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To the Instructor | |
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To the Student | |
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An Introduction to the Musical Literacy Process | |
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Strategies For Successful Sight Singing | |
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Building Musicianship and Independency | |
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Rhythmic Reading | |
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Simple Meter-Quarter Note = Beat Unit | |
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Undivided Beat | |
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Building Aural/Oral Skills | |
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Beat, Tempo, Meter, Duple Meter, Triple Meter, Quadruple Meter, Rhythm | |
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Symbolic Association | |
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Score Notation, Whole Note/Rest, Half Note/Rest, Quarter Note/Rest, Meter Signature | |
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Bar Lines, Double Bar Line | |
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Rhythm Patterns | |
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Exercises | |
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Canon, Retrograde Canon, Anacrusis, Bracket | |
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Simple Meter- Quarter Note = Beat Unit | |
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Divided Beat | |
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Building Aural/Oral Skills | |
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Macro Beat, Micro Beat | |
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Symbolic Association | |
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Motive, Eighth Note/Rest, Flag, Beam | |
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Rhythm Patterns | |
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Exercises | |
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Common Time | |
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Simple Meter- Quarter Note = Beat Unit | |
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Slur, Tie, and Extension Dot | |
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Building Aural/Oral Skills | |
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Tie, Extension Dot/Augmentation Dot, Slur, Legato, Phrase | |
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Symbolic Association | |
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Rhythm Patterns | |
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Exercises | |
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Terms and Symbols | |
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Symbolic Association: Performance Markings | |
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Interruptions in the Beat: Breath Mark, Fermata, Tenuto, Caesura, General Pause | |
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Tempo Markings: Adagio, Andante, Moderato, Allegretto, Allegro, Metronome, M.M. | |
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Changes in Tempo: Ritardando, Ritenuto, Accelerando, A Tempo, poco, poco � poco | |
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Dynamic Markings: Pianissimo, Piano, Mezzo Piano, Mezzo Forte, Forte, Fortissimo | |
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Changes in Tempo: Crescendo, Decrescendo, Diminuendo | |
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Articulation: Staccato, Accent | |
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Technical Terms: Repeat Sign, First and Second Endings | |
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Exercises | |
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Compound Meter-Dotted Quarter = Beat Unit | |
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Divided Beat | |
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Building Aural/Oral Skills | |
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Simple Meter, Duple Simple, Triple Simple, Quadruple Simple, Compound Meter | |
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Duple Compound, Triple Compound, Quadruple Compound | |
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Symbolic Association | |
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Rhythm Patterns | |
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Exercises | |
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Simple Meter- Quarter Note = Beat Unit | |
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Borrowed Beat Division | |
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Building Aural/Oral Skills | |
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Borrowed Division, Triplet, Duplet, Cross-Rhythms | |
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Symbolic Association | |
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Rhythm Patterns | |
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Exercises | |
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Simple Meter- Quarter Note = Beat Unit | |
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Syncopation | |
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Building Aural/Oral Skills | |
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Syncopation, Dynamic Accent, Agogic Accent | |
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Symbolic Association | |
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Rhythm Patterns | |
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Exercises | |
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Simple Meter- Quarter Note = Beat Unit | |
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Subdivided Beat | |
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Building Aural/Oral Skills | |
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Beat Subdivision | |
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Symbolic Association | |
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Rhythm Patterns | |
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Exercises | |
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More Terms and Symbols | |
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Symbolic Association: Performance Markings | |
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Tempo Markings: Largo, Lento, Vivace, Presto | |
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Changes in Tempo: Rallentando, Rubato, Con Moto, Meno Mosso | |
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Character Terms: Cantabile, Dolce, Maestoso, Con Brio, Agitato | |
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Dynamics: Sforzando, Sforzando-piano, Forte-piano | |
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Articulation: Marcato | |
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Other Terms: Subito, Pi�, Molto | |
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Technical Terms: Da Capo, Dal Segno, Sign, Fine, Coda | |
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Exercises | |
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Simple Meter- Quarter Note = Beat Unit | |
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More Rhythms with | |
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Borrowed Beat Division | |
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Building Aural/Oral Skills | |
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Symbolic Association | |
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Rhythm Patterns | |
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Exercises | |
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Simple Meter- Quarter Note = Beat Unit | |
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More Rhythms with Syncopations | |
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Building Aural/Oral Skills | |
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Symbolic Association | |
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Rhythm Patterns | |
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Exercises | |
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Simple Meter- Quarter Note = Beat Unit | |
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More Rhythms with Subdivided Beat | |
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Building Aural/Oral Skills | |
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Symbolic Association | |
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Rhythm Patterns | |
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Exercises | |
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Simple Meter- Half Note = Beat Unit | |
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Symbolic Association | |
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Alla Breve, Cut Time, Double Whole Note/Rest | |
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Rhythm Patterns | |
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Exercises | |
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Simple Meter- Eighth Note = Beat Unit | |
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Symbolic Association | |
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Rhythm Patterns | |
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Exercises | |
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Compound Meter-Dotted Quarter = Beat Unit | |
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More Rhythms | |
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Building Aural/Oral Skills | |
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Symbolic Association | |
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Rhythm Patterns | |
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Exercises | |
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Compound Meter-Dotted Half Note = Beat Unit | |
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Symbolic Association | |
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Rhythm Patterns | |
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Exercises | |
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Compound Meter-Dotted Eighth Note = Beat Unit | |
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Symbolic Association | |
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Rhythm Patterns | |
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Exercises | |
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Simple Meter-Irregular Division of Beat | |
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Building Aural/Oral Skills | |
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Symbolic Association | |
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Triplets, Quintuplets, Sextuplets, Septuplets, Measured Tremolo | |
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Rhythm Patterns and Exercises: Quarter Note = Beat Unit | |
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Exercises: Other Simple Meters | |
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Compound Meter-Irregular Division of Beat | |
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Building Aural/Oral Skills | |
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Symbolic Association | |
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Duplets, Quadruplets, Quintuplets, Septuplets | |
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Rhythm Patterns and Exercises: Dotted Quarter Note = Beat Unit | |
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Exercises: Other Compound Meters | |
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Hemiola and Cross Rhythms | |
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Symbolic Association: Hemiola, 2:3, 3:2 | |
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Hemiola, Superduplet, Supertriplet | |
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Exercises: Hemiola, 2:3, 3:2 | |
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Symbolic Association: 3:4, 4:3, 2:5 | |
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Superquadruplet | |
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Exercises: 3:4, 4:3, 2:5 | |
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Asymmetrical Meters | |
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Symbolic Association | |
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Rhythm Patterns and Exercises: Beat Constant | |
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Rhythm Patterns and Exercises: Beat Division Constant | |
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Mixed Meters | |
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Symbolic Association | |
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Exercises | |
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Melodic Reading | |
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Tonic Pentachord in Major Mode | |
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Simple Meters, Undivided Beat | |
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Building Aural/Oral Skills: Diatonic Steps | |
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Pentachord Scale, Intervals, Tonic Triad, Tertian, Root, Third, Fifth, Chord, Harmony, Arpeggio | |
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Symbolic Association: Diatonic Steps | |
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Score Notation, Staff, Line Note, Space Note, Second, Fourth | |
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Tonal and Melodic Patterns: Diatonic Steps | |
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Exercises: Diatonic Steps | |
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Building Aural/Oral Skills: Tonic Triad | |
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Symbolic Association: Tonic Triad | |
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Tonal and Melodic Patterns: Diatonic Steps, Tonic Triad | |
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Root, Third, Fifth, Chord, Arpeggio | |
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Exercises: Diatonic Steps, Tonic Triad | |
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Clef Signs, Treble Clef, Bass Clef, Musical Alphabet, Key Signature, Hocket | |
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Diatonic Steps and Tonic Triad in the Major Scale | |
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Simple Meters | |
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Undivided Beat | |
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Building Aural/Oral Skills: Diatonic Steps | |
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Major Scale, Diatonic, Non-diatonic, Intervals from Tonic, Scale Degrees, Unison, Prime | |
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Symbolic Association: Diatonic Steps | |
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Supertonic, Mediant, Subdominant, Dominant, Submediant, Leading Tone | |
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Tonal and Melodic Patterns: Diatonic Steps | |
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Exercises: Diatonic Steps | |
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Ledger Lines | |
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Building Aural/Oral Skills: Diatonic Steps, Tonic Triad | |
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Half Step, Semi-tone, Whole Step, Inverted Tonic Triads, Intervals of a Fourth | |
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Symbolic Association: Diatonic Steps, Tonic Triad | |
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Major Key Signature, Harmonic Triad, Melodic Triad | |
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Tonal and Melodic Patterns: Diatonic Steps, Tonic Triad | |
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Exercises: Diatonic Steps, Tonic Triad | |
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Diatonic Steps and Tonic Triad in the Natural Minor Scale | |
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Simple Meters | |
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Undivided Beat | |
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Building Aural/Oral Skills: Diatonic Steps, Tonic Triad | |
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Natural Minor Scale, Tonic Triad, Intervals from Tonic | |
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Symbolic Association: Diatonic Steps, Tonic Triad | |
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Minor Key Signatures, Subtonic | |
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Tonal and Melodic Patterns: Diatonic Steps, Tonic Triad | |
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Exercises: Diatonic Steps, Tonic Triad | |
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Diatonic Steps and Tonic Triad in the Major Scale | |
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Simple Meters, Divided Beat | |
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Integrating Rhythm and Tonal Skills: Major Mode | |
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Quality and Quantity of Intervals From Tonic | |
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Symbolic Association: Major Mode | |
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Melodic Patterns: Major Mode | |
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Exercises: Major Mode | |
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Diatonic Steps and Tonic Triad in the Major Scale | |
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Simple Meters | |
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Dotted Quarter Notes | |
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Integrating Rhythm and Tonal Skills: Major Mode | |
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Major and Minor Thirds, Perfect and Augmented Fourths in the Major Scale | |
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Triads Built on Each Scale Degree | |
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Symbolic Association: Major Mode | |
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Motive, Sequence, Phrase, Melodic Cadence, Progressive Cadence, Terminal Cadence | |
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Through-Composed | |
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Melodic Patterns: Major Mode | |
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Exercises: Major Mode | |
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Natural Minor Scale | |
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Simple Meters, Eighth and Dotted Quarter Notes | |
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Building Aural/Oral Skills: Natural Minor Scale | |
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Intervals from Tonic | |
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Major and Minor Thirds, Perfect and Augmented Fourths | |
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Triads Built on Each Scale Degree | |
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Major, Minor, and Diminished Triads | |
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Symbolic Association: Natural Minor Scale | |
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Tonal and Melodic Patterns: Natural Minor Scale | |
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Exercises: Natural Minor Scale | |
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Harmonic, and Melodic Minor Scales | |
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Simple Meters, Eighth and | |
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Dotted Quarter Notes | |
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Building Aural/Oral Skills: Harmonic Minor Scale | |
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Intervals from Tonic | |
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Major and Minor Thirds, Perfect and Augmented Fourths | |
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Triads Built on Each Scale Degree, Augmented Triad | |
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Symbolic Association: Harmonic Minor Scale | |
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Tonal and Melodic Patterns: Harmonic Minor Scale | |
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Exercises: Harmonic Minor Scale | |
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Building Aural/Oral Skills: Melodic Minor Scale | |
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Intervals from Tonic | |
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Major and Minor Thirds, Perfect and Augmented Fourths | |
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Symbolic Association: Melodic Minor Scale | |
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Tonal and Melodic Patterns: Melodic Minor Scale | |
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Exercises: Melodic Minor Scale | |
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Exercises: Intervals in Tonic Triad (i) and Mediant Triad (III)/Relative Major | |
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Major and Minor Modes | |
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Compound Meters-Dotted Quarter = Beat Unit | |
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Integrating Rhythm and Tonal Skills: Major Mode | |
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Symbolic Association: Major Mode | |
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Melodic Patterns: Major Mode | |
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Exercises: Major Mode | |
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Integrating Rhythm and Tonal Skills: Minor Mode | |
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Symbolic Association: Minor Mode | |
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Melodic Patterns: Minor Mode | |
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Exercises: Minor Mode | |
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Exercises: Intervals in Tonic Triad (i) and Major Triad (III)/Relative Major | |
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I and V7 in Major Mode | |
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Simple and Compound Meters | |
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Building Aural/Oral Skills: Dominant Triad, Major Mode | |
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Chromatic Scale, Ascending and Descending Intervals Moving Out From the Tonic in the | |
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Major Scale, Dominant Triad, First Inversion Triads Built on Each Degree of the Major Scale | |
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Symbolic Association: Dominant Triad, Major Mode | |
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Chord Tone, Neighbor Tone, Passing Tone | |
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Tonal Patterns: Dominant Triad, Major Mode | |
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Exercises: Dominant Triad, Major Mode, Simple Meters | |
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Building Aural/Oral Skills: Dominant Seventh Chord, Major Mode | |
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Dominant Seventh Chord, Third Inversion, Second Inversion Triads Built on Each Degree | |
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of the Major Scale | |
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Symbolic Association: Dominant Seventh Chord, Major Mode | |
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Tonal Patterns: Dominant Seventh Chord, Major Mode | |
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Exercises: Dominant Seventh Chord, Major Mode, Simple Meters | |
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Exercises: Dominant and Dominant Seventh, Major Mode, Compound Meters | |
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i and V7 in Minor Mode | |
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Simple and Compound Meters | |
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Building Aural/Oral Skills: Dominant Triad, Minor Mode | |
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Ascending and Descending Intervals Moving Out from the Tonic in the Natural Minor Scale | |
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Dominant Triad in Minor, First Inversion Triads Built on Each Degree of the Minor Scales | |
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Symbolic Association: Dominant Triad, Minor Mode | |
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Tonal Patterns: Dominant Triad, Minor Mode | |
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Exercises: Dominant Triad, Minor Mode, Simple Meters | |
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Building Aural/Oral Skills: Dominant Seventh Chord, Minor Mode | |
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Dominant Seventh Chord, Third Inversion, Second Inversion Triads Built on Each Degree of the Minor Scale | |
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Symbolic Association: Dominant Seventh Chord, Minor Mode | |
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Tonal Patterns: Dominant Seventh Chord, Minor Mode | |
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Exercises: Dominant Seventh Chord, Minor Mode, Simple Meters | |
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Exercises: Dominant and Dominant Seventh, Minor Mode, Compound Meters | |
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I and V7 in Major Mode | |
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Other Rhythms in Simple Meters | |
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Integrating Rhythm and Tonal Skills: Major Mode | |
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Chromatic Intervals | |
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Symbolic Association | |
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Melodic Patterns and Exercises: Triplets, Tonic Only | |
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Melodic Patterns and Exercises: Syncopation, Tonic Only | |
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Melodic Patterns and Exercises: Subdivided Beat, Tonic Only | |
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Exercises: Combined Rhythms, Tonic Only | |
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Exercises: Combined Rhythms, Tonic and Dominant | |
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i and V7 in Minor Mode | |
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Other Rhythms in Simple Meters | |
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Integrating Rhythm and Tonal Skills: Minor Mode | |
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Symbolic Association | |
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Melodic Patterns and Exercises: Triplets, Tonic Only | |
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Melodic Patterns and Exercises: Syncopation, Tonic Only | |
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Melodic Patterns and Exercises: Subdivided Beat, Tonic Only | |
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Exercises: Combined Rhythms, Tonic Only | |
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Exercises: Combined Rhythms, Tonic and Dominant | |
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I and V7 in Major and Minor Modes | |
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Half Note = Beat Unit | |
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Integrating Rhythm and Tonal Skills: Major and Minor Modes | |
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Symbolic Association | |
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Melodic Patterns and Exercises: Major Mode, Tonic Only | |
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Exercises: Major Mode, Tonic and Dominant | |
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Melodic Patterns and Exercises: Minor Mode, Tonic Only | |
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Exercises: Minor Mode, Tonic and Dominant | |
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I and V7 in Major and Minor Modes | |
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Eighth Note = Beat Unit | |
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Integrating Rhythm and Tonal Skills: Major and Minor Modes | |
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Ascending and Descending Chromatic Intervals Moving Out From Tonic | |
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Symbolic Association | |
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Melodic Patterns and Exercises: Major Mode, Tonic Only | |
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Exercises: Major Mode, Tonic and Dominant | |
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Melodic Patterns and Exercises: Minor Mode, Tonic Only | |
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Exercises: Minor Mode, Tonic and Dominant | |
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I and V7 in Major and Minor | |
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Compound Meters-More Rhythms | |
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Integrating Rhythm and Tonal Skills: Major and Minor Modes | |
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Major, Minor, Augmented and Diminished Triads | |
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Symbolic Association | |
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Melodic Patterns and Exercises: Major Mode, Tonic Only | |
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Exercises: Major Mode, Tonic and Dominant | |
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Melodic Patterns and Exercises: Minor Mode, Tonic Only | |
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Exercises: Minor Mode, Tonic and Dominant | |
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The Moveable C Clefs | |
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Symbolic Association | |
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Exercises: Major and Minor Modes, Tonic and Dominant | |
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I, IV and V7 in Major Mode | |
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Simple and Compound Meters | |
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Building Aural/Oral Skills: Sub-Dominant Triad, Major Mode | |
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Subdominant Triad in Major | |
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Symbolic Association | |
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Tonal Patterns: Subdominant Triad, Major Mode | |
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Exercises: I, IV, V7, Major Mode, Simple Meters | |
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Exercises: I, IV, V7, Major Mode, Compound Meters | |
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i, iv and V7 in Minor Mode | |
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Simple and Compound Meters | |
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Building Aural/Oral Skills: Subdominant Triad, Minor Mode | |
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Subdominant Triad in Minor | |
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Symbolic Association | |
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Tonal Patterns: Subdominant Triad, Minor Mode | |
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Exercises: i, iv, IV, and V7, Minor Mode, Simple Meters | |
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Exercises: i, iv, IV and V7, Minor Mode, Compound Meters | |
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Other Diatonic Triads and Seventh Chords in Major and Minor Modes | |
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Building Aural/Oral Skills: Diatonic Seventh Chords in Major Mode | |
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Seventh Chords | |
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Symbolic Association | |
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Tonal Patterns: ii, iii, vi, vii�, Major Mode | |
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Exercises: ii, iii, vi, vii�, Major Mode | |
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Building Aural/Oral Skills: Diatonic Seventh Chords in Minor Mode | |
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Symbolic Association | |
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Tonal Patterns: ii�, III, VI, VII, Minor Mode | |
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Exercises: ii�, III, VI, VII, Minor Mode | |
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Chromaticism: Nonharmonic Tones | |
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Building Aural/Oral Skills | |
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Chromaticism, Nonharmonic Tones | |
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Symbolic Association | |
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Tonal Patterns | |
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Major Mode: 4, ”7, 1, 2, ”3 | |
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Minor Mode: 4, 3 | |
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Exercises | |
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Chromaticism: Secondary Dominants | |
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Building Aural/Oral Skills | |
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Tonicization, Secondary Dominants | |
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Symbolic Association | |
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Tonal Patterns and Exercises: Raised Fourth Scale Degree, Major Mode | |
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Tonal Patterns and Exercises: Raised Fourth Scale Degree, Minor Mode | |
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Tonal Patterns and Exercises: Lowered Seventh Scale Degree, Major Mode | |
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Tonal Patterns and Exercises: Raised Tonic, Major Mode | |
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Tonal Patterns and Exercises: Raised Second Scale Degree, Major Mode | |
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Tonal Patterns and Exercises: Raised Third Scale Degree, Minor Mode | |
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Exercises: Secondary Dominants and Nonharmonic Tones | |
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Chromaticism: Modulation | |
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Symbolic Association | |
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Modulation, Closely Related Keys, Distantly Related Keys, Neapolitan Triad | |
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Exercises: Modulation to the Dominant | |
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Exercises: Modulation to Closely Related Keys | |
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Exercises: Remote Modulation | |
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Chromaticism: Modulation | |
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Building Aural/Oral Skills | |
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Modal Mixture, Parallel Scales, Neapolitan Triad | |
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Symbolic Association | |
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Patterns: Modal Mixture | |
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Exercises: Modal Mixture | |
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Exercises: Neapolitan Triad | |
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Modes | |
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Symbolic Association: Diatonic Seven-Tone Scales | |
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Medieval Modes, Church Modes, Ionian, Dorian, Phrygian, Lydian, Mixolydian, Aeolian, Locrian | |
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Exercises | |
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Appendix | |
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Rhythm Reading Systems | |
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Overview of Systems | |
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Gordon Syllables | |
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Takademi Syllables | |
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McHose and Tibbs Syllables | |
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Kod�ly Syllables | |
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Rhythm Syllable Charts | |
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Gordon Syllables | |
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Takademi Syllables | |
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McHose and Tibbs Syllables | |
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Kod�ly Based Syllables | |
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Tonal Reading Systems | |
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Solmization | |
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Moveable Do | |
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Fixed Do | |
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Numbers | |
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Letter Names | |
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Hand Signs | |
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Tonal Ladder | |
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Dictation System | |
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Rhythm | |
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Simple Meter | |
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Compound Meter | |
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Tonal | |
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Melodic | |
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Conducting Patterns | |
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Glossary of Musical Terms | |
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Index | |