We'll Meet Again Musical Design in the Films of Stanley Kubrick
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All the information you need in one place! Each Study Brief is a summary of one specific subject; facts, figures, and explanations to help you learn faster.
Copyright year: 2013
Publisher: Oxford University Press, Incorporated
Publication date: 10/31/2013
Size: 6.25" wide x 9.25" long x 0.50" tall
|List of Illustrations|
|The Anatomy of the Kubrick Soundscape|
|Language, Lyrics, Voice, and Sound|
|Drawing Lines and Crossing Borders: Musical Climates, the Diegetic-Nondiegetic Border, and Voice-Over Narration|
|Mysterious Music with Invisible Edges and the Emergence of Musical Form in The Shining|
|ReimaginingMusic in Barry Lyndon|
|We've Met Before: Familiar Pieces and their Histories|
|The Mutual Inscription of Music and Drama|
|Strains of Transcendence in 2001: A Space Odyssey|
|Musical Dialectics and the More Troublesome Beethoven|
|Kubricks Spin on Max Ophï¿½ls and the Ineluctable Waltz|