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| Preface | |
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| Note on Score Reading | |
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| Gustav Mahler, First Symphony, Third movement | |
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| Gustav Mahler, Fifth Symphony, Fourth movement, Adagietto | |
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| Richard Strauss, Salome, Last scene | |
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| Arnold Schoenberg, Sechs kleine Klavierstucke (Six Little Piano Pieces), Op. 19, No. 6 | |
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| Anton Webern, Sechs Bagatellen fur Streichquartet (Six Bagatelles for String Quartet), Op. 9, No. 5 | |
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| Anton Webern, Funf Stucke fur Orchester (Five Pieces for Orchestra), Op. 10, No. 4 | |
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| Arnold Schoenberg, Pierrot lunaire (Moonstruck Pierrot), Op. 21 | |
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| No. 1, "Mondestrunken" (Moondrunk) | |
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| No. 18, "Der Mondfleck" (The Moonspot) | |
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| Claude Debussy, Children's Corner: "Golliwogg's Cakewalk" | |
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| Erik Satie, Trois Sarabandes (Three Sarabandes), Sarabande 1 | |
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| Claude Debussy, Pour le piano (For the Piano), Second movement, Sarabande | |
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| Claude Debussy, Preludes, Book 1, "Voiles" | |
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| Claude Debussy, Pelleas et Melisande, Act 4, Scene 4 | |
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| Gabriel Faure, La bonne chanson (The Good Song), Op. 61, No. 1 | |
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| Lili Boulanger, Pie Jesu | |
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| Igor Stravinsky, The Rite of Spring | |
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| Introduction | |
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| "The Augurs of Spring (Dances of the Young Girls)" | |
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| "Dance of the Earth" | |
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| "Sacrificial Dance (The Chosen One)" | |
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| Jean Sibelius, The Swan of Tuonela, Op. 22, No. 3 | |
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| Ralph Vaughan Williams, Fantasia on a Theme of Thomas Tallis | |
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| Bela Bartok, Fourteen Bagatellesa) Bagatelle No. 4b) Bagatelle No. 2 | |
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| Bela Bartok, Dance Suite: Movements 1-4 | |
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| Leos Janacek, Po zarostlem chodnicku (On an Overgrown Path), "Listek odvanuty" (A Blown-away Leaf) | |
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| Alexander Nikolayevich Scriabin, Vers la flame (Toward the Flame), Op. 72 | |
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| Charles Ives, The Concord Sonata, Third movement, "The Alcotts" | |
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| Charles Ives, Three Places in New England, "Putnam's Camp" | |
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| Igor Stravinsky, Octet for Wind Instruments | |
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| Tema con variazione | |
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| Finale | |
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| Arnold Schoenberg, Suite for Piano, Op. 25 | |
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| Gavotte | |
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| Menuett-Trio | |
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| Gigue | |
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| Alban Berg, Lyric Suite, Sixth movement, "Largo desolato" (Broken-hearted largo) | |
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| Anton Webern, Symphony, Op. 21, First movement | |
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| W. C. (William Christopher) Handy, "St. Louis Blues" | |
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| Maurice Ravel, Violin Sonata, Second movement, "Blues" | |
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| Irving Berlin and Ted Snyder, "That Mysterious Rag" | |
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| George Gershwin, Rhapsody in Blue | |
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| Erik Satie, Parade | |
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| "Little American Girl" | |
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| "Ragtime of the Passenger Steamer" | |
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| Darius Milhaud, Saudades do Brasil (Memories of Brazil), "Ipanema," Op. 67 | |
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| Virgil Thomson, Susie Asado | |
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| Paul Hindemith, Kammermusik Nr. 1 (Chamber Music No. 1), First movement | |
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| Alban Berg, Wozzeck, Act 3 | |
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| Kurt Weill, Die Dreigroschenoper (The Threepenny Opera) | |
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| "Moritat vom Mackie Messer" (Ballad of Mack the Knife) | |
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| Zweites Dreigroschenfinale (Second-Act Finale) | |
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| Dmitry Shostakovich, Symphony No. 5 in D Minor, Op. 47, Third movement, Largo | |
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| Sergey Prokofiev, Alexander Nevsky | |
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| Third movement ("The Crusaders of Pskov") | |
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| Fourth movement ("Arise, People of Russia") | |
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| Fifth movement ("Field of the Dead") | |
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| Bela Bartok, Concerto for Orchestra, Fourth movement, "Intermezzo interrotto" (Interrupted Intermezzo) | |
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| Carl Orff, Carmina Burana (Songs of Beuren) | |
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| "O Fortuna" (No. 1) | |
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| "Tempus est iocundum" (No. 22) | |
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| "Dulcissime" (No. 23) | |
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| Ruth Crawford Seeger, Prelude No. 6 | |
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| Henry Cowell, The Tides of Manaunaun | |
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| Charles Ives, Three Quarter-Tone Pieces, No. 2, Allegro | |
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| Aaron Copland, Billy the Kid | |
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| "The Open Prairie" | |
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| Excerpt from "Street in a Frontier Town" | |
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| Samuel Barber, Adagio for Strings, Op. 11 | |
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| Benjamin Britten, Peter Grimes, Act 3, Scene 2 | |
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| Olivier Messiaen, Quatuor pour le fin du temps (Quartet for the End of Time) | |
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| First movement, "Liturgie de cristal" (Liturgy of crystal) | |
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| Fifth movement, "Louange a l'eternite de Jesus" (Praise to the eternity of Jesus) | |
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| Sixth movement, "Danse de la fureur, pour les sept trompettes" (Dance of the fury, for the seven trumpets) | |
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| Olivier Messiaen, Mode de valeurs et d'intensites (Scheme of Note Values and Dynamics) | |
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| Pierre Boulez, Structures, Ia | |
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| John Cage, Bacchanale for prepared piano | |
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| Morton Feldman, Rothko Chapel | |
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| Igor Stravinsky, Requiem Canticlesa) Lacrimosab) Libera mec) Postlude | |
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| Milton Babbitt, Composition for Four Instruments | |
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| Elliott Carter, First String Quartet, First movement, "Fantasia" | |
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| Steve Reich, Music for 18 Musicians | |
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| Philip Glass, Einstein on the Beach, Prologue and Knee Play 1 | |
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| Arvo Part, Tabula Rasa (Clean slate), Second movement, "Silentium" | |
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| Leonard Bernstein, West Side Story, "Cool" | |
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| Luciano Berio, Sinfonia, Second Movement, O King | |
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| George Rochberg, Third String Quartet, Third movement | |
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| George Crumb, Ancient Voices of Children, No. 4, "Todas las tardes en Granada, todas las tardes se muere un nino" (Each afternoon in Granada, each afternoon a child dies) and "Ghost Dance" | |
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| Sofia Asgatovna Gubaidulina, In croce for organ and cello | |
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| Alfred Schnittke, Third String Quartet, First movement | |
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| John Adams, Nixon in China, "News, News" | |
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| Kaija Saariaho, L'Amour de loin (Love from Afar), Excerpt from Act 3Source Notes | |
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| Index of Names | |
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| Index of Terms | |