Skills and Musicianship Workbook to Accompany the Complete Musician An Integrated Approach to Tonal Theory, Analysis, and Listening

ISBN-10: 0199742804

ISBN-13: 9780199742806

Edition: 3rd

Authors: Steven G. Laitz

List price: $72.95 Buy it from $14.13
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Book details

List price: $72.95
Edition: 3rd
Publisher: Oxford University Press, Incorporated
Publication date: 7/21/2011
Binding: Paperback
Pages: 304
Size: 8.50" wide x 11.00" long x 1.25" tall
Weight: 2.948
Language: English

György Buzsáki is a Board of Governors Professor of Neuroscience at Rutgers University. His primary research interests are in brain oscillations, sleep and memory, and with more than 200 papers published on these topics, he is among the top 250 most-cited neuroscientists. Dr. Buzsáki is a Fellow of the American Association for the Advancement of Science and honorary member of the Hungarian Academy of Sciences, and he sits on the editorial boards of several leading neuroscience journals.Steven G. Laitz is Associate Professor of Music Theory at the Eastman School of Music at the University of Rochester. He is also an Affiliate Faculty Member in the Chamber Music Department at Eastman. Dr. Laitz is the current editor of the Journal of Music Theory Pedagogy .

Musical Space and Time
Harnessing Space and Time: Introduction to Melody and Two-Voice Counterpoint
Musical Density: Triads, Seventh Chords and Texture
When Harmony, Melody, and Rhythm Converge
Tonic and Dominant as Tonal Pillars and Introduction to Voice Leading
The Impact of Melody, Rhythm, and Meter on Harmony; Introduction to V7
Contrapuntal Expansions of Tonic and DominantSix-Three Chords
More Contrapuntal Expansions: Inversions of V
And Leading-Tone Seventh Chords
The Pre-Dominant Function and the Phrase Model
Accented and Chromatic Dissonances
Six-Four Chords, the Subdominant, and Summary of Contrapuntal Expansions
The Pre-Dominant Refines the Phrase Model
The SubmediantA New Diatonic Harmony, and Further Extensions of the Phrase Model
The Mediant, the Back-Relating Dominant, and a Synthesis of Diatonic Harmonic Relationships
The Period
Other Small Musical Structures: Sentences, Double Periods, and Asymmetrical Periods
Harmonic Sequences
Applied Chords
Tonicization and Modulation
Binary Form and Variations
Modal Mixture
Expansion of Modal Mixture Harmonies: Chromatic Modulation and the German I Lied/i
The Neapolitan Chord (b II)
The Augmented Sixth Chord
Ternary Form
Sonata Form
New Harmonic Tendencies
The Rise of Symmetrical Harmony in Tonal Music
Melodic and Harmonic Symmetry Combine: Chromatic Sequences
At Tonality's Edge
The Pitch Realmb
Pulse, Rhythm, and Meterc
Triads, Inversions, Figured Bass, and Harmonic Analysise
Seventh Chords and Harmonic Analysis
Invertible Counterpoint, Compound Melody, and Implied Harmonies
The Motive
Additional Harmonic Sequence Topics
Selected Answers to Textbook Exercises
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