| |
| |
| Acknowledgments | |
| |
| |
| Abbreviations | |
| |
| |
| Introduction: The Desiring-Image | |
| |
| |
| The Triple Womb | |
| |
| |
| Queering the Cinema Books | |
| |
| |
| New Queer Is…New Queer Ain't | |
| |
| |
| Seven Pillars of Schizo Homo Pomo | |
| |
| |
| A Word on Orientations, or Around 1991 | |
| |
| |
| Preview of Coming Attractions | |
| |
| |
| |
| "Beyond Gay": Dead Ringers and Queer Perceptions | |
| |
| |
| "We're Just Not Sure What Kind It Is" | |
| |
| |
| Dissenting from "A Dissenting View" | |
| |
| |
| Mutant Textuality | |
| |
| |
| Perceptions of Perception: Movement, Time, Subtraction | |
| |
| |
| Perceptions and Desire: Types of Flows | |
| |
| |
| Out-of-Fields and the Desiring-Image | |
| |
| |
| The Desiring-Images of Dead Ringers | |
| |
| |
| First Out-of-Field: The Mantles vs. the World | |
| |
| |
| Second Out-of-Field: The Love that Keeps Almost Speaking Its Name | |
| |
| |
| Third Out-of-Field: The Triple Womb and the "Either…or…or…" | |
| |
| |
| Fourth Out-of-Field: Impulse and Immanence | |
| |
| |
| The Desiring-Image as Relation-Image | |
| |
| |
| |
| Hard Bodies and Sex-Blobs: Deterritorializing Desire in Naked Lunch and Shortbus | |
| |
| |
| Innaresting Sex Arrangements | |
| |
| |
| Peaks, Sheets, and Series | |
| |
| |
| "Everything Is Permitted": Incompossibilities of Desire | |
| |
| |
| Schizos and Counterpublics | |
| |
| |
| If on a Summer's Night a Sex-Blob | |
| |
| |
| Sounds, Stutters, and Scatterplots | |
| |
| |
| A Kafka High or a New Low?: Quandaries of the Minor | |
| |
| |
| Shortbus: The Queer Politics of "Actual" Sex | |
| |
| |
| Does This Bus Only Make One Stop? | |
| |
| |
| |
| "Something in Her Face": Queering the Affection-Image in The Watermelon Woman | |
| |
| |
| Who Is She, and What Is She to You? | |
| |
| |
| The Riddle of the Lesbian Affection-Image | |
| |
| |
| Like Clockwork, or How to Make a Face | |
| |
| |
| Facing Elsie, and the Mystery of the Other Person | |
| |
| |
| Black Lesbians and Their Others | |
| |
| |
| Peaks of Present, or What Ever Happened to Lesbian Community? | |
| |
| |
| Sheets of Past and Centers of Indetermination | |
| |
| |
| A Single Face, Implying Multitudes | |
| |
| |
| Deflective Unities and Oracular Chores | |
| |
| |
| Faces in the Crowd | |
| |
| |
| Facing Forward | |
| |
| |
| |
| Brother to Brother and Adventures in Queer Crystallography | |
| |
| |
| Queer Crystallography | |
| |
| |
| Crystals, Then and Now | |
| |
| |
| The Four Types | |
| |
| |
| Looking for Bruce / Looking for Perry | |
| |
| |
| Through a Crystal-Image, Darkly | |
| |
| |
| What's Sex Got to Do with It? | |
| |
| |
| |
| Crystal-Queer Economies: Beau travail | |
| |
| |
| What's Money Got to Do with It? | |
| |
| |
| The Oyster and the Book in Blood | |
| |
| |
| The Broken Compass and the Three Economies | |
| |
| |
| Beau travail, or the Ambiguities | |
| |
| |
| Compound Crystals | |
| |
| |
| Bachelors and Belles Transitions | |
| |
| |
| |
| Theses on a Philosophy of Queer History: Velvet Goldmine | |
| |
| |
| Changing the World and Changing Ourselves | |
| |
| |
| Angels, Aliens, and Orphans | |
| |
| |
| Point A to Point B | |
| |
| |
| Wild Cards and Unexpected Critiques | |
| |
| |
| Toward Productive Ends | |
| |
| |
| The Minors and the Miners | |
| |
| |
| Conclusion: The Pin and the Pearl | |
| |
| |
| Glossary | |
| |
| |
| Notes | |
| |
| |
| Works Cited | |
| |
| |
| Index | |