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| Contributors | |
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| About the companion website | |
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| New Keys to the World of Sound | |
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| Reworking Machine Sound: Shop Floors and Test Sites | |
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| The Garden in the Machine: Listening to Early American Industrialization | |
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| Turning a Deaf Ear? Industrial Noise and Noise Control in Germany since the 1920s | |
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| "Sobbing, Whining, Rumbling": Listening to Automobiles as Social Practice | |
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| Selling Sound: Testing, Designing, and Marketing Sound in the European Car Industry | |
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| Staging Sound For Science and Art: The Field | |
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| Sound Sterile: Making Scientific Field Recordings in Ornithology | |
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| Underwater Music: Tuning Composition to the Sounds of Science | |
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| A Gray Box: The Phonograph in Laboratory Experiments and Fieldwork, 1900-1920 | |
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| Staging Sound for Science and Art: The Lab | |
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| From Scientific Instruments to Musical Instruments: The Tuning Fork, the Metronome, and the Siren | |
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| Conversions: Sound and Sight, Military and Civilian | |
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| The Search for the "Killer Application": Drawing the Boundaries around the Sonification of Scientific Data | |
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| Speaking for the Body: The Clinic | |
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| Inner and Outer Sancta: Earplugs and Hospitals | |
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| Sounding Bodies: Medical Students and the Acquisition of Stethoscopic Perspectives | |
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| Do Signals Have Politics? Inscribing Abilities in Cochlear Implants | |
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| Editing Sound: The Design Studio | |
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| Sound and Player Immersion in Digital Games | |
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| The Sonic Playpen: Sound Design and Technology in Pixar's Animated Shorts | |
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| The Avant-Garde in the Family Room: American Advertising and the Domestication of Electronic Music in the 1960s and 1970s | |
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| Consuming Sound and Music: The Home and Beyond | |
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| Visibly Audible: The Radio Dial as Mediating Interface | |
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| From Listening to Distribution: Nonofficial Music Practices in Hungary and Czechoslovakia from the 1960s to the 1980s | |
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| The Amateur in the Age of Mechanical Music | |
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| Online Music Sites as Sonic Sociotechnical Communities: Identity, Reputation, and Technology at ACIDplanet.com | |
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| Moving Sound and Music: Digital Storage | |
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| Analog Turns Digital: Hip-Hop, Technology, and the Maintenance of Racial Authenticity | |
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| iPod Culture: The Toxic Pleasures of Audiotopia | |
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| The Recording That Never Wanted to Be Heard and Other Stories of Sonification | |
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| Index | |