Skip to content

Tragedy of Macbeth

ISBN-10: 0198321465

ISBN-13: 9780198321460

Edition: 2nd 2004 (Revised)

Authors: William Shakespeare, Roma Gill

List price: $9.95
Blue ribbon 30 day, 100% satisfaction guarantee!
what's this?
Rush Rewards U
Members Receive:
Carrot Coin icon
XP icon
You have reached 400 XP and carrot coins. That is the daily max!

Description:

Oxford School Shakespeare is an acclaimed edition especially designed for students, with accessible on-page notes and explanatory illustrations, clear background information, and rigorous but accessible scholarly credentials. In this edition of Macbeth, illustrations have been extended and updated; the preliminary notes have been expanded; reading lists have been updated, and include websites; and the classroom notes have been brought in line with recent practice. Macbeth is a set text for 11-14 year olds in England and remains the most accessible and popular of Shakespeare's plays for secondary students the world over.
Customers also bought

Book details

List price: $9.95
Edition: 2nd
Copyright year: 2004
Publisher: Oxford University Press, Incorporated
Publication date: 1/20/2005
Binding: Paperback
Pages: 160
Size: 6.50" wide x 8.25" long x 0.50" tall
Weight: 0.550
Language: English

William Shakespeare, 1564 - 1616 Although there are many myths and mysteries surrounding William Shakespeare, a great deal is actually known about his life. He was born in Stratford-Upon-Avon, son of John Shakespeare, a prosperous merchant and local politician and Mary Arden, who had the wealth to send their oldest son to Stratford Grammar School. At 18, Shakespeare married Anne Hathaway, the 27-year-old daughter of a local farmer, and they had their first daughter six months later. He probably developed an interest in theatre by watching plays performed by traveling players in Stratford while still in his youth. Some time before 1592, he left his family to take up residence in London, where he began acting and writing plays and poetry. By 1594 Shakespeare had become a member and part owner of an acting company called The Lord Chamberlain's Men, where he soon became the company's principal playwright. His plays enjoyed great popularity and high critical acclaim in the newly built Globe Theatre. It was through his popularity that the troupe gained the attention of the new king, James I, who appointed them the King's Players in 1603. Before retiring to Stratford in 1613, after the Globe burned down, he wrote more than three dozen plays (that we are sure of) and more than 150 sonnets. He was celebrated by Ben Jonson, one of the leading playwrights of the day, as a writer who would be "not for an age, but for all time," a prediction that has proved to be true. Today, Shakespeare towers over all other English writers and has few rivals in any language. His genius and creativity continue to astound scholars, and his plays continue to delight audiences. Many have served as the basis for operas, ballets, musical compositions, and films. While Jonson and other writers labored over their plays, Shakespeare seems to have had the ability to turn out work of exceptionally high caliber at an amazing speed. At the height of his career, he wrote an average of two plays a year as well as dozens of poems, songs, and possibly even verses for tombstones and heraldic shields, all while he continued to act in the plays performed by the Lord Chamberlain's Men. This staggering output is even more impressive when one considers its variety. Except for the English history plays, he never wrote the same kind of play twice. He seems to have had a good deal of fun in trying his hand at every kind of play. Shakespeare wrote 154 sonnets, all published on 1609, most of which were dedicated to his patron Henry Wriothsley, The Earl of Southhampton. He also wrote 13 comedies, 13 histories, 6 tragedies, and 4 tragecomedies. He died at Stratford-upon-Avon April 23, 1616, and was buried two days later on the grounds of Holy Trinity Church in Stratford. His cause of death was unknown, but it is surmised that he knew he was dying.

List of illustrations
List of abbreviations and conventions
Introduction
Macbeth in legend, Macbeth in history
Topical Macbeth
Occasional Macbeth
Documents
Macbeth in the mind
Succession, time, and families
Master of his time: 'doubly redoubled strokes'
Prospect of belief: witches, women, and mediated knowledge
'What do you mean?': the languages of Macbeth
Macbeth in performance
Performance and adaptation before 1800
Later stagings and versions
Further variations: Kurosawa, Polanski, Ninagawa
Macbeth in the mind and in performance: Act 4, Scene 3
Recent performances and adaptations
Macbeth filmed
Recent criticism and scholarship
Macbeth in its time and just after
Macbeth since about 1700
Note on the text
Note on the Commentary
List of characters
The Play
Supplementary notes
Textual analysis
Casting Macbeth
Additional text and music
Relineation of the Folio
Reading list