| |
| |
| Preface | |
| |
| |
| |
| Introduction | |
| |
| |
| In the Field with Evening Magazine | |
| |
| |
| The Evolution of Video Production Technology | |
| |
| |
| Production Uses of Portable Video Equipment | |
| |
| |
| Camera Equipment Quality and Target Markets | |
| |
| |
| Video as a Medium of Communication | |
| |
| |
| Principal Elements Involved in Video Production | |
| |
| |
| |
| Preproduction and Production Planning | |
| |
| |
| Stages and Types of Production | |
| |
| |
| Preproduction Planning | |
| |
| |
| Production Planning | |
| |
| |
| Copyright and Distribution | |
| |
| |
| |
| Video Basics: The Electronic Image and the Video Signal | |
| |
| |
| Electronic Image Reproduction | |
| |
| |
| How the Video Camera Makes a Picture-Analog and Digital Standards | |
| |
| |
| Video Signal Control | |
| |
| |
| The Color Signal | |
| |
| |
| Camera Performance Characteristics | |
| |
| |
| Camera Configurations | |
| |
| |
| Camera Viewfinder Systems | |
| |
| |
| |
| Operating the Video Camcorder | |
| |
| |
| The Basic System | |
| |
| |
| Common Camcorder Camera Section Controls | |
| |
| |
| VCR Section Controls and Inputs/Outputs | |
| |
| |
| Power and Videotape | |
| |
| |
| Camcorder System Setup | |
| |
| |
| Audio and Video Connectors | |
| |
| |
| Monitoring the Recording | |
| |
| |
| Camera-Mounting Equipment | |
| |
| |
| Carrying the Equipment | |
| |
| |
| |
| Video Recording | |
| |
| |
| Videotape Recording | |
| |
| |
| Videotape Recording Formats | |
| |
| |
| Compatibility | |
| |
| |
| Types of Videocassette Recorders | |
| |
| |
| Videotape | |
| |
| |
| Tapeless Video Recording Devices | |
| |
| |
| Signal Processing | |
| |
| |
| |
| Lenses and Visualization | |
| |
| |
| |
| Lenses | |
| |
| |
| Lenses: Functions and Types | |
| |
| |
| Zoom Lens Components | |
| |
| |
| Zoom Lens Operation | |
| |
| |
| Aperture Control and Depth of Field | |
| |
| |
| |
| Visualization and Composition | |
| |
| |
| Aesthetics of Visual Composition | |
| |
| |
| Camera Movement | |
| |
| |
| Shooting to Edit | |
| |
| |
| Subject-Camera Relationships | |
| |
| |
| On-Site Interview Setup | |
| |
| |
| |
| Lighting | |
| |
| |
| |
| Physical Factors of Lighting | |
| |
| |
| Basic Lighting Concepts | |
| |
| |
| Lighting Equipment: Types of Lamps | |
| |
| |
| Portable Lighting Instruments | |
| |
| |
| Power Requirements | |
| |
| |
| Controlling the Intensity of Light | |
| |
| |
| Other Equipment | |
| |
| |
| Lighting Safety | |
| |
| |
| |
| Aesthetic Factors | |
| |
| |
| Modeling | |
| |
| |
| Three-Point Lighting | |
| |
| |
| Lighting Problems | |
| |
| |
| |
| Sound | |
| |
| |
| |
| Technical Factors | |
| |
| |
| Sound: Technical Bases | |
| |
| |
| Microphone Characteristics | |
| |
| |
| Camera-Mounted Microphones | |
| |
| |
| External Microphones | |
| |
| |
| Wired and Wireless Microphones | |
| |
| |
| Recording Sound on a Camcorder | |
| |
| |
| Mixers | |
| |
| |
| Standardized Recording Procedures | |
| |
| |
| Monitoring Sound | |
| |
| |
| Hints for Recording Good Sound | |
| |
| |
| Special Problems | |
| |
| |
| Equalizing and Filtering to Improve Sound Quality | |
| |
| |
| Adding Sound to Prerecorded Videotape | |
| |
| |
| Additional Sound Recording and Playback Devices | |
| |
| |
| |
| Sound Aesthetics | |
| |
| |
| Types of Sound | |
| |
| |
| Sound Perspective and Sound Presence | |
| |
| |
| Constructing the Audio Portion of a Program | |
| |
| |
| The Visual Impact of Microphones | |
| |
| |
| |
| Editing Aesthetics | |
| |
| |
| Role of the Editor | |
| |
| |
| Types of Editing | |
| |
| |
| Continuity Editing | |
| |
| |
| Dynamic Editing | |
| |
| |
| Transitions and Effects | |
| |
| |
| Sound in Editing | |
| |
| |
| "Don't Worry, We'll Fix It in Post" | |
| |
| |
| Editing Voice-Driven Pieces | |
| |
| |
| Storytelling | |
| |
| |
| |
| Getting Ready to Edit: Working with SMPTE Time Code and Postproduction Planning | |
| |
| |
| SMPTE Time Code | |
| |
| |
| Postproduction Planning | |
| |
| |
| |
| Linear Videotape Editing | |
| |
| |
| Electronic Videotape Editing Systems | |
| |
| |
| Control Track and SMPTE Time Code Editing | |
| |
| |
| Linear Videotape Editing Modes: Assemble and Insert Editing | |
| |
| |
| Editing on a Cuts-Only System | |
| |
| |
| |
| Nonlinear Video Editing | |
| |
| |
| Nonlinear Video Editing | |
| |
| |
| Components of a Nonlinear Video Editing System | |
| |
| |
| The Process of Nonlinear Editing | |
| |
| |
| |
| Postproduction Graphic Design | |
| |
| |
| Guiding Principles: Unity, Clarity, and Style | |
| |
| |
| Functional and Practical Design Factors | |
| |
| |
| Production Processes and Sources of Graphics | |
| |
| |
| Titling in a Nonlinear Editing System | |
| |
| |
| |
| Ethics and Video Production | |
| |
| |
| Codes of Ethics | |
| |
| |
| Public Interest Obligations of Digital Television Broadcasters | |
| |
| |
| Your Role as a Producer | |
| |
| |
| |
| Production Projects | |
| |
| |
| |
| Guidelines and Information for Filming in San Francisco | |
| |
| |
| |
| U.S. Copyright Office Short Form PA | |
| |
| |
| |
| Digital Information and the Metric System | |
| |
| |
| |
| Video Field Acquisition Formats | |
| |
| |
| |
| Full-Length Documentary Treatment | |
| |
| |
| Glossary | |
| |
| |
| Bibliography | |
| |
| |
| Index | |
| |
| |
| Credits | |