Skip to content

Behind the Curtain Making Music in Mumbai's Film Studios

Best in textbook rentals since 2012!

ISBN-10: 0195327640

ISBN-13: 9780195327649

Edition: 2008

Authors: Gregory D. Booth

List price: $39.99
Shipping box This item qualifies for FREE shipping.
Blue ribbon 30 day, 100% satisfaction guarantee!
what's this?
Rush Rewards U
Members Receive:
Carrot Coin icon
XP icon
You have reached 400 XP and carrot coins. That is the daily max!

Description:

Beginning in the 1930s, men and a handful of women came from India's many communities-Marathi, Parsi, Goan, North Indian, and many others--to Mumbai to work in an industry that constituted in the words of some, "the original fusion music." They worked as composers, arrangers, assistants, and studio performers in one of the most distinctive popular music and popular film cultures on the planet. Today, the songs played by Mumbai's studio musicians are known throughout India and the Indian diaspora under the popular name "Bollywood," but the musicians themselves remain, in their own words, "behind the curtain"--the anonymous and unseen performers of one of the world's most celebrated popular…    
Customers also bought

Book details

List price: $39.99
Copyright year: 2008
Publisher: Oxford University Press, Incorporated
Publication date: 10/13/2008
Binding: Paperback
Pages: 336
Size: 9.09" wide x 6.10" long x 0.79" tall
Weight: 1.078
Language: English

Introduction: Who Is Anthony Gonsalves?
History, Technology, and a Determinist Milieu for Hindi Film Song
Popular Music as Film Music
Musicians and Technology in the Mumbai Film-Music Industry
Changing Structures in the Mumbai Film Industry
The Life of Music in the Mumbai Film Industry
Origins, Training, and "Joining the Line"
Roles, Relations, and the Creative Process
Rehearsals, Recordings, and Economics
Music, Instruments, and Meaning from Musicians' Perspectives
Orchestras and Orchestral Procedures, Instrumental Change, Arranging, and Programming
Issues of Style, Genre, and Value in Mumbai Film Music
Conclusion: Oral History, Change, and Accounts of Human Agency
Notes
References
Index