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Instructor | |
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Preface Student | |
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Preface | |
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The Spirit Of Inquiry | |
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Writing as Inquiry Motives for Writing Beliefs About Writing | |
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What Do You Believe? | |
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One Student's Response | |
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Inquiring into the Details | |
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Unlearning Unhelpful Beliefs | |
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The Beliefs of This Book | |
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Inquiring into the Details | |
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Writing Situations and Rhetorical Choices | |
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Habits of Mind Start with Questions | |
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Not Answers Suspend Judgment Search for Surprise | |
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A Roomful of Details One Student's Response: Margaret's | |
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Journal Inquiring into the Details: Invention Strategies Writing as a Process | |
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Recognizing the Challenges | |
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What Is Your Process? | |
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Thinking About Your Process | |
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Linear versus Recursive Models Dialectical Thinking | |
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Practicing Dialectical Thinking One Student's Response | |
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Journal Writing with Computers | |
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Overcome Your Own | |
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Challenges Using What You Have Learned | |
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Reading as Inquiry Motives for Reading Beliefs About Reading | |
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What Do You Believe? | |
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Reading Situations and Rhetorical Choices | |
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Reading as a Process Linear versus Recursive Models | |
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Reading Strategies Reading | |
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Thoreau, Excerpt from Walden | |
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Inquiring into the Details: Reading Perspectives | |
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Dialectical Thinking Writing with Computers | |
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Believing and Doubting | |
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Practicing Dialectical | |
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Thinking Reading: Bruce Ballenger | |
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"The Importance of Writing Badly" | |
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One Student's Response: Todd's Journal | |
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Inquiring into the Details | |
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The Double-Entry Journal Adapting to Unfamiliar | |
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Reading Situations | |
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Further Practice: Untangling | |
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Academic Prose Reading | |
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Excerpt from The Forces of Production: A Social History of Industrial Automation | |
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Inquiring into the Details: Encountering Unfamiliar Genres "Reading" The Visual Learning the Grammar of Images Some Strategies for Reading Images | |
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Reading Images The "Look" of Writing Using What You Have Learned | |
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Ways of Inquiring Opening | |
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Questions for Inquiry Exploration | |
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Explanation Evaluation Reflection Practicing | |
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Inquiry Reading: Bruce Ballenger | |
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"How Much Should We Care What Happens to Animals" | |
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Exploring Within and Without | |
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Reading: Frank Bruni, excerpt from "It Died for Us" | |
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One Student's Response | |
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Explaining to Yourself | |
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Explaining to Others One Student's Response | |
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Evaluating the Arguments One Student's Response: Daniel's Journal | |
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Reflecting on the Process One Student's Response: Daniel's Journal | |
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Symphonic Inquiry Inquiring into the Details: Time to Write Using What You Have Learned | |
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Inquiry Projects | |
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Writing a Personal Essay Writing About | |
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Experience Motives for Writing a Personal | |
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Essay Personal | |
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Essays and Academic Writing | |
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Features of the Form Personal | |
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Essay: Anne-Marie Oomen | |
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"The Barn" Inquiring into the Essay | |
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Personal Essay: Naomi Shibab Nye | |
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"Long Overdue" Inquiring into the Essay | |
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Personal Essay: Judith Ortiz Cofer | |
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"One More Lesson" Inquiring into the Essay | |
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Seeing the Form: Self Portrait by Frances Benjamin | |
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Johnston The Writing Process | |
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Thinking About Subjects Generating | |
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Ideas One Student's Response: Margaret's Journal | |
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Inquiring into the Details: Clustering or Mapping | |
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Judging What You Have Writing the Sketch | |
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Writing with Computers Student Sketch | |
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"The Way I Remember" Moving from Sketch to Draft | |
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Research and Other Strategies: Gathering More | |
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Information Composing the Draft | |
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Workshopping the Draft Writing with Computers | |
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Revising the Draft Polishing the Dr | |