1998) | |
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| Report from the Besieged City | |
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| Alejo Carpentier (1904-1980) | |
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| Like the Night | |
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| Nazim Hikmet (1902-1963) | |
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| |
| Giaconda and Si-Ya-U | |
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| |
| Ingeborg Bachmann (1926-1973) | |
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| Youth in an Austrian Town | |
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| |
| Yehuda Amichai (1924-2000) | |
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| |
| Seven Laments for the War-Dead | |
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| Little Ruth | |
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| |
| Crosscurrents | |
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| |
| Samuel Beckett (1906-1989) | |
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| |
| Endgame | |
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| |
| Perspectives: Cosmopolitan Exiles | |
| |
| |
| C�sar Vallejo (1892-1938) | |
| |
| |
| Agape | |
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| |
| Our Daily Bread | |
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| Good Sense | |
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| |
| Black stone on a white stone | |
| |
| |
| |
| Vladimir Nabokov (1899-1977) | |
| |
| |
| An Evening of Russian Poetry | |
| |
| |
| Czeslaw Milosz (b 1911) | |
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| |
| Child of Europe | |
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| |
| |
| Encounter | |
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| |
| Dedication | |
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| |
| Fear-Dream | |
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| |
| |
| V.S. Naipaul (b 1972) | |
| |
| |
| from Prologue to an Autobiography | |
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| |
| Adonis | |
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| |
| A Mirror to Khalida | |
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| |
| Crosscurrents | |
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| |
| Jorge Luis Borges (1899-1986) | |
| |
| |
| The Garden of Forking Paths | |
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| |
| The Library of Babel | |
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| |
| Borges and I | |
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| |
| |
| Cult of the Phoenix | |
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| |
| |
| The Web | |
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| |
| |
| Resonance | |
| |
| |
| Gabriel Garc�a Marquez: I Sell My Dreams | |
| |
| |
| |
| NAGIB MAHFOUZ (b 1911) | |
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| |
| Zaabalawi | |
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| |
| Arabian Nights and Days | |
| |
| |
| Shahriyar | |
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| |
| Shahrzad | |
| |
| |
| The Sheikh | |
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| |
| The Cafe of the Emirs | |
| |
| |
| Sanaan al-Gamali | |
| |
| |
| Perspectives: The 1001 Nights in the Twentieth Century | |
| |
| |
| G�neli G�n (b 1944) | |
| |
| |
| from On the Road to Baghdad | |
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| |
| John Barth (b 1930) | |
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| |
| Dunyazadiad | |
| |
| |
| Italo Calvino (1923-1985) | |
| |
| |
| fromInvisible Cities | |
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| |
| |
| Assia Djebar (b 1936) | |
| |
| |
| from A Sister to Sheherazade | |
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| |
| |
| Crosscurrents | |
| |
| |
| L�lpold S�dar Senghor (1906-2001) | |
| |
| |
| Letter to a Poet | |
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| |
| |
| Nocturne (She Flies She Flies) | |
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| |
| Black Woman | |
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| |
| To New York | |
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| |
| |
| Correspondence | |
| |
| |
| |
| AIM� | |
| |
| |
| C�SAIRE (b 1913) | |
| |
| |
| Notebook of a Return to a Native Land | |
| |
| |
| |
| Gerald Vizenor (b 1934) | |
| |
| |
| Ice Tricksters | |
| |
| |
| Shadows | |
| |
| |
| Perspectives: Indigenous Cultures in the Twentieth Century | |
| |
| |
| Oodgeroo of the Tribe Noonuccal (1920-1993) | |
| |
| |
| We Are Going | |
| |
| |
| |
| Archie Weller (b 1957) | |
| |
| |
| Going Home | |
| |
| |
| Paula Gunn Allen (b 1939) | |
| |
| |
| Pocahontas to Her English Husband, John Rolfe | |
| |
| |
| Taking a Visitor to See the Ruins | |
| |
| |
| Leslie Marmon Silko (b 1948) | |
| |
| |
| Yellow Woman | |
| |
| |
| N. Scott Momaday (b 1934) | |
| |
| |
| from | |
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| |
| The Way to Rainy Mountain | |
| |
| |
| Louise Erdrich (b 1954) | |
| |
| |
| Dear John Wayne | |
| |
| |
| Ibrahim Al-Kuni (b 1948) | |
| |
| |
| The Golden Bird of Misfortune | |
| |
| |
| |
| Crosscurrents | |
| |
| |
| Zhang Ailing (Eileen Chang), (1920-1995) | |
| |
| |
| Stale Mates | |
| |
| |
| Mahasweta Devi (b 1926) | |
| |
| |
| Breast-Giver | |
| |
| |
| |
| Perspectives: Gendered Spaces | |
| |
| |
| Clarice Lispector (1925-1977) | |
| |
| |
| Preciousness | |
| |
| |
| Fatima Mernissi (b 1940) | |
| |
| |
| The Harem Within | |
| |
| |
| Ama Ata Aidoo (b 1942) | |
| |
| |
| No Sweetness Here | |
| |
| |
| Hanan Al-Shaykh (b 1945) | |
| |
| |
| A Season of Madness | |
| |
| |
| Juan Goytisolo (b 1931) | |
| |
| |
| from Makbara | |
| |
| |
| |
| Gabriel Garc�a M�rquez (b 1928) | |
| |
| |
| Artificial Roses | |
| |
| |
| |
| Jamaica Kincaid (b 1949) | |
| |
| |
| My Mother | |
| |
| |
| Crosscurrents | |
| |
| |
| Chinua Achebe (b 1930) | |
| |
| |
| Things Fall APart | |
| |
| |
| fromThe African Writer and the English Language | |
| |
| |
| Resonances | |
| |
| |
| Ngugi wa Thiong'o:fromThe Language of African Literature | |
| |
| |
| Mbwil a M. Ngal:from | |
| |
| |
| Giambatista Viko or, The Rape of African Discourse | |
| |
| |
| |
| Jeremy Cronin: To learn how to speak | |
| |
| |
| Wole Soyinka (b 1934) | |
| |
| |
| Death and the King's Horseman | |
| |
| |
| Perspectives: Post-Colonial Conditions | |
| |
| |
| Nadine Gordimer (b 1923) | |
| |
| |
| The Defeated | |
| |
| |
| Fadwa Tuqan (b 1917) | |
| |
| |
| In the Aging City | |
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| |
| In the Flux | |
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| |
| |
| Face Lost in the Wilderness | |
| |
| |
| |
| Mahmoud Darwish (b 1941) | |
| |
| |
| A Poem Which Is Not Green, from My Country | |
| |
| |
| |
| Diary of a Palestinian Wound | |
| |
| |
| Sirhan drinks his coffee in the cafeteria | |
| |
| |
| |
| Birds die in Galilee | |
| |
| |
| Resonance | |
| |
| |
| Agha Shahid Ali: Ghazal | |
| |
| |
| Faiz Ahmed Faiz (1911-1984) | |
| |
| |
| Black Out | |
| |
| |
| |
| No Sign of Blood | |
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| |
| |
| Solitary Confinement | |
| |
| |
| |
| Reza Baraheni (b 1935) | |
| |
| |
| The Unrecognized | |
| |
| |
| Answers to an Interrogation | |
| |
| |
| Farough Faroghzad (1935-1967) | |
| |
| |
| A Poem for You | |
| |
| |
| |
| Derek Walcott (b 1930) | |
| |
| |
| A Far Cry from Africa | |
| |
| |
| Volcano | |
| |
| |
| The Fortunate Traveller | |
| |
| |
| Salman Rushdie (b 1947) | |
| |
| |
| Chekov and Zulu | |
| |
| |
| Crosscurrents | |
| |
| |
| Perspectives: Literature, Technology, and Media | |
| |
| |
| Mario Vargas Llosa (b 1936) | |
| |
| |
| fromThe Storyteller | |
| |
| |
| |
| Christa Wolf (b 1929) | |
| |
| |
| from | |
| |
| |
| Accident: A Day's News | |
| |
| |
| |
| Abdelrahman Munif (b 1933) | |
| |
| |
| from | |
| |
| |
| Cities of Salt | |
| |
| |
| |
| Murakami Haruki (b 1949) | |
| |
| |
| TV People | |
| |
| |
| |
| William Gibson ( b 1948) | |
| |
| |
| Burning Chrome | |
| |
| |
| Crosscurrents | |
| |
| |
| Bibliography | |
| |
| |
| Credits | |
| |
| |
| Index | |