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| The Nineteenth Century | |
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| Lines Written a Few Miles above Tintern Abbey | |
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| Nutting from Preface to Lyrical Ballads | |
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| Composed Upon Westminster Bridge | |
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| My heart leaps up | |
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| Ode: Intimations of Immortality from Recollections of Early Childhood | |
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| To the Cuckoo | |
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| Mark the concen'tred hazels that enclose from The Prelude from Book Fifth: Books (The Dream of the Arab) from Book Sixth: Cambridge and the Alps (Crossing the Alps) from Book Eleventh: France from Book Fourteenth: Conclusion (Ascent of Snowdon) | |
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| Perspectives: Romantic Nature | |
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| from Reveries of a Solitary Walker - Fifth Walk | |
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| from Critique of Practical Reason | |
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| The Ecchoing Green | |
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| The Tyger | |
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| Ode to a Nightingale | |
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| To Autumn | |
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| The Man on the Heath | |
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| In the Grass | |
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| The Infinite | |
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| Dialogue Between Nature and an Icelander | |
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| from Nature | |
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| from Self-Reliance | |
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| from Walden | |
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| Crosscurrents | |
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| Faust | |
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| Dedication | |
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| Prelude on the Stage | |
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| Prologue in Heaven | |
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| Night from Outside the Town Wall | |
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| Faust's Study (1) from Faust's Study (2) | |
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| A Witch's Kitchen | |
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| Evening | |
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| A Promenade | |
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| The Neighbor's House | |
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| A Street | |
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| A Garden | |
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| A Summerhouse from A Forest Cavern | |
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| Gretchen's Room | |
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| Martha's Garden | |
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| At the Well | |
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| By a Shrine Inside the Town Wall | |
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| Night. The Street Outside Gretchen's Door | |
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| A Cathedral from A Walpurgis Night | |
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| Act 1 | |
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| A Beautiful Landscape | |
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| A Dark Gallery | |
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| Act 5 | |
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| Open Country | |
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| A Palace | |
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| Deep Night | |
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| Midnight | |
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| The Great Forecourt of the Palace | |
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| Burial Rules from Mountain Gorges | |
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| Translations: Goethe's Faust | |
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| To the Moon | |
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| Erlking | |
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| Dusk Descended from on High | |
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| Blissful Yearning | |
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| Translations: Goethe's Mignon | |
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| from Don Juan, Cantos 2-4 | |
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| I'm neither the loosening of song nor the close-drawn tent of music | |
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| Come now: I want you: my only peace | |
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| When I look out, I see no hope for change | |
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| If King Jamshid's diamond cup breaks, that's it | |
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| One can sigh, but a lifetime is needed to finish it | |
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| When the Great One gestures to me | |
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| For tomorrow's sake, don't skimp with me on wine today | |
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| I'm confused: should I cry over my heart, or slap my chest? | |
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| She has a habit of torture, but doesn't mean to end the love | |
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| For my weak heart this living in the sorrow house | |
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| Religious people are always praising the Garden of Paradise | |
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| Only a few faces show up as roses | |
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| I agree that I'm in a cage, and I'm crying | |
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| Each time I open my mouth, the Great One says | |
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| My heart is becoming restless again | |
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| Resonances | |
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| Agha Shahid Ali: Ghalib's Ghazal | |
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| Agha Shahid Ali: Of Snow | |
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| I visited Again | |
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| The Bronze Horseman | |
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| from Eugene Onegin | |
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| Perspectives: The National Poet | |
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| Reading Hsiao-ching | |
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| from The Tale of Kieu | |
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| Resonance | |
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| Che Lan Vien, Thoughts on Nguyen | |
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| The Mouse's Petition to Dr. Priestly | |
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| Washing Day | |
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| Eighteen Hundred and Eleven | |
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| Resonance | |
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| John Wilson Croker, from A Review of Eighteen Hundred and Eleven | |
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| The Ruins of the Castle of Balaklava | |
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| Zosia in the Kitchen Garden | |
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| The Lithuanian Forest | |
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| Hands That Fought | |
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| To a Polish Mother | |
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| Song of the Bard | |
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| The Free Besieged | |
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| from The Poet | |
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| I Hear America Singing | |
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| from Song of Myself | |
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| Crossing Brooklyn Ferry | |
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| As I Lay with My Head in Your Lap camerado | |
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| O Captain! My Captain! | |
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| Prayer of Columbus | |
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| Crosscurrents | |
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| Perspectives: On the Colonial Frontier | |
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| from A Hero of our Time, trans. Paul Foote | |
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| from Life of Juan Facundo Quiroga: Civilization and Barbarism | |
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| from From the Deep Woods to Civilization | |
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| Forest Trees of the Sea | |
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| Piano at Evening | |
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| Bill the Ice Skater | |
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| The Pearl | |
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| A Feather Chant for Ka-pi'o-lani at Wai-m�nalo | |
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| The Sprinkler | |
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| from Noli Me Tangere | |
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| Crosscurrents | |
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| The Romantic Fantastic | |
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| The Rime of the Ancient Mariner | |
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| Fair-haired Eckbert | |
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| Sarrasine | |
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| The Pit and the Pendulum | |
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| A Simple Heart | |
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| from Travels in Egypt | |
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| Perspectives: Occidentalism - Europe Through Foreign Eyes | |
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| from Journal of a Residence in England | |
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| On the General Conditions of Europe | |
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| from The Western Peep Show | |
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| The Cup of Humanity | |
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| Resonance | |
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| Chiang Yee: from The Silent Traveller in London | |
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| Crosscurrents | |
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| from Aurora Leigh | |
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| from Les Fleurs Du Mal | |
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| To the Reader | |
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| The Albatross | |
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| Correspondences | |
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| The Head of Hair | |
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| Carrion | |
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| Invitation to the Voyage | |
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| Spleen (II) | |
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| The Swan | |
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| In Passing | |
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| Twilight: Daybreak | |
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| Ragpickers' Wine | |
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| A Martyr | |
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| Travelers | |
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| from The Painter of Modern Life | |
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| from Paris Spleen | |
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| To Each His Chimera | |
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| Crowds | |
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| Invitation to the Voyage | |
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| Get High | |
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| Any Where Out of the World | |
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| Let's Beat Up the Poor! | |
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| Resonances | |
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| Jules and Edmund Goncourt: from Journal | |
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| Stephane Mallarm�: The Tomb of Charles Baudelaire | |
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| Arthur Rimbaud: Vowels, City, Departure | |
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| The Death of Ivan Ilych | |
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| Notes from Underground | |
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| Resonances | |
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| Friedrich Nietzsche: from Daybreak | |
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| Ishikawa Takuboku: The Romaji Diary | |
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| Other Americas | |
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| The Story of Emergence | |
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| Resonance | |
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| Nicholas Black Elk and John G. Neihardt: from Black Elk Speaks | |
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| Bartleby the Scrivener | |
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| Narrative of the Life of Frederick Douglass | |
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| from Incidents in the Life of a Slave Girl | |
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| I never lost as much but twice | |
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| Title divine-is mine! | |
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| There came a day at summer's full | |
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| It was not Death, for I stood up | |
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| After great pain, a formal feeling comes | |
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| I died for Beauty | |
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| I dwell in Possibility | |
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| I heard a Fly buzz-when I died | |
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| I live with Him-I see His face | |
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| My Life had stood-a Loaded Gun | |
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| Further in Summer than the Birds | |
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| Tell all the Truth but tell it slant- | |
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| The Psychiatrist | |
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| The Yellow Wallpaper | |
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| First, A Look | |
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| Walt Whitman | |
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| To Roosevelt | |
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| I Pursue a Form.... | |
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| What Sign Do You Give...? | |
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| A Doll's House | |
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| Separate Ways | |
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| Lady with Pet Dog | |
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| The Conclusion | |
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| Bibliography | |
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| Credits | |
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| Index | |