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| Introduction to the New Edition | |
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| Art History: Making the Visible Legible | |
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| Art as History | |
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| Introduction | |
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| Preface to Part III of 'The Lives' | |
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| Reflections on the Imitation of Greek Works in Painting and Sculpture | |
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| Winckelmann Divided: Mourning the Death of Art History | |
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| Patterns of Intention | |
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| Aesthetics | |
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| Introduction | |
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| What is Enlightenment? | |
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| Philosophy of Fine Art | |
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| Impure Mimesis, or the Ends of the Aesthetic | |
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| Form, Content, and Style | |
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| Introduction | |
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| Principles of Art History | |
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| 'Form', Nineteenth-Century Metaphysics, and the Problem of Art Historical Description | |
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| 'Style' | |
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| Anthropology and/or Art History | |
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| Introduction | |
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| Leading Characteristics of the Late Roman 'Kunstwollen' | |
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| Images from the Region of the Pueblo Indians of North America | |
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| Warburg's Concept of 'Kunstwissenschaft' and its Meaning for Aesthetics | |
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| Silent Moves: On Excluding the Ethnographic Subject from the Discourse of Art History | |
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| Mechanisms of Meaning | |
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| Introduction | |
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| Iconography and Iconology: An Introduction to the Study of Renaissance Art | |
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| Semiotics and Iconography | |
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| Semiotics and Art History: A Discussion of Contexts and Senders | |
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| Meaning/Interpretation | |
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| The Limits of Interpretation | |
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| Introduction | |
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| The Temptation of New Perspectives | |
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| The Origin of the Work of Art | |
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| The Still Life as a Personal Object - a Note on Heidegger and van Gogh | |
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| Restitutions of the Truth in Pointing [Pointure] | |
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| Authorship and Identity | |
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| Introduction | |
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| What is an Author? | |
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| The Discourse of Others: Feminists and Postmodernism | |
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| Re-Viewing Modernist Criticism | |
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| Performative Acts and Gender Constitution: An Essay in Phenomenology and Feminist Theory | |
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| Postmodern Automatons | |
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| 'Every Man Knows How Beauty Gives Him Pleasure': Beauty Discourse and the Logic of Aesthetics | |
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| Queer Wallpaper | |
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| Globalization and its Discontents | |
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| Introduction | |
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| Orientalism and the Exhibitionary Order | |
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| The Museum as Ritual | |
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| The Work of Art in the Age of its Technological Reproducibility (Third Version) | |
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| Can Our Values be Objective? On Ethics, Aesthetics, and Progessive Politics | |
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| Visual Culture Studies: Questions of History, Theory, and Practice | |
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| 'Life-Like': Historicizing Process in Digital Art | |
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| Epilogue: The Art of Art History | |
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| Coda: Plato's Dilemma and the Tasks of the Art Historian Today | |