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| Introduction | |
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| Short Fiction | |
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| Tom's Husband | |
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| Tony's Wife | |
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| The Revolt Of "Mother" | |
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| The Yellow Wall-Paper | |
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| A Male Magdalene from Samantha vs. Josiah | |
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| A Pair Of Silk Stockings | |
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| The Other Two | |
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| Seventeen Syllables | |
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| Freedom | |
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| Sweat | |
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| O Yes | |
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| A Late Encounter With the Enemy | |
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| A Worn Path | |
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| The Shawl | |
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| Extenuating Circumstances | |
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| Miss Clairol | |
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| Recitatif | |
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| In the American Society | |
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| May's Lion | |
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| Life in the Iron-Mills | |
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| Old Mrs. Harris | |
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| Poetry | |
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| Poetry from the Beginning | |
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| To My Dear and Loving Husband | |
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| The Flesh and the Spirit | |
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| On Imagination | |
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| The Soul Selects Her Own Society | |
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| This is My Letter to the World | |
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| My Life Had Stood--A Loaded Gun | |
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| After Great Pain, A Formal Feeling Comes | |
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| Decade | |
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| The Poem as Mask | |
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| Lineage | |
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| Religion, from Ulysses | |
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| In an Iridescent Time | |
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| Woman Me | |
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| Lady Lazarus | |
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| Contemporary Poetry | |
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| Diving Into the Wreck | |
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| When I was Growing Up | |
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| The Thirty Eighth Year | |
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| Song for A Thin Sister | |
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| What the Gypsy Said to Her Children | |
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| Daystar | |
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| A History of costume | |
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| Suicide Note | |
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| Remember | |
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| As Children Together | |
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| Public Lives | |
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| Women and the Nation | |
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| From On the Equality of the Sexes | |
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| A Woman at Forty, from Woman in the Nineteenth Century | |
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| The Working-Girls of New York, from Folly As It Flies | |
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| The Case Stated | |
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| The Struggle for Understanding | |
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| From The Higher Education of Women | |
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| The Coyote-Spirit and the Weaving Woman | |
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| Women Are Hungry | |
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| From the Personal to the Political | |
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| More Than Just a Shrine: Paying Homage to the Ghosts of Ellis Island | |
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| Longing to Die of Old Age | |
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| Last Words on Vietnam, 1987 | |
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| Amazons in Appalachia | |
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| If Men Could Menstruate | |
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| Why I Want a Wife | |
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| The Good Guys | |
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| Acting Out | |
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| Plays | |
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| Overtones | |
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| Trifles: A Play in one Act | |
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| Bitter Cane | |
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| Speeches and Performance Pieces | |
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| Ain's I a Woman? | |
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| Men in Your Life | |
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| From United States | |
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| Roslyn Malamud: the Coup, from Fires in the Mirror | |
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| Rituals and Ceremonies | |
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| Native American Ritual | |
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| Kopis'taya (a Gathering of Spirits) | |
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| Naming Power | |
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| The Foot-Washing | |
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| From The Women of Brewster Place | |
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| The Sixth Work: Rituals for the Extended Family, from Jambalaya | |
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| The Ceremonies of Community, from The Telling | |
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| Private Lives | |
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| The Republic of Women's Letters | |
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| To John Adams | |
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| Letter to the Editors of Freedom's Journal | |
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| Letter XV: Man Equally Guilty with Woman in the Fall | |
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| Women in the Nineteenth Century | |
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| Diary | |
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| Afternoon in the Woods, from Rural Hours | |
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| The Trials of Girlhood, from Incidents in the Life of a Slave Girl | |
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| To John Brown | |
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| To Louisa Picquet | |
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| Diary | |
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| Turning the Century | |
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| To Liane De Pougy | |
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| To Ben Reitman | |
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| From The School Days of an Indian Girl | |
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| From Leaves from the Mental Portfolio of an Eurasian | |
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| One Farmer's Wife | |
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| Modern Voices | |
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| To Anita Pollitzer | |
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| Names, from Memories of a Catholic Girlhood | |
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| From Storyteller | |
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| To Gabriela, A Young Writer | |
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| Bodily Pleasures | |
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| Recipes | |
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| The Last Return From the Sea, from The Captain's Lady's Cookbook | |
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| Bass for Picasso, from The Alice B. Toklas Cook Book | |
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| Sunday Revival Dinner, from The Taste of Country Cooking | |
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| Los Dias De Los Muertos, from Food From My Heart | |
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| Erotica | |
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| Wild Nights--Wild Nights! | |
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| Come Slowly--Eden! | |
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| Volcanoes Be in Sicily | |
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| The Storm, A Sequel to "The 'Cadian Ball" | |
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| From Lifting Belly | |
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| I Want to Die While You Love Me | |
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| Sea Rose | |
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| Mandra, II, from Little Birds | |
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| Sappho's Reply | |
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| She Didn't Think We Were Married | |
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| Fifteen, from Autumn Sequence | |
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| Acknowledgments | |
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| Topical Listing of Contents | |
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| Index | |